Lives and works in Cotonou and Hamburg\u003C/p>",[667],{"id":668,"url":669,"jpg16":670,"jpg800":671,"jpg1600":672,"jpg2400":673,"jpg3200":674,"alt":420,"title":675,"width":676,"height":677,"caption":420,"mobile":678,"__typename":679},"272650","https://dev-admin.mennour.com/uploads/img/2024-Portrait-Georges-Adeagbo-Photo.-Archives-mennour.jpg","mCH2N9_3_M9F#jRh00t5MwIUIoaext_3_3s:tRtRD$9FIpE1MyoJ","https://dev-admin.mennour.com/uploads/img/_jpg800/2024-Portrait-Georges-Adeagbo-Photo.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/2024-Portrait-Georges-Adeagbo-Photo.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/2024-Portrait-Georges-Adeagbo-Photo.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/2024-Portrait-Georges-Adeagbo-Photo.-Archives-mennour.jpg","2024 Portrait Georges Adeagbo Photo Archives mennour",4082,6123,[],"images_Asset",[681],{"title":682,"slug":683,"type":684,"extra":685},"Collaboration","collaborations","artistCategory",true,"artist",{"url":688,"slug":689,"title":690,"firstName":691,"lastName":692,"customFullName":420,"tagline":693,"coverImage":694,"artistCategory":707,"type":686},"https://www.mennour.com/artist/mohammad-alfaraj","mohammad-alfaraj","Mohammad AlFaraj","Mohammad","AlFaraj","Born in 1993 in Saudi Arabia\u003Cbr />\nLives and works in Al-Ahsa, Saudi Arabia",[695],{"id":696,"url":697,"jpg16":698,"jpg800":699,"jpg1600":700,"jpg2400":701,"jpg3200":702,"alt":420,"title":703,"width":704,"height":705,"caption":420,"mobile":706,"__typename":679},"4320","https://dev-admin.mennour.com/uploads/img/d2ac0d56-8e16-45ce-90fc-f8eb496b94e5-2.jpg","nCJZ}7?_JW0OeZ..].tSElw0.9EeRPROt8RiIn~VE2Ekxus.MzM_Nxx]D%x]=|jX","https://dev-admin.mennour.com/uploads/img/_jpg800/d2ac0d56-8e16-45ce-90fc-f8eb496b94e5-2.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/d2ac0d56-8e16-45ce-90fc-f8eb496b94e5-2.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/d2ac0d56-8e16-45ce-90fc-f8eb496b94e5-2.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/d2ac0d56-8e16-45ce-90fc-f8eb496b94e5-2.jpg","Mohammad alfaraj",1200,1600,[],[],{"url":709,"slug":710,"title":711,"firstName":712,"lastName":713,"customFullName":420,"tagline":714,"coverImage":715,"artistCategory":728,"type":686},"https://www.mennour.com/artist/lucie-antoinette","lucie-antoinette","Lucie Antoinette","Lucie","Antoinette","Born in 1993, lives and works in Paris, France.",[716],{"id":717,"url":718,"jpg16":719,"jpg800":720,"jpg1600":721,"jpg2400":722,"jpg3200":723,"alt":420,"title":724,"width":725,"height":726,"caption":420,"mobile":727,"__typename":679},"125200","https://dev-admin.mennour.com/uploads/img/LucieBascoul_Jan_-50.jpg","W7F$684T~qSc?b?G0JM~?GD*IX%g4T?aNH0LM_w]XnIoVr%2g2IV","https://dev-admin.mennour.com/uploads/img/_jpg800/LucieBascoul_Jan_-50.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/LucieBascoul_Jan_-50.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/LucieBascoul_Jan_-50.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/LucieBascoul_Jan_-50.jpg","Lucie Bascoul Jan 50",3024,2005,[],[729],{"title":730,"slug":731,"type":684,"extra":732},"Emergence","emergence",false,{"url":734,"slug":735,"title":736,"firstName":737,"lastName":738,"customFullName":420,"tagline":420,"coverImage":739,"artistCategory":752,"type":686},"https://www.mennour.com/artist/eugène-atget","eugène-atget","Eugène Atget","Eugène","Atget",[740],{"id":741,"url":742,"jpg16":743,"jpg800":744,"jpg1600":745,"jpg2400":746,"jpg3200":747,"alt":420,"title":748,"width":749,"height":750,"caption":420,"mobile":751,"__typename":679},"272655","https://dev-admin.mennour.com/uploads/img/Atget-Eugene.jpg","n38E3tIU_3-;t7%M~qD%IU?b~WD%9FRiD%t7RjM{xuog4n%MxuIV%M%MM{xb%ME1","https://dev-admin.mennour.com/uploads/img/_jpg800/Atget-Eugene.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Atget-Eugene.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Atget-Eugene.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Atget-Eugene.jpg","Atget Eugene",1544,2000,[],[753],{"title":682,"slug":683,"type":684,"extra":685},{"url":755,"slug":756,"title":757,"firstName":758,"lastName":759,"customFullName":420,"tagline":760,"coverImage":761,"artistCategory":774,"type":686},"https://www.mennour.com/artist/neil-beloufa","neil-beloufa","Neïl Beloufa","Neïl","Beloufa","Born in 1985 in Paris, France\u003Cbr />\nLives and works in Paris, France",[762],{"id":763,"url":764,"jpg16":765,"jpg800":766,"jpg1600":767,"jpg2400":768,"jpg3200":769,"alt":420,"title":770,"width":771,"height":772,"caption":420,"mobile":773,"__typename":679},"7769","https://dev-admin.mennour.com/uploads/img/Portrait-%C2%A9Polly-Thomas.jpg","nZGuapWC%Nt7Ri?wWBozkCR*-UjZROjsofIVj[RjayxbxCayofjZkCIoWBofWBR*","https://dev-admin.mennour.com/uploads/img/_jpg800/Portrait-©Polly-Thomas.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Portrait-©Polly-Thomas.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Portrait-©Polly-Thomas.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Portrait-©Polly-Thomas.jpg","Neil beloufa",2667,4000,[],[],{"url":776,"slug":777,"title":778,"firstName":779,"lastName":780,"customFullName":420,"tagline":781,"coverImage":782,"artistCategory":795,"type":686},"https://www.mennour.com/artist/hicham-berrada","hicham-berrada","Hicham Berrada","Hicham","Berrada","Born in 1986 in Casablanca, Morocco \u003Cbr />\nLives and works in Paris and Roubaix, France",[783],{"id":784,"url":785,"jpg16":786,"jpg800":787,"jpg1600":788,"jpg2400":789,"jpg3200":790,"alt":420,"title":791,"width":792,"height":793,"caption":420,"mobile":794,"__typename":679},"8351","https://dev-admin.mennour.com/uploads/img/HICHAM_PORTRAIT%C2%A9TETARD.jpg","nqMG@loe-:%LM{~pWVR*WBWCoLoeM{V@xaofj]j[a}j[ayaxt6oeWBayfRayWVfQ","https://dev-admin.mennour.com/uploads/img/_jpg800/HICHAM_PORTRAIT©TETARD.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/HICHAM_PORTRAIT©TETARD.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/HICHAM_PORTRAIT©TETARD.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/HICHAM_PORTRAIT©TETARD.jpg","4 S9 A5796",2606,3475,[],[],{"url":797,"slug":798,"title":799,"firstName":800,"lastName":801,"customFullName":420,"tagline":802,"coverImage":803,"artistCategory":815,"type":686},"https://www.mennour.com/artist/mohamed-bourouissa","mohamed-bourouissa","Mohamed Bourouissa","Mohamed","Bourouissa","\u003Cp>Born in 1978 in Blida, Algeria\u003Cbr />Lives and works in Paris, France\u003C/p>",[804],{"id":805,"url":806,"jpg16":807,"jpg800":808,"jpg1600":809,"jpg2400":810,"jpg3200":811,"alt":420,"title":812,"width":813,"height":750,"caption":420,"mobile":814,"__typename":679},"288154","https://dev-admin.mennour.com/uploads/img/230724_NA_MB_06_0474_1.jpg","npI|ICuO=|%M%M}[pIozxGS3RPWBS#aKRPWBj[f+WBnixuofWVbboJoLj[bIkCae","https://dev-admin.mennour.com/uploads/img/_jpg800/230724_NA_MB_06_0474_1.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/230724_NA_MB_06_0474_1.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/230724_NA_MB_06_0474_1.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/230724_NA_MB_06_0474_1.jpg","230724 NA MB 06 0474 1",1500,[],[],{"url":817,"slug":818,"title":819,"firstName":820,"lastName":821,"customFullName":420,"tagline":822,"coverImage":823,"artistCategory":836,"type":686},"https://www.mennour.com/artist/marie-bovo","marie-bovo","Marie Bovo","Marie","Bovo","Born in 1967 in Alicante, Spain\u003Cbr />\nLives and works in Marseille, France",[824],{"id":825,"url":826,"jpg16":827,"jpg800":828,"jpg1600":829,"jpg2400":830,"jpg3200":831,"alt":420,"title":832,"width":833,"height":834,"caption":420,"mobile":835,"__typename":679},"4326","https://dev-admin.mennour.com/uploads/img/4S9A7589.jpg","WgJ8Lvxt?ct7IAoL~qogogs:RiaykDt8t6RjozM{M{ayRjoeflay","https://dev-admin.mennour.com/uploads/img/_jpg800/4S9A7589.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/4S9A7589.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/4S9A7589.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/4S9A7589.jpg","Marie bovo",5760,3840,[],[],{"url":838,"slug":839,"title":840,"firstName":841,"lastName":842,"customFullName":420,"tagline":843,"coverImage":844,"artistCategory":857,"type":686},"https://www.mennour.com/artist/daniel-buren","daniel-buren","Daniel Buren","Daniel","Buren","\u003Cp>Born in 1938 in Boulogne-Billancourt, France\u003Cbr />Lives and works \u003Ci>in situ\u003C/i>\u003C/p>",[845],{"id":846,"url":847,"jpg16":848,"jpg800":849,"jpg1600":850,"jpg2400":851,"jpg3200":852,"alt":420,"title":853,"width":854,"height":855,"caption":420,"mobile":856,"__typename":679},"4328","https://dev-admin.mennour.com/uploads/img/Daniel-Buren-EMMA-2022-%C2%A9Ari-Karttunen-EMMA-Espoo-Museum-of-art-0313.jpg","nKDcU7~o-.tRkq?ut1si%Kt7MhMzn4bFWUIcT2bfJEN{M|o|%Mt6oL=X-5xswbn#","https://dev-admin.mennour.com/uploads/img/_jpg800/Daniel-Buren-EMMA-2022-©Ari-Karttunen-EMMA-Espoo-Museum-of-art-0313.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Daniel-Buren-EMMA-2022-©Ari-Karttunen-EMMA-Espoo-Museum-of-art-0313.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Daniel-Buren-EMMA-2022-©Ari-Karttunen-EMMA-Espoo-Museum-of-art-0313.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Daniel-Buren-EMMA-2022-©Ari-Karttunen-EMMA-Espoo-Museum-of-art-0313.jpg","Daniel buren",2134,3200,[],[],{"url":859,"slug":860,"title":861,"firstName":862,"lastName":863,"customFullName":420,"tagline":864,"coverImage":865,"artistCategory":878,"type":686},"https://www.mennour.com/artist/haguette-caland","haguette-caland","Huguette Caland","Huguette","Caland","\u003Cp>Born in 1931 in Beirut, Lebanon\u003Cbr />Died in 2019 in Beirut\u003C/p>",[866],{"id":867,"url":868,"jpg16":869,"jpg800":870,"jpg1600":871,"jpg2400":872,"jpg3200":873,"alt":420,"title":874,"width":875,"height":876,"caption":420,"mobile":877,"__typename":679},"138260","https://dev-admin.mennour.com/uploads/img/Huguette-Photo-by-Jacques-Prayertiff.jpg","fWNTwJof~qM{ayxt-;Rjj]ofRjofxuWBRjxtofWBs:fQWVWBRjj[xujtWBt7ofof","https://dev-admin.mennour.com/uploads/img/_jpg800/Huguette-Photo-by-Jacques-Prayertiff.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Huguette-Photo-by-Jacques-Prayertiff.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Huguette-Photo-by-Jacques-Prayertiff.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Huguette-Photo-by-Jacques-Prayertiff.jpg","Huguette Photo by Jacques Prayertiff",542,375,[],[879],{"title":682,"slug":683,"type":684,"extra":685},{"url":881,"slug":882,"title":883,"firstName":737,"lastName":884,"customFullName":420,"tagline":885,"coverImage":886,"artistCategory":899,"type":686},"https://www.mennour.com/artist/eugene-carriere","eugene-carriere","Eugène Carrière","Carrière","Born in 1849 in Gournay-sur-Marne, France\u003Cbr />\nDied in 1906 in Paris, France",[887],{"id":888,"url":889,"jpg16":890,"jpg800":891,"jpg1600":892,"jpg2400":893,"jpg3200":894,"alt":420,"title":895,"width":896,"height":897,"caption":420,"mobile":898,"__typename":679},"4332","https://dev-admin.mennour.com/uploads/img/portrait-CARRIERE.jpg","n3ATi%9F01-;00xu_3xuM{M{_2~q9F%M-;a{9Goe?bfQ~pM{Rj%Mt700ofay-;%M","https://dev-admin.mennour.com/uploads/img/_jpg800/portrait-CARRIERE.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/portrait-CARRIERE.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/portrait-CARRIERE.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/portrait-CARRIERE.jpg","Eugene carriere",3071,4016,[],[900],{"title":901,"slug":902,"type":684,"extra":732},"Estates","estates",{"url":904,"slug":905,"title":906,"firstName":907,"lastName":908,"customFullName":420,"tagline":909,"coverImage":910,"artistCategory":921,"type":686},"https://www.mennour.com/artist/valentin-carron","valentin-carron","Valentin Carron","Valentin","Carron","Born in 1977 in Martigny, Switzerland\u003Cbr />\nLives and works there",[911],{"id":912,"url":913,"jpg16":914,"jpg800":915,"jpg1600":916,"jpg2400":917,"jpg3200":918,"alt":420,"title":919,"width":750,"height":771,"caption":420,"mobile":920,"__typename":679},"4334","https://dev-admin.mennour.com/uploads/img/KamelMennour-ValentinCarron-portraits-JulienGremaud-074-web.jpg","nTL;dF-=%N%MD*~qt7M|t8ae?Ht8IUWAxuxuWBWAV@WBR*j]ofofj[Rjofxut7kC","https://dev-admin.mennour.com/uploads/img/_jpg800/KamelMennour-ValentinCarron-portraits-JulienGremaud-074-web.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/KamelMennour-ValentinCarron-portraits-JulienGremaud-074-web.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/KamelMennour-ValentinCarron-portraits-JulienGremaud-074-web.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/KamelMennour-ValentinCarron-portraits-JulienGremaud-074-web.jpg","Valentin carron",[],[],{"url":923,"slug":924,"title":925,"firstName":926,"lastName":927,"customFullName":420,"tagline":928,"coverImage":929,"artistCategory":942,"type":686},"https://www.mennour.com/artist/ymane-chabi-gara","ymane-chabi-gara","Ymane Chabi-Gara","Ymane","Chabi-Gara","Born in 1986 in Paris, France\u003Cbr />\nLives and works in Montreuil, France",[930],{"id":931,"url":932,"jpg16":933,"jpg800":934,"jpg1600":935,"jpg2400":936,"jpg3200":937,"alt":420,"title":938,"width":939,"height":940,"caption":420,"mobile":941,"__typename":679},"288991","https://dev-admin.mennour.com/uploads/img/Ymane-Chabi-Gara-048.jpg","fDF68^X9%Mj[9G-;~qs;%MkCt6a|?v?bIVf8tQM{8{M{xv%LWVWAtRa~a}oft7WB","https://dev-admin.mennour.com/uploads/img/_jpg800/Ymane-Chabi-Gara-048.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Ymane-Chabi-Gara-048.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Ymane-Chabi-Gara-048.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Ymane-Chabi-Gara-048.jpg","Ymane Chabi Gara 048",1920,1281,[],[],{"url":944,"slug":945,"title":946,"firstName":947,"lastName":948,"customFullName":420,"tagline":949,"coverImage":950,"artistCategory":962,"type":686},"https://www.mennour.com/artist/jean-degottex","jean-degottex","Jean Degottex","Jean","Degottex","Born in 1918 in Sathonay-Camp, France \u003Cbr />\nDied in 1988 in Paris",[951],{"id":952,"url":953,"jpg16":954,"jpg800":955,"jpg1600":956,"jpg2400":957,"jpg3200":958,"alt":420,"title":959,"width":960,"height":960,"caption":420,"mobile":961,"__typename":679},"4338","https://dev-admin.mennour.com/uploads/img/Portrait-Keiichi-Tahara.jpg","oBD,4W~qD%_2t64nD%-p?aWBoyay%MofRjt7%Mt7aya|WBWBIURkRjfjkBRjt7%Layfkayj[ofRj","https://dev-admin.mennour.com/uploads/img/_jpg800/Portrait-Keiichi-Tahara.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Portrait-Keiichi-Tahara.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Portrait-Keiichi-Tahara.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Portrait-Keiichi-Tahara.jpg","Jean degottex",2250,[],[963],{"title":901,"slug":902,"type":684,"extra":732},{"url":965,"slug":966,"title":967,"firstName":968,"lastName":969,"customFullName":420,"tagline":970,"coverImage":971,"artistCategory":984,"type":686},"https://www.mennour.com/artist/liam-everett","liam-everett","Liam Everett","Liam","Everett","Born in 1973 in Rochester, New York\u003Cbr />\nLives and works in California, USA",[972],{"id":973,"url":974,"jpg16":975,"jpg800":976,"jpg1600":977,"jpg2400":978,"jpg3200":979,"alt":420,"title":980,"width":981,"height":982,"caption":420,"mobile":983,"__typename":679},"8152","https://dev-admin.mennour.com/uploads/img/8.jpg","nkM7rxD$~qxtay?bofIURjt7%NkCM|t7R*bIazoeaxkCt8kCR*j?WBxuofWWWBf6","https://dev-admin.mennour.com/uploads/img/_jpg800/8.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/8.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/8.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/8.jpg","8",922,1382,[],[],{"url":986,"slug":987,"title":988,"firstName":989,"lastName":990,"customFullName":420,"tagline":991,"coverImage":992,"artistCategory":1005,"type":686},"https://www.mennour.com/artist/sidival-fila","sidival-fila","Sidival Fila","Sidival","Fila","Born in 1962 in the state of Parana, Brazil\u003Cbr />\nLives and works in Rome, Italy",[993],{"id":994,"url":995,"jpg16":996,"jpg800":997,"jpg1600":998,"jpg2400":999,"jpg3200":1000,"alt":420,"title":1001,"width":1002,"height":1003,"caption":420,"mobile":1004,"__typename":679},"42935","https://dev-admin.mennour.com/uploads/img/DSC2639-Recuperato.jpeg","fWHxZ*M|9F9Gt6%M~VoLRjoeRjR*%Lj?axxaRkWBt7jsoLj@j[ofozWBjZfks:oL","https://dev-admin.mennour.com/uploads/img/_jpg800/42935/DSC2639-Recuperato.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/42935/DSC2639-Recuperato.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/42935/DSC2639-Recuperato.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/42935/DSC2639-Recuperato.jpg","Sidival fila",7580,5054,[],[],{"url":1007,"slug":1008,"title":1009,"firstName":1010,"lastName":1011,"customFullName":420,"tagline":1012,"coverImage":1013,"artistCategory":1026,"type":686},"https://www.mennour.com/artist/dan-flavin","dan-flavin","Dan Flavin","Dan","Flavin","Born in 1933 in Jamaica, New York\u003Cbr />\nDan Flavin died in 1996 in Riverhead, New York",[1014],{"id":1015,"url":1016,"jpg16":1017,"jpg800":1018,"jpg1600":1019,"jpg2400":1020,"jpg3200":1021,"alt":420,"title":1022,"width":1023,"height":1024,"caption":420,"mobile":1025,"__typename":679},"270254","https://dev-admin.mennour.com/uploads/img/49717_portrait_de_l_artistedanflavin_high.jpeg","WXIhplRjj[IUof%M~qxuayxuj[RjIUxuj[ofj[WBIUt7j[Rjt7of","https://dev-admin.mennour.com/uploads/img/_jpg800/270254/49717_portrait_de_l_artistedanflavin_high.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/270254/49717_portrait_de_l_artistedanflavin_high.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/270254/49717_portrait_de_l_artistedanflavin_high.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/270254/49717_portrait_de_l_artistedanflavin_high.jpg","49717 portrait de l artistedanflavin high",3000,1888,[],[1027],{"title":682,"slug":683,"type":684,"extra":685},{"url":1029,"slug":1030,"title":1031,"firstName":1032,"lastName":1033,"customFullName":420,"tagline":1034,"coverImage":1035,"artistCategory":1048,"type":686},"https://www.mennour.com/artist/claire-fontaine","claire-fontaine","Claire Fontaine","Claire","Fontaine","Founded in 2004 in Paris\u003Cbr />\nWorks and lives in Palermo, Italy",[1036],{"id":1037,"url":1038,"jpg16":1039,"jpg800":1040,"jpg1600":1041,"jpg2400":1042,"jpg3200":1043,"alt":420,"title":1044,"width":1045,"height":1046,"caption":420,"mobile":1047,"__typename":679},"4342","https://dev-admin.mennour.com/uploads/img/1-2024-Portrait-Claire-Fontaine.-Archives-mennour.jpg","mSJ8V1%M?b%L~qRjoft6_3t7D$WBt7t7RjWCt7WAofayIoWBaeay","https://dev-admin.mennour.com/uploads/img/_jpg800/1-2024-Portrait-Claire-Fontaine.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/1-2024-Portrait-Claire-Fontaine.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/1-2024-Portrait-Claire-Fontaine.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/1-2024-Portrait-Claire-Fontaine.-Archives-mennour.jpg","Claire fontaine",939,1409,[],[],{"url":1050,"slug":1051,"title":1052,"firstName":1053,"lastName":1054,"customFullName":420,"tagline":1055,"coverImage":1056,"artistCategory":1069,"type":686},"https://www.mennour.com/artist/ryan-gander","ryan-gander","Ryan Gander","Ryan","Gander","Born in 1976 in Chester\u003Cbr />\nLives and works in London, United Kingdom",[1057],{"id":1058,"url":1059,"jpg16":1060,"jpg800":1061,"jpg1600":1062,"jpg2400":1063,"jpg3200":1064,"alt":420,"title":1065,"width":1066,"height":1067,"caption":420,"mobile":1068,"__typename":679},"4346","https://dev-admin.mennour.com/uploads/img/4S9A9540.jpg","mfFP83t7-;xu~poKkDof%1RjM{V@R*t7RPofR*oLjFaeozWBn%af","https://dev-admin.mennour.com/uploads/img/_jpg800/4S9A9540.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/4S9A9540.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/4S9A9540.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/4S9A9540.jpg","Ryan gander",940,1410,[],[],{"url":1071,"slug":1072,"title":1073,"firstName":1074,"lastName":1075,"customFullName":420,"tagline":1076,"coverImage":1077,"artistCategory":1090,"type":686},"https://www.mennour.com/artist/alberto-garcia-alix","alberto-garcia-alix","Alberto Garcia Alix","Alberto","Garcia Alix","Born in 1956 in León, Spain\u003Cbr />\nlives and works in Madrid, Spain",[1078],{"id":1079,"url":1080,"jpg16":1081,"jpg800":1082,"jpg1600":1083,"jpg2400":1084,"jpg3200":1085,"alt":420,"title":1086,"width":1087,"height":1088,"caption":420,"mobile":1089,"__typename":679},"4348","https://dev-admin.mennour.com/uploads/img/Autorretrato.-Mi-lado-femenino.-2002_2024-10-15-105642_todw.jpg","oCDl{3_3?bRjIUof~qM{RjWBM{ofD%WBoft7RjRjM{ofofofxuWBxuofM{RjofofxuayRjofayWB","https://dev-admin.mennour.com/uploads/img/_jpg800/Autorretrato.-Mi-lado-femenino.-2002_2024-10-15-105642_todw.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Autorretrato.-Mi-lado-femenino.-2002_2024-10-15-105642_todw.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Autorretrato.-Mi-lado-femenino.-2002_2024-10-15-105642_todw.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Autorretrato.-Mi-lado-femenino.-2002_2024-10-15-105642_todw.jpg","Alberto garcia alix",3080,3126,[],[],{"url":1092,"slug":1093,"title":1094,"firstName":1074,"lastName":1095,"customFullName":420,"tagline":1096,"coverImage":1097,"artistCategory":1110,"type":686},"https://www.mennour.com/artist/alberto-giacometti","alberto-giacometti","Alberto Giacometti","Giacometti","Born in 1901 in Borgonovo, Switzerland \u003Cbr />\nDied in 1966 in Chur, Switzerland",[1098],{"id":1099,"url":1100,"jpg16":1101,"jpg800":1102,"jpg1600":1103,"jpg2400":1104,"jpg3200":1105,"alt":420,"title":1106,"width":1107,"height":1108,"caption":420,"mobile":1109,"__typename":679},"7786","https://dev-admin.mennour.com/uploads/img/1957-Isaku-Yanaihara-Alberto-Giacometti-travaillant-dans-son-atelier-2003-3382-coll.-Fondation-Giacometti-Paris.jpg","nDI#x_009F?bxu~qt7xuIURj00%M-;M{M{D%xuRjt7WBxuxuM{M{%Mt7IU%MxuM{","https://dev-admin.mennour.com/uploads/img/_jpg800/1957-Isaku-Yanaihara-Alberto-Giacometti-travaillant-dans-son-atelier-2003-3382-coll.-Fondation-Giacometti-Paris.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/1957-Isaku-Yanaihara-Alberto-Giacometti-travaillant-dans-son-atelier-2003-3382-coll.-Fondation-Giacometti-Paris.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/1957-Isaku-Yanaihara-Alberto-Giacometti-travaillant-dans-son-atelier-2003-3382-coll.-Fondation-Giacometti-Paris.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/1957-Isaku-Yanaihara-Alberto-Giacometti-travaillant-dans-son-atelier-2003-3382-coll.-Fondation-Giacometti-Paris.jpg","Alberto giacometti",2340,3438,[],[1111],{"title":901,"slug":902,"type":684,"extra":732},{"url":1113,"slug":1114,"title":1115,"firstName":1116,"lastName":1117,"customFullName":420,"tagline":1118,"coverImage":1119,"artistCategory":1132,"type":686},"https://www.mennour.com/artist/douglas-gordon","douglas-gordon","Douglas Gordon","Douglas","Gordon","Born in 1966 in Glasgow, Scotland\u003Cbr />\nLives and works in Berlin, Glasgow and Paris",[1120],{"id":1121,"url":1122,"jpg16":1123,"jpg800":1124,"jpg1600":1125,"jpg2400":1126,"jpg3200":1127,"alt":420,"title":1128,"width":1129,"height":1130,"caption":420,"mobile":1131,"__typename":679},"4350","https://dev-admin.mennour.com/uploads/img/2019-06-05-15.00.56.jpg","feMQq+Rj-pRjIUxu~qRjIUofozWBxaayRjkCogWBofj@t6WBWBj[j[ayj[fjWCfQ","https://dev-admin.mennour.com/uploads/img/_jpg800/2019-06-05-15.00.56.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/2019-06-05-15.00.56.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/2019-06-05-15.00.56.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/2019-06-05-15.00.56.jpg","Douglas gordon",3046,2400,[],[],{"url":1134,"slug":1135,"title":1136,"firstName":1137,"lastName":1138,"customFullName":420,"tagline":1139,"coverImage":1140,"artistCategory":1153,"type":686},"https://www.mennour.com/artist/dhewadi-hadjab","dhewadi-hadjab","Dhewadi Hadjab","Dhewadi","Hadjab","Born in 1992 in M’Sila, Algeria\u003Cbr />\nLives and works in Paris, France",[1141],{"id":1142,"url":1143,"jpg16":1144,"jpg800":1145,"jpg1600":1146,"jpg2400":1147,"jpg3200":1148,"alt":420,"title":1149,"width":1150,"height":1151,"caption":420,"mobile":1152,"__typename":679},"289052","https://dev-admin.mennour.com/uploads/img/3-2024-Portrait-Dhewadi-Hadjab-Photo.-Archives-mennour.jpg","nZK_B[D%_2t7D%~qt7WBofj[jrRjIUWBxuNGIUWBofWBM{RjogayWBRkWCt7ayRj","https://dev-admin.mennour.com/uploads/img/_jpg800/3-2024-Portrait-Dhewadi-Hadjab-Photo.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/3-2024-Portrait-Dhewadi-Hadjab-Photo.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/3-2024-Portrait-Dhewadi-Hadjab-Photo.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/3-2024-Portrait-Dhewadi-Hadjab-Photo.-Archives-mennour.jpg","3 2024 Portrait Dhewadi Hadjab Photo Archives mennour",3571,4762,[],[],{"url":1155,"slug":1156,"title":1157,"firstName":1158,"lastName":1159,"customFullName":420,"tagline":1160,"coverImage":1161,"artistCategory":1174,"type":686},"https://www.mennour.com/artist/petrit-halilaj","petrit-halilaj","Petrit Halilaj","Petrit","Halilaj","Born in 1986 in Kostërrc, Kosovo\u003Cbr />\nLives and works between Germany, Kosovo, and Italy",[1162],{"id":1163,"url":1164,"jpg16":1165,"jpg800":1166,"jpg1600":1167,"jpg2400":1168,"jpg3200":1169,"alt":420,"title":1170,"width":1171,"height":1172,"caption":420,"mobile":1173,"__typename":679},"8289","https://dev-admin.mennour.com/uploads/img/MT_PETRIT-HALILAJ_David-Cruz-Puebla-small.jpg","nHM%ZPtTt8-pE100NIWnn~M}=;WCM|s.kC~q%MM{ogt7NfxuxZW=RjM^NG%2RjNG","https://dev-admin.mennour.com/uploads/img/_jpg800/MT_PETRIT-HALILAJ_David-Cruz-Puebla-small.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/MT_PETRIT-HALILAJ_David-Cruz-Puebla-small.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/MT_PETRIT-HALILAJ_David-Cruz-Puebla-small.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/MT_PETRIT-HALILAJ_David-Cruz-Puebla-small.jpg","MT PETRIT HALILAJ David Cruz Puebla small",1000,1477,[],[],{"url":1176,"slug":1177,"title":1178,"firstName":1179,"lastName":1180,"customFullName":420,"tagline":420,"coverImage":1181,"artistCategory":1194,"type":686},"https://www.mennour.com/artist/heidsieck-bernard","heidsieck-bernard","Bernard Heidsieck","Bernard","Heidsieck",[1182],{"id":1183,"url":1184,"jpg16":1185,"jpg800":1186,"jpg1600":1187,"jpg2400":1188,"jpg3200":1189,"alt":420,"title":1190,"width":1191,"height":1192,"caption":420,"mobile":1193,"__typename":679},"269609","https://dev-admin.mennour.com/uploads/img/ob_9cd4b7_mlp051138.jpg","msHLl1%M%Mxu~qt7ofayj[WBM{WBRjj[RjofofayWBayxuj[ayay","https://dev-admin.mennour.com/uploads/img/_jpg800/ob_9cd4b7_mlp051138.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/ob_9cd4b7_mlp051138.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/ob_9cd4b7_mlp051138.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/ob_9cd4b7_mlp051138.jpg","Ob 9cd4b7 mlp051138",682,1024,[],[1195],{"title":682,"slug":683,"type":684,"extra":685},{"url":1197,"slug":1198,"title":1199,"firstName":1200,"lastName":1201,"customFullName":420,"tagline":1202,"coverImage":1203,"artistCategory":1216,"type":686},"https://www.mennour.com/artist/camille-henrot","camille-henrot","Camille Henrot","Camille","Henrot","Born in 1978 in Paris, France\u003Cbr />\nLives and works in New York, United States",[1204],{"id":1205,"url":1206,"jpg16":1207,"jpg800":1208,"jpg1600":1209,"jpg2400":1210,"jpg3200":1211,"alt":420,"title":1212,"width":1213,"height":1214,"caption":420,"mobile":1215,"__typename":679},"4354","https://dev-admin.mennour.com/uploads/img/camille-henrot-josep-fonti-2019_146_2024-04-10-130937_ieba.jpg","WBHLr7Dh*0={IV.9%#IA?uSi%#-o0LkXMdIU?uoy4:i^-;S5xt%g","https://dev-admin.mennour.com/uploads/img/_jpg800/camille-henrot-josep-fonti-2019_146_2024-04-10-130937_ieba.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/camille-henrot-josep-fonti-2019_146_2024-04-10-130937_ieba.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/camille-henrot-josep-fonti-2019_146_2024-04-10-130937_ieba.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/camille-henrot-josep-fonti-2019_146_2024-04-10-130937_ieba.jpg","Camille henrot",5102,3401,[],[],{"url":1218,"slug":1219,"title":1220,"firstName":1221,"lastName":1222,"customFullName":420,"tagline":1223,"coverImage":1224,"artistCategory":1236,"type":686},"https://www.mennour.com/artist/david-hominal","david-hominal","David Hominal","David","Hominal","Born in 1976 in France\u003Cbr />\nLives and works in Berlin, Germany",[1225],{"id":1226,"url":1227,"jpg16":1228,"jpg800":1229,"jpg1600":1230,"jpg2400":1231,"jpg3200":1232,"alt":420,"title":1233,"width":1234,"height":750,"caption":420,"mobile":1235,"__typename":679},"8409","https://dev-admin.mennour.com/uploads/img/Portrait-c-Alexandra-Khazina-small.jpg","mIH2G*-po|_N~pRiIUoeRjIpxvMxM|kD?Gj[oNIAWAt7ozR+xaa#","https://dev-admin.mennour.com/uploads/img/_jpg800/Portrait-c-Alexandra-Khazina-small.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Portrait-c-Alexandra-Khazina-small.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Portrait-c-Alexandra-Khazina-small.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Portrait-c-Alexandra-Khazina-small.jpg","Portrait c Alexandra Khazina small",1125,[],[],{"url":1238,"slug":1239,"title":1240,"firstName":1241,"lastName":1242,"customFullName":1240,"tagline":1243,"coverImage":1244,"artistCategory":1257,"type":686},"https://www.mennour.com/artist/huang-yong-ping","huang-yong-ping","Huang Yong Ping","Yong Ping","Huang","Born in 1954 in Xiamen, China\u003Cbr />\nLived in Paris until his death in 2019",[1245],{"id":1246,"url":1247,"jpg16":1248,"jpg800":1249,"jpg1600":1250,"jpg2400":1251,"jpg3200":1252,"alt":420,"title":1253,"width":1254,"height":1255,"caption":420,"mobile":1256,"__typename":679},"138521","https://dev-admin.mennour.com/uploads/img/HYP-in-Grand-Palais-Paris-2016-Photo.-Archives-Mennour.jpg","o7DcXTM{-;D%00t7~qxu00t7t7ofIU-;D%%M%MM{M{IU_3M{WBay4nRj-;RjIUt700%MxuRjt7WB","https://dev-admin.mennour.com/uploads/img/_jpg800/HYP-in-Grand-Palais-Paris-2016-Photo.-Archives-Mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/HYP-in-Grand-Palais-Paris-2016-Photo.-Archives-Mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/HYP-in-Grand-Palais-Paris-2016-Photo.-Archives-Mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/HYP-in-Grand-Palais-Paris-2016-Photo.-Archives-Mennour.jpg","HYP in Grand Palais Paris 2016 Photo Archives Mennour",1151,1328,[],[1258],{"title":901,"slug":902,"type":684,"extra":732},{"url":1260,"slug":1261,"title":1262,"firstName":1263,"lastName":1264,"customFullName":420,"tagline":1265,"coverImage":1266,"artistCategory":1279,"type":686},"https://www.mennour.com/artist/elizabeth-jaeger","elizabeth-jaeger","Elizabeth Jaeger","Elizabeth","Jaeger","Born in 1988 in San Francisco, USA\u003Cbr />\nLives and works in New York, USA",[1267],{"id":1268,"url":1269,"jpg16":1270,"jpg800":1271,"jpg1600":1272,"jpg2400":1273,"jpg3200":1274,"alt":420,"title":1275,"width":1276,"height":1277,"caption":420,"mobile":1278,"__typename":679},"8217","https://dev-admin.mennour.com/uploads/img/Photo-Credit.Qiaosen-Yang-02.JPG","mPHed.Di-;~q?bIUt7NH-pxuM{jY-;t7V@t7_3V@xaof-;Rjt7oe","https://dev-admin.mennour.com/uploads/img/_jpg800/8217/Photo-Credit.Qiaosen-Yang-02.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/8217/Photo-Credit.Qiaosen-Yang-02.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/8217/Photo-Credit.Qiaosen-Yang-02.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/8217/Photo-Credit.Qiaosen-Yang-02.jpg","Photo Credit Qiaosen Yang 02",3712,5568,[],[],{"url":1281,"slug":1282,"title":1283,"firstName":1284,"lastName":1285,"customFullName":420,"tagline":1286,"coverImage":1287,"artistCategory":1299,"type":686},"https://www.mennour.com/artist/cameron-jamie","cameron-jamie","Cameron Jamie","Cameron","Jamie","Born 1969 in Los Angeles, United States\u003Cbr />\nLives and works in Paris, France",[1288],{"id":1289,"url":1290,"jpg16":1291,"jpg800":1292,"jpg1600":1293,"jpg2400":1294,"jpg3200":1295,"alt":420,"title":1296,"width":1297,"height":1297,"caption":420,"mobile":1298,"__typename":679},"295094","https://dev-admin.mennour.com/uploads/img/MGL7314_%C2%A9SilvioWaser.jpeg","o6J8Y6A8~p_300IU00x]ImI-~qs=00s=_3oNouoyr#9G_3%g00D~^,xc00t8%1t7_4%MIVRW^,s;","https://dev-admin.mennour.com/uploads/img/_jpg800/295094/MGL7314_©SilvioWaser.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/295094/MGL7314_©SilvioWaser.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/295094/MGL7314_©SilvioWaser.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/295094/MGL7314_©SilvioWaser.jpg","MGL7314 Silvio Waser",1772,[],[],{"url":1301,"slug":1302,"title":1303,"firstName":1304,"lastName":1305,"customFullName":420,"tagline":1306,"coverImage":1307,"artistCategory":1320,"type":686},"https://www.mennour.com/artist/ann-veronica-janssens","ann-veronica-janssens","Ann Veronica Janssens","Ann Veronica","Janssens","Born in 1956 in Folkestone, United Kingdom\u003Cbr />\nLives and works in Brussels, Belgium",[1308],{"id":1309,"url":1310,"jpg16":1311,"jpg800":1312,"jpg1600":1313,"jpg2400":1314,"jpg3200":1315,"alt":420,"title":1316,"width":1317,"height":1318,"caption":420,"mobile":1319,"__typename":679},"8343","https://dev-admin.mennour.com/uploads/img/Portrait-2-%C2%A9-Colombe-Clier-Centre-des-monuments-nationaux.jpg","nAE.%}?b0000010L~pD%4.oJs79GIWoL?a?ct7xZxuR+01RjxuxuWBWBR*WDRjjY","https://dev-admin.mennour.com/uploads/img/_jpg800/Portrait-2-©-Colombe-Clier-Centre-des-monuments-nationaux.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Portrait-2-©-Colombe-Clier-Centre-des-monuments-nationaux.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Portrait-2-©-Colombe-Clier-Centre-des-monuments-nationaux.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Portrait-2-©-Colombe-Clier-Centre-des-monuments-nationaux.jpg","Portrait 2 Colombe Clier Centre des monuments nationaux",4004,6000,[],[],{"url":1322,"slug":1323,"title":1324,"firstName":1325,"lastName":1326,"customFullName":420,"tagline":1327,"coverImage":1328,"artistCategory":1341,"type":686},"https://www.mennour.com/artist/nina-jayasuriya","nina-jayasuriya","Nina Jayasuriya","Nina","Jayasuriya","Born in 1996 in Paris, France\u003Cbr />\nLives and works between Paris and Sri Lanka",[1329],{"id":1330,"url":1331,"jpg16":1332,"jpg800":1333,"jpg1600":1334,"jpg2400":1335,"jpg3200":1336,"alt":420,"title":1337,"width":1338,"height":1339,"caption":420,"mobile":1340,"__typename":679},"294769","https://dev-admin.mennour.com/uploads/img/Nina-Jayasuriya-Portrait-1_2025-02-20-134956_ayuh.jpeg","m8CPhY~q.S~W~p-pE2D*-pRP4.4oXA9aV@s.9uIonNslIpV?VsRj","https://dev-admin.mennour.com/uploads/img/_jpg800/294769/Nina-Jayasuriya-Portrait-1_2025-02-20-134956_ayuh.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/294769/Nina-Jayasuriya-Portrait-1_2025-02-20-134956_ayuh.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/294769/Nina-Jayasuriya-Portrait-1_2025-02-20-134956_ayuh.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/294769/Nina-Jayasuriya-Portrait-1_2025-02-20-134956_ayuh.jpg","Nina Jayasuriya Portrait 1",3456,5184,[],[1342],{"title":730,"slug":731,"type":684,"extra":732},{"url":1344,"slug":1345,"title":1346,"firstName":1347,"lastName":1348,"customFullName":420,"tagline":1349,"coverImage":1350,"artistCategory":1362,"type":686},"https://www.mennour.com/artist/anish-kapoor","anish-kapoor","Anish Kapoor","Anish","Kapoor","Born in 1954 in Bombay, India\u003Cbr />\nLives and works in London, England",[1351],{"id":1352,"url":1353,"jpg16":1354,"jpg800":1355,"jpg1600":1356,"jpg2400":1357,"jpg3200":1358,"alt":420,"title":1359,"width":1360,"height":939,"caption":420,"mobile":1361,"__typename":679},"4382","https://dev-admin.mennour.com/uploads/img/Photographs-by-Alex-Majoli-Magnum-for-The-New-Yorker-Art-works-%C2%A9-Anish-Kapoor-ARS.jpg","fG9@VE4oRk%MRPaz~q8_Mx%Mt6t7-;ocM{oyofRPM|ogM{WCxuj@WBt7ofRjj[j?","https://dev-admin.mennour.com/uploads/img/_jpg800/Photographs-by-Alex-Majoli-Magnum-for-The-New-Yorker-Art-works-©-Anish-Kapoor-ARS.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Photographs-by-Alex-Majoli-Magnum-for-The-New-Yorker-Art-works-©-Anish-Kapoor-ARS.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Photographs-by-Alex-Majoli-Magnum-for-The-New-Yorker-Art-works-©-Anish-Kapoor-ARS.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Photographs-by-Alex-Majoli-Magnum-for-The-New-Yorker-Art-works-©-Anish-Kapoor-ARS.jpg","Anish kapoor",2560,[],[],{"url":1364,"slug":1365,"title":1366,"firstName":1367,"lastName":1368,"customFullName":420,"tagline":1369,"coverImage":1370,"artistCategory":1383,"type":686},"https://www.mennour.com/artist/tadashi-kawamata","tadashi-kawamata","Tadashi Kawamata","Tadashi","Kawamata","Born in 1953 in Hokkaidō, Japan\u003Cbr />\nLives and works in Tokyo and Paris",[1371],{"id":1372,"url":1373,"jpg16":1374,"jpg800":1375,"jpg1600":1376,"jpg2400":1377,"jpg3200":1378,"alt":420,"title":1379,"width":1380,"height":1381,"caption":420,"mobile":1382,"__typename":679},"4384","https://dev-admin.mennour.com/uploads/img/2023-Portrait-TK-couleur-Photo.-Archives-mennour.jpg","mIDc2S00_ND%^+00-=IU_49Fx]j@NHkBs.t7Ipt7VsxuRls:t7fk","https://dev-admin.mennour.com/uploads/img/_jpg800/2023-Portrait-TK-couleur-Photo.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/2023-Portrait-TK-couleur-Photo.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/2023-Portrait-TK-couleur-Photo.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/2023-Portrait-TK-couleur-Photo.-Archives-mennour.jpg","Tadashi kawamata",980,1470,[],[],{"url":1385,"slug":1386,"title":1387,"firstName":1388,"lastName":1389,"customFullName":420,"tagline":1390,"coverImage":1391,"artistCategory":1404,"type":686},"https://www.mennour.com/artist/idris-khan","idris-khan","Idris Khan","Idris","Khan","Born in 1978 in Birmingham, United Kingdom\u003Cbr />\nLives and works in London",[1392],{"id":1393,"url":1394,"jpg16":1395,"jpg800":1396,"jpg1600":1397,"jpg2400":1398,"jpg3200":1399,"alt":420,"title":1400,"width":1401,"height":1402,"caption":420,"mobile":1403,"__typename":679},"4386","https://dev-admin.mennour.com/uploads/img/idris-2-copy-Cr%C3%A9dit-Steven-White-and-Company.jpg","nPLW*BD%-p%1rp~VELbw-p%0W-IUIp$zxGIURPofr=oMRjDibFRko|IUIAs+Rkxt","https://dev-admin.mennour.com/uploads/img/_jpg800/idris-2-copy-Crédit-Steven-White-and-Company.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/idris-2-copy-Crédit-Steven-White-and-Company.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/idris-2-copy-Crédit-Steven-White-and-Company.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/idris-2-copy-Crédit-Steven-White-and-Company.jpg","Idris khan",4368,5824,[],[],{"url":1406,"slug":1407,"title":1408,"firstName":1409,"lastName":1410,"customFullName":420,"tagline":1411,"coverImage":1412,"artistCategory":1425,"type":686},"https://www.mennour.com/artist/alicja-kwade","alicja-kwade","Alicja Kwade","Alicja","Kwade","Born in 1979 in Katowice, Poland\u003Cbr />\nLives and works in Berlin, Germany",[1413],{"id":1414,"url":1415,"jpg16":1416,"jpg800":1417,"jpg1600":1418,"jpg2400":1419,"jpg3200":1420,"alt":420,"title":1421,"width":1422,"height":1423,"caption":420,"mobile":1424,"__typename":679},"8126","https://dev-admin.mennour.com/uploads/img/2017-%C2%A9Luise-M%C3%BCller-Hofstege.jpeg","nKC?v1RPyDof%2~qWBIUa|RPR-xuaKozWBIpoexuWVbbadj[t7j@WBs-WCR*j[ae","https://dev-admin.mennour.com/uploads/img/_jpg800/8126/2017-©Luise-Müller-Hofstege.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/8126/2017-©Luise-Müller-Hofstege.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/8126/2017-©Luise-Müller-Hofstege.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/8126/2017-©Luise-Müller-Hofstege.jpg","4 S9 A9350",3543,5308,[],[],{"url":1427,"slug":1428,"title":1429,"firstName":1430,"lastName":1431,"customFullName":420,"tagline":420,"coverImage":1432,"artistCategory":1445,"type":686},"https://www.mennour.com/artist/françois-xavier-lalanne","françois-xavier-lalanne","François-Xavier Lalanne","François-Xavier","Lalanne",[1433],{"id":1434,"url":1435,"jpg16":1436,"jpg800":1437,"jpg1600":1438,"jpg2400":1439,"jpg3200":1440,"alt":420,"title":1441,"width":1442,"height":1443,"caption":420,"mobile":1444,"__typename":679},"269616","https://dev-admin.mennour.com/uploads/img/Lalanne-Hero-Option-1.jpg","WeJkl#4nj[xuRjM{~qWBWBofWBM{t7t7RjWBt7WBt7j[Rjayofof","https://dev-admin.mennour.com/uploads/img/_jpg800/Lalanne-Hero-Option-1.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Lalanne-Hero-Option-1.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Lalanne-Hero-Option-1.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Lalanne-Hero-Option-1.jpg","Lalanne Hero Option 1",2650,1650,[],[1446],{"title":682,"slug":683,"type":684,"extra":685},{"url":1448,"slug":1449,"title":1450,"firstName":1451,"lastName":1452,"customFullName":420,"tagline":1453,"coverImage":1454,"artistCategory":1466,"type":686},"https://www.mennour.com/artist/bertrand-lavier","bertrand-lavier","Bertrand Lavier","Bertrand","Lavier","Born in 1949 in Châtillon sur Seine, France\u003Cbr />\nLives and works between Paris and Aignay‐le‐Duc, France",[1455],{"id":1456,"url":1457,"jpg16":1458,"jpg800":1459,"jpg1600":1460,"jpg2400":1461,"jpg3200":1462,"alt":420,"title":1463,"width":1381,"height":1380,"caption":1464,"mobile":1465,"__typename":679},"7995","https://dev-admin.mennour.com/uploads/img/4S9A1841.jpg","WOJ89O00?Es,D*Ne~TtSI=S5s;axx^x^E1Rjxus:?aIUt7s:V?oe","https://dev-admin.mennour.com/uploads/img/_jpg800/4S9A1841.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/4S9A1841.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/4S9A1841.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/4S9A1841.jpg","Portrait Bertrand Lavier Photo Archives mennour","Photo. Archives Mennour",[],[],{"url":1468,"slug":1469,"title":1470,"firstName":1471,"lastName":1472,"customFullName":1470,"tagline":1473,"coverImage":1474,"artistCategory":1486,"type":686},"https://www.mennour.com/artist/lee-ufan","lee-ufan","Lee Ufan","Ufan","Lee","Born in 1936 in Haman-gun, Korea\u003Cbr />\nLives and works in Paris and Kamakura, Japan",[1475],{"id":1476,"url":1477,"jpg16":1478,"jpg800":1479,"jpg1600":1480,"jpg2400":1481,"jpg3200":1482,"alt":420,"title":1470,"width":1483,"height":1484,"caption":420,"mobile":1485,"__typename":679},"7810","https://dev-admin.mennour.com/uploads/img/1-Lee-Ufan-Photos.-archives-kamel-mennour.jpg","m+K_5u~qxuRjj@ofWBfQRjM{RjofRjj[ofayRjRjj[j[WBayoej[","https://dev-admin.mennour.com/uploads/img/_jpg800/1-Lee-Ufan-Photos.-archives-kamel-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/1-Lee-Ufan-Photos.-archives-kamel-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/1-Lee-Ufan-Photos.-archives-kamel-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/1-Lee-Ufan-Photos.-archives-kamel-mennour.jpg",3744,5616,[],[],{"url":1488,"slug":1489,"title":1490,"firstName":1491,"lastName":1492,"customFullName":420,"tagline":1493,"coverImage":1494,"artistCategory":1507,"type":686},"https://www.mennour.com/artist/matthew-lutz-kinoy","matthew-lutz-kinoy","Matthew Lutz-Kinoy","Matthew","Lutz-Kinoy","Born in 1984 in New York, United States\u003Cbr />\nLives and works in Paris, France",[1495],{"id":1496,"url":1497,"jpg16":1498,"jpg800":1499,"jpg1600":1500,"jpg2400":1501,"jpg3200":1502,"alt":420,"title":1503,"width":1504,"height":1505,"caption":420,"mobile":1506,"__typename":679},"8170","https://dev-admin.mennour.com/uploads/img/IMG_6521.jpg","fDMt2DwJ_N_NPC%g~q%gWVWZ?Hfk_NROM{x]-oR+t7E2xvnhM{xutmDiV?x]bctR","https://dev-admin.mennour.com/uploads/img/_jpg800/IMG_6521.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/IMG_6521.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/IMG_6521.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/IMG_6521.jpg","IMG 6521",1225,865,[],[],{"url":1509,"slug":1510,"title":1511,"firstName":420,"lastName":1511,"customFullName":420,"tagline":1512,"coverImage":1513,"artistCategory":1526,"type":686},"https://www.mennour.com/artist/the-estate-of-maryan","the-estate-of-maryan","Maryan","Born in 1927 in Nowy Sacz, Poland\u003Cbr />\nDied in 1977 in New York, United States",[1514],{"id":1515,"url":1516,"jpg16":1517,"jpg800":1518,"jpg1600":1519,"jpg2400":1520,"jpg3200":1521,"alt":420,"title":1522,"width":1523,"height":1524,"caption":420,"mobile":1525,"__typename":679},"7817","https://dev-admin.mennour.com/uploads/img/Maryan-in-his-New-York-Chelsea-Hotel-apartment-studio-1974.-Photo-courtesy-of-Susan-Wiley.jpg","fSF={%~qM{RjM{IUxuWBt7t7of%MWBRjoft7WBayWBWBofWBRjWBM{M{j[j[fQof","https://dev-admin.mennour.com/uploads/img/_jpg800/Maryan-in-his-New-York-Chelsea-Hotel-apartment-studio-1974.-Photo-courtesy-of-Susan-Wiley.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Maryan-in-his-New-York-Chelsea-Hotel-apartment-studio-1974.-Photo-courtesy-of-Susan-Wiley.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Maryan-in-his-New-York-Chelsea-Hotel-apartment-studio-1974.-Photo-courtesy-of-Susan-Wiley.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Maryan-in-his-New-York-Chelsea-Hotel-apartment-studio-1974.-Photo-courtesy-of-Susan-Wiley.jpg","The estate of maryan",1320,892,[],[1527],{"title":901,"slug":902,"type":684,"extra":732},{"url":1529,"slug":1530,"title":1531,"firstName":1532,"lastName":1533,"customFullName":420,"tagline":1534,"coverImage":1535,"artistCategory":1548,"type":686},"https://www.mennour.com/artist/pierre-molinier","pierre-molinier","Pierre Molinier","Pierre","Molinier","Born in Agen (France)\u003Cbr />\n1900 — 1976",[1536],{"id":1537,"url":1538,"jpg16":1539,"jpg800":1540,"jpg1600":1541,"jpg2400":1542,"jpg3200":1543,"alt":420,"title":1544,"width":1545,"height":1546,"caption":420,"mobile":1547,"__typename":679},"138528","https://dev-admin.mennour.com/uploads/img/Capture-d%E2%80%99%C3%A9cran-2024-11-21-%C3%A0-17.25.56.jpg","n89aBQj[_3j[~q?bofRjWBayD%ofayj[9Ft7ofj[t7M{%MofRjt7j[%MofWBj[ay","https://dev-admin.mennour.com/uploads/img/_jpg800/Capture-d’écran-2024-11-21-à-17.25.56.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Capture-d’écran-2024-11-21-à-17.25.56.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Capture-d’écran-2024-11-21-à-17.25.56.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Capture-d’écran-2024-11-21-à-17.25.56.jpg","Capture décran 2024 11 21 à 17 25 56",1240,1552,[],[1549],{"title":901,"slug":902,"type":684,"extra":732},{"url":1551,"slug":1552,"title":1553,"firstName":1554,"lastName":1555,"customFullName":420,"tagline":1556,"coverImage":1557,"artistCategory":1570,"type":686},"https://www.mennour.com/artist/francois-morellet","francois-morellet","François Morellet","François","Morellet","Born in 1916 in Cholet, France\u003Cbr />\nDied in 2016 in Cholet, France",[1558],{"id":1559,"url":1560,"jpg16":1561,"jpg800":1562,"jpg1600":1563,"jpg2400":1564,"jpg3200":1565,"alt":420,"title":1566,"width":1567,"height":1568,"caption":420,"mobile":1569,"__typename":679},"138510","https://dev-admin.mennour.com/uploads/img/Capture-d%E2%80%99%C3%A9cran-2024-11-21-%C3%A0-17.10.06.jpg","WcJ*uAIUxuWBRjay~qRjRjxuRjofxut7WBWBt7ofIURjxuM{ofj[","https://dev-admin.mennour.com/uploads/img/_jpg800/Capture-d’écran-2024-11-21-à-17.10.06.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Capture-d’écran-2024-11-21-à-17.10.06.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Capture-d’écran-2024-11-21-à-17.10.06.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Capture-d’écran-2024-11-21-à-17.10.06.jpg","Capture décran 2024 11 21 à 17 10 06",2364,1566,[],[1571],{"title":901,"slug":902,"type":684,"extra":732},{"url":1573,"slug":1574,"title":1575,"firstName":1576,"lastName":1577,"customFullName":420,"tagline":1578,"coverImage":1579,"artistCategory":1592,"type":686},"https://www.mennour.com/artist/louise-nevelson","louise-nevelson","Louise Nevelson","Louise","Nevelson","\u003Cp>Born in 1899 in Kiev.\u003Cbr />Died in 1988 in New York.\u003C/p>",[1580],{"id":1581,"url":1582,"jpg16":1583,"jpg800":1584,"jpg1600":1585,"jpg2400":1586,"jpg3200":1587,"alt":420,"title":1588,"width":1589,"height":1590,"caption":420,"mobile":1591,"__typename":679},"138644","https://dev-admin.mennour.com/uploads/img/Nevelson-C2-4a-1440px.jpg","n58qNg9F00?bM{00-;_3M{%M_3Rjt7D%D%9Ft7j[xuWB~qIUD%%M-;4n%MxuM{M{","https://dev-admin.mennour.com/uploads/img/_jpg800/Nevelson-C2-4a-1440px.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Nevelson-C2-4a-1440px.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Nevelson-C2-4a-1440px.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Nevelson-C2-4a-1440px.jpg","Nevelson C2 4a 1440px",972,1440,[],[1593],{"title":682,"slug":683,"type":684,"extra":685},{"url":1595,"slug":1596,"title":1597,"firstName":1598,"lastName":1599,"customFullName":420,"tagline":1600,"coverImage":1601,"artistCategory":1615,"type":686},"https://www.mennour.com/artist/christodoulos-panayiotou","christodoulos-panayiotou","Christodoulos Panayiotou","Christodoulos","Panayiotou","Born in 1978 in Limassol, Cyprus\u003Cbr />\nLives and works between Limassol and Paris",[1602],{"id":1603,"url":1604,"jpg16":1605,"jpg800":1606,"jpg1600":1607,"jpg2400":1608,"jpg3200":1609,"alt":420,"title":1610,"width":1611,"height":1612,"caption":1613,"mobile":1614,"__typename":679},"7983","https://dev-admin.mennour.com/uploads/img/Portrait-Christodoulos-Panayiotou-by-Nikita-Shubnyi.jpg","nROgB0WB.8%MD%_3j[kDofV@M{kCM{WBt7~qofMxWBt7IofQjsj[j[oMWBt7ofaz","https://dev-admin.mennour.com/uploads/img/_jpg800/Portrait-Christodoulos-Panayiotou-by-Nikita-Shubnyi.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Portrait-Christodoulos-Panayiotou-by-Nikita-Shubnyi.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Portrait-Christodoulos-Panayiotou-by-Nikita-Shubnyi.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Portrait-Christodoulos-Panayiotou-by-Nikita-Shubnyi.jpg","Portrait Christodoulos Panayiotou by Nikita Shubnyi",4784,6378,"Photo: Nikita Shubnyi",[],[],{"url":1617,"slug":1618,"title":1619,"firstName":1620,"lastName":1621,"customFullName":420,"tagline":1622,"coverImage":1623,"artistCategory":1636,"type":686},"https://www.mennour.com/artist/gina-pane","gina-pane","Gina Pane","Gina","Pane","Born in 1939 in Biarritz, France\u003Cbr />\nDied in 1990 in Paris, France",[1624],{"id":1625,"url":1626,"jpg16":1627,"jpg800":1628,"jpg1600":1629,"jpg2400":1630,"jpg3200":1631,"alt":420,"title":1632,"width":1633,"height":1634,"caption":420,"mobile":1635,"__typename":679},"138502","https://dev-admin.mennour.com/uploads/img/Capture-d%E2%80%99%C3%A9cran-2024-11-21-%C3%A0-17.15.27.jpg","WXK1%fj[9FM{t7%M%MWBj[ofWBWB~qWBt7xuRjM{9Fj[WBWBt7of","https://dev-admin.mennour.com/uploads/img/_jpg800/Capture-d’écran-2024-11-21-à-17.15.27.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Capture-d’écran-2024-11-21-à-17.15.27.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Capture-d’écran-2024-11-21-à-17.15.27.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Capture-d’écran-2024-11-21-à-17.15.27.jpg","Capture décran 2024 11 21 à 17 15 27",2740,1806,[],[1637],{"title":901,"slug":902,"type":684,"extra":732},{"url":1639,"slug":1640,"title":1641,"firstName":1642,"lastName":1643,"customFullName":420,"tagline":1644,"coverImage":1645,"artistCategory":1658,"type":686},"https://www.mennour.com/artist/philippe-parreno","philippe-parreno","Philippe Parreno","Philippe","Parreno","Born in 1964 in Oran, Algeria\u003Cbr />\nLives and works in Paris, France",[1646],{"id":1647,"url":1648,"jpg16":1649,"jpg800":1650,"jpg1600":1651,"jpg2400":1652,"jpg3200":1653,"alt":420,"title":1654,"width":1655,"height":1656,"caption":420,"mobile":1657,"__typename":679},"7830","https://dev-admin.mennour.com/uploads/img/PhilippeParreno2014PhotoCreditAndreaRossetti-imagemaitre.jpg","mMD0Z3^-.QMzbWM|X4V]4UD$IBtQaxayf6j[x]%M%Mt7Rkf$n*j[","https://dev-admin.mennour.com/uploads/img/_jpg800/PhilippeParreno2014PhotoCreditAndreaRossetti-imagemaitre.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/PhilippeParreno2014PhotoCreditAndreaRossetti-imagemaitre.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/PhilippeParreno2014PhotoCreditAndreaRossetti-imagemaitre.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/PhilippeParreno2014PhotoCreditAndreaRossetti-imagemaitre.jpg","Philippe parreno",1872,2808,[],[],{"url":1660,"slug":1661,"title":1662,"firstName":1663,"lastName":1664,"customFullName":420,"tagline":1665,"coverImage":1666,"artistCategory":1677,"type":686},"https://www.mennour.com/artist/adam-pendleton","adam-pendleton","Adam Pendleton","Adam","Pendleton","\u003Cp>Born in 1984 in Richmond, United States\u003Cbr />Lives and works in New York\u003C/p>",[1667],{"id":1668,"url":1669,"jpg16":1670,"jpg800":1671,"jpg1600":1672,"jpg2400":1673,"jpg3200":1674,"alt":420,"title":1675,"width":1023,"height":750,"caption":420,"mobile":1676,"__typename":679},"303282","https://dev-admin.mennour.com/uploads/img/Pendleton_010824_0021_Matthew-Septimus.jpg","WOKdlBIA_4-;IAt7.9MxM{ofRiof-pWVW9RjRjWBE2%MWBoftQj[","https://dev-admin.mennour.com/uploads/img/_jpg800/Pendleton_010824_0021_Matthew-Septimus.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Pendleton_010824_0021_Matthew-Septimus.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Pendleton_010824_0021_Matthew-Septimus.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Pendleton_010824_0021_Matthew-Septimus.jpg","Pendleton 010824 0021 Matthew Septimus",[],[],{"url":1679,"slug":1680,"title":1681,"firstName":1682,"lastName":1683,"customFullName":420,"tagline":1684,"coverImage":1685,"artistCategory":1698,"type":686},"https://www.mennour.com/artist/judit-reigl","judit-reigl","Judit Reigl","Judit","Reigl","Born in 1923 in Kapuvár, Hungary\u003Cbr />\nDied in 2020 in Marcoussis, France",[1686],{"id":1687,"url":1688,"jpg16":1689,"jpg800":1690,"jpg1600":1691,"jpg2400":1692,"jpg3200":1693,"alt":420,"title":1694,"width":1695,"height":1696,"caption":420,"mobile":1697,"__typename":679},"138488","https://dev-admin.mennour.com/uploads/img/Capture-d%E2%80%99%C3%A9cran-2024-11-21-%C3%A0-17.16.21.jpg","oHH.Qb~q~qxu_3t7_3D%D%IU4nIU9FxuIUxuM{%Mt7t7M{Rj-;xuIUWBt7t7ofM{RjRjWBWBRjRj","https://dev-admin.mennour.com/uploads/img/_jpg800/Capture-d’écran-2024-11-21-à-17.16.21.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Capture-d’écran-2024-11-21-à-17.16.21.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Capture-d’écran-2024-11-21-à-17.16.21.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Capture-d’écran-2024-11-21-à-17.16.21.jpg","Capture décran 2024 11 21 à 17 16 21",1554,1784,[],[1699],{"title":901,"slug":902,"type":684,"extra":732},{"url":1701,"slug":1702,"title":1703,"firstName":1704,"lastName":1705,"customFullName":420,"tagline":1706,"coverImage":1707,"artistCategory":1719,"type":686},"https://www.mennour.com/artist/robin-rhode","robin-rhode","Robin Rhode","Robin","Rhode","Born in 1976 in Cape Town\u003Cbr />\nLives and works in Berlin, Germany",[1708],{"id":1709,"url":1710,"jpg16":1711,"jpg800":1712,"jpg1600":1713,"jpg2400":1714,"jpg3200":1715,"alt":420,"title":1703,"width":1716,"height":1717,"caption":420,"mobile":1718,"__typename":679},"7834","https://dev-admin.mennour.com/uploads/img/4N2A9827.JPG","nqK1XZoz-;oKM_~URjR%j[og-:xvRkaeaeofn$V[j[kCRkWBf6oft7WVWrWVayf5","https://dev-admin.mennour.com/uploads/img/_jpg800/7834/4N2A9827.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/7834/4N2A9827.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/7834/4N2A9827.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/7834/4N2A9827.jpg",1969,2953,[],[],{"url":1721,"slug":1722,"title":1723,"firstName":1724,"lastName":1725,"customFullName":420,"tagline":1726,"coverImage":1727,"artistCategory":1740,"type":686},"https://www.mennour.com/artist/ugo-rondinone","ugo-rondinone","Ugo Rondinone","Ugo","Rondinone","Born in 1964 in Brunnen, Switzerland\u003Cbr />\nLives and works in New York, United States",[1728],{"id":1729,"url":1730,"jpg16":1731,"jpg800":1732,"jpg1600":1733,"jpg2400":1734,"jpg3200":1735,"alt":420,"title":1736,"width":1737,"height":1738,"caption":420,"mobile":1739,"__typename":679},"289878","https://dev-admin.mennour.com/uploads/img/DSC7644.jpg","WoL}82NaRj$+t8%2_3ofRjofofkC_4xGj[bvjXX8V@ogoff6R*ae","https://dev-admin.mennour.com/uploads/img/_jpg800/DSC7644.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/DSC7644.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/DSC7644.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/DSC7644.jpg","DSC7644",7907,5271,[],[],{"url":1742,"slug":1743,"title":1744,"firstName":1745,"lastName":1746,"customFullName":420,"tagline":1747,"coverImage":1748,"artistCategory":1761,"type":686},"https://www.mennour.com/artist/zineb-sedira","zineb-sedira","Zineb Sedira","Zineb","Sedira","Born in 1963 in Paris, France\u003Cbr />\nLives in London and works between Algeria, Paris and London",[1749],{"id":1750,"url":1751,"jpg16":1752,"jpg800":1753,"jpg1600":1754,"jpg2400":1755,"jpg3200":1756,"alt":420,"title":1757,"width":1758,"height":1759,"caption":420,"mobile":1760,"__typename":679},"7840","https://dev-admin.mennour.com/uploads/img/Zineb-Sedira-portrait-Thierry-Bal-1.jpeg","nICG6[RQZ*s+Tc~BI:kUsSRn-VkVt6aeM|t7xtxFoMaeXks.VtkDoxR7xao{WYRQ","https://dev-admin.mennour.com/uploads/img/_jpg800/7840/Zineb-Sedira-portrait-Thierry-Bal-1.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/7840/Zineb-Sedira-portrait-Thierry-Bal-1.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/7840/Zineb-Sedira-portrait-Thierry-Bal-1.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/7840/Zineb-Sedira-portrait-Thierry-Bal-1.jpg","Zineb sedira",4600,6596,[],[],{"url":1763,"slug":1764,"title":1765,"firstName":1766,"lastName":1767,"customFullName":420,"tagline":1768,"coverImage":1769,"artistCategory":1782,"type":686},"https://www.mennour.com/artist/mircea-suciu","mircea-suciu","Mircea Suciu","Mircea","Suciu","Born in 1978 in Baia Mare, Roumanie\u003Cbr />\nLives and works in Cluj-Napoca, Roumanie",[1770],{"id":1771,"url":1772,"jpg16":1773,"jpg800":1774,"jpg1600":1775,"jpg2400":1776,"jpg3200":1777,"alt":420,"title":1778,"width":1779,"height":1780,"caption":420,"mobile":1781,"__typename":679},"7843","https://dev-admin.mennour.com/uploads/img/OA5A4673.jpg","oIEVpVHr.mkqWB%g-DMJXmtRRPkq~CMxo}tQWBbaOZM{xvoLofj[S~SgVsV@bGoMO@R+xaRjWBs:","https://dev-admin.mennour.com/uploads/img/_jpg800/OA5A4673.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/OA5A4673.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/OA5A4673.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/OA5A4673.jpg","Mircea suciu",1378,1539,[],[],{"url":1784,"slug":1785,"title":1786,"firstName":1787,"lastName":1788,"customFullName":420,"tagline":420,"coverImage":1789,"artistCategory":1802,"type":686},"https://www.mennour.com/artist/álvaro-urbano","álvaro-urbano","Álvaro 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Monotypes","Monotypes","https://www.mennour.com/exhibition/monotypes",[1943],{"id":1944,"url":1945,"jpg16":1946,"jpg800":1947,"jpg1600":1948,"jpg2400":1949,"jpg3200":1950,"alt":420,"title":1940,"width":1951,"height":1952,"caption":420,"mobile":1953,"__typename":679},"38131","https://dev-admin.mennour.com/uploads/img/monotypes.jpg","fIN^SZ^jbwWnR,-:~qM_aykCWBbH4n?bofRQWAR*tRoeofV@j]RjxuM|t7xuRjRj","https://dev-admin.mennour.com/uploads/img/_jpg800/monotypes.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/monotypes.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/monotypes.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/monotypes.jpg",1710,1212,[],[1955],{"title":1956,"slug":1957,"url":377,"type":1921,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":1958,"thumbImage":1959,"city":1971,"mapLocation":1973},"Mennour, 28 avenue Matignon","mennour-28-avenue-matignon","{\n \"html_attributions\" : [],\n \"result\" : \n {\n \"current_opening_hours\" : \n {\n \"open_now\" : true,\n \"periods\" : \n [\n {\n \"close\" : \n {\n \"date\" : \"2025-02-18\",\n \"day\" : 2,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-02-18\",\n \"day\" : 2,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-02-12\",\n \"day\" : 3,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-02-12\",\n \"day\" : 3,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-02-13\",\n \"day\" : 4,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-02-13\",\n \"day\" : 4,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-02-14\",\n \"day\" : 5,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-02-14\",\n \"day\" : 5,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-02-15\",\n \"day\" : 6,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-02-15\",\n \"day\" : 6,\n \"time\" : \"1100\"\n }\n }\n ],\n \"weekday_text\" : \n [\n 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carré",5264,[],[1972],{"title":350,"slug":351},{"parts":1974},{"number":382,"address":383,"city":350,"postcode":384,"county":357,"country":358,"state":359},[1976],{"title":1893,"slug":528,"type":1885},"kamel mennour is pleased to present 9 recent Monotypes, by the American artist Cameron Jamie at the gallery.\n\n– no matter what the semi-abstract figures in Cameron Jamie’s work resemble, they invariably convey a type of otherworldly presence. This sense comes across in all of the media the artist employs: ceramic and wooden sculptures, drawings, graphic prints, photographs, films, artist books and music productions.\nHis drawings and monotypes form the foundation of his oeuvre, which has continued to develop its own, very specific artistic vernacular over the course of more than twenty-five years.\nThe oeuvre's basic tenor suggests identity as the basis for human existence. Time and again, Jamie has explored marginal realities and mysterious rituals, which refer to the hidden faces in our society. He thereby occupies a position where he immerses\nhimself in subcultures that partially have shaped him. These worlds’ artistic transformation is, however, never carried out in a calculated way – Jamie’s form-finding process is spontaneous and psychologically inspired. The result is deeply personal and, at once, there is the sense that a magical, primitive atmosphere has\nbeen unleashed. It is about conditions of being and consciousness rather than concrete semantic contexts.\nThis approach comes across in a particularly direct manner in his drawings. There is something primary, even primal for Jamie in the act of drawing in free, immediate gestures, hearkening back to humanity’s earliest, pre-lingual markings: signs that\nindicate traces of carrying and expressing deeper meanings and messages. The source of the abstract, figural and floral subjects of interpenetrated forms remains undetermined: a phenomenon that lends Jamie’s work a beautifully unique and timeless energy.\nJamie’s automatic sketches often emerge from a layering process on paper with black inks, pastels, colored pencils, and watercolors. He is constantly experimenting with methods of the printmaking processes such as the monotype. Each of his unique monotype creations holds untold layers of colors and lines that render visible the shadow of procedural steps – a characteristic that Jamie’s process of creation reflects in general. The alchemical cycle of construction and deconstruction, erasure, overwriting,destruction and re-implementation is an essential feature inherent in his work.\n\n© Gesine Borcherdt, written at the occasion of the exhibition at CAPRI, 2017","2018-02-15T16:00:00+00:00","2018-03-17T16:00:00+00:00",[],{"id":1982,"slug":1983,"title":1984,"customTitle":819,"defaultTitle":1985,"overrideHeading":420,"url":1986,"tagline":420,"thumbImage":1987,"locations":1999,"category":2021,"description":2023,"startDate":2024,"endDate":2025,"type":236,"showForm":732,"form":2026,"__typename":1935},"114322","stances","Marie Bovo - Stances","Stances","https://www.mennour.com/exhibition/stances",[1988],{"id":1989,"url":1990,"jpg16":1991,"jpg800":1992,"jpg1600":1993,"jpg2400":1994,"jpg3200":1995,"alt":420,"title":1985,"width":1996,"height":1997,"caption":420,"mobile":1998,"__typename":679},"38136","https://dev-admin.mennour.com/uploads/img/stances.jpg","fIKne.s+R:t6M|og_Nogaet7WBj[%3Ri-;xuofoLj[RPxuWAayofD*x]V@IUWAt7","https://dev-admin.mennour.com/uploads/img/_jpg800/stances.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/stances.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/stances.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/stances.jpg",1787,1311,[],[2000],{"title":2001,"slug":2002,"url":369,"type":1921,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":2003,"thumbImage":2004,"city":2017,"mapLocation":2019},"Mennour, 6 Rue du Pont de Lodi","6-rue-du-pont-de-lodi","{\n \"html_attributions\" : [],\n \"result\" : \n {\n \"current_opening_hours\" : \n {\n \"open_now\" : true,\n \"periods\" : \n [\n {\n \"close\" : \n {\n \"date\" : \"2025-01-21\",\n \"day\" : 2,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-01-21\",\n \"day\" : 2,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-01-22\",\n \"day\" : 3,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-01-22\",\n \"day\" : 3,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-01-23\",\n \"day\" : 4,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-01-23\",\n \"day\" : 4,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-01-24\",\n \"day\" : 5,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-01-24\",\n \"day\" : 5,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-01-25\",\n \"day\" : 6,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-01-25\",\n \"day\" : 6,\n \"time\" : \"1100\"\n }\n }\n ],\n \"weekday_text\" : \n [\n \"Monday: Closed\",\n \"Tuesday: 11:00 AM – 7:00 PM\",\n \"Wednesday: 11:00 AM – 7:00 PM\",\n \"Thursday: 11:00 AM – 7:00 PM\",\n \"Friday: 11:00 AM – 7:00 PM\",\n \"Saturday: 11:00 AM – 7:00 PM\",\n \"Sunday: Closed\"\n ]\n }\n },\n \"status\" : \"OK\"\n}",[2005],{"id":2006,"url":2007,"jpg16":2008,"jpg800":2009,"jpg1600":2010,"jpg2400":2011,"jpg3200":2012,"alt":420,"title":2013,"width":2014,"height":2015,"caption":420,"mobile":2016,"__typename":679},"11750","https://dev-admin.mennour.com/uploads/img/b0f4655169df8781be2724721e79b175.jpeg","fFJ8Fa9u~VI=4mW?00IUWBWCj?WC~W%M4ooJ%Mt68_RjxuWBWBM{?IR*x[WBt7Rj","https://dev-admin.mennour.com/uploads/img/_jpg800/11750/b0f4655169df8781be2724721e79b175.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/11750/b0f4655169df8781be2724721e79b175.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/11750/b0f4655169df8781be2724721e79b175.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/11750/b0f4655169df8781be2724721e79b175.jpg","B0f4655169df8781be2724721e79b175",4096,2731,[],[2018],{"title":350,"slug":351},{"parts":2020},{"number":374,"address":367,"city":350,"postcode":356,"county":357,"country":375,"state":359},[2022],{"title":1893,"slug":528,"type":1885},"Kamel Mennour is proud to present \"Stances\" by Marie Bovo.\nMarie Bovo’s \"Cтансы (Stances)\" series, which was exhibited for the first time at Les Rencontres d'Arles in the Église Trinitaire in Arles, was created over a series of long train journeys across Russia in the winter of 2017. Bovo invites us to follow the unfolding of a journey with no aim but itself, between past and present, in a universe of solitude and poetry, appearing always the same and yet never exactly identical. With each stop, Bovo captured the landscape that offered itself to view in the frame made by the open doors, then through the closed windows of the Russian trains. With this method, which plays on the obturating movement the camera, Bovo has developed the investigation into space and framing that she began with her series on the courtyards of Marseille, and on windows in rooms in Algiers.\nThe Stances series projects us from inside the train to the exterior, without threshold or intermediary, into landscapes of winter snow. The snow, covering everything with a white veil, modifies the structure of the places it falls on, erases the horizon, effaces all landmarks, eliminating every anecdotal or too easily identifiable aspect. Borders, quays, and roads all disappear, giving way to a unity, an integrity of the landscape from before or beyond human presence. A radical abstraction, which, if it evokes Malevich, also lends an unheard of materiality to space. In Russia, snow acts like a weapon, a protective barrier. It's an immobile ally.\nIn the second group of photos, the windows are at once frame and subject. On each of them, it is possible to read an inscription in Russian, in a variety of typographical characters: \"Не прислоняться\" (Do not lean out). This trivial interdiction becomes superimposed on the winter landscapes, partly dissimulating them and giving them a subtitle. The glass in the windows contributes a wealth of effects, reflections, and distortions to the different backgrounds, which appear transparently, having passed through this filter. And if it is true for the \"doors\" series that the shots are subject to the contingencies of the train's itinerary, here the train, as Régis Durand notes, \"is no longer the tributary of its 'freeze frames', it produces more space, but as if this was folded back on itself and on its own history.\" The Soviet system, based in part on restriction, constituted interminable, Ubuesque lists of interdictions (\"Do not paint your car in two colours\", for instance). There was more restrictions than things that were authorized. Today, restriction remains interiorised in everyone, whether as self-censorship, paranoia, apathy, or recourse to the \"inside enemy\".\nBreaking away from the apparent immensity and immobility of the landscapes in the \"Cтансы (Stances)\" series, the film \"Prédateur, La Danse de l'ours\"—projected onto a cube the size of the animal—sets up a heartbreaking counterpart to this long voyage. Bovo filmed the images at Mychkine, in Russia, during a residency in 2008, before they were edited into their current form in 2015. Here the infinity of the territory is suddenly interrupted. The viewer faces a brown bear, retained in a cage so small that it has no room even to stand up, doomed instead to endlessly pacing back and forth.\n“Stances” is accessible from Tuesday to Saturday from 11:00 am to 7:00 pm, at the 6 rue du Pont de Lodi, Paris 6.\nFor further information, please contact Marie‐Sophie Eiché‐ Demester, Jessy Mansuy‐Leydier, or Emma‐Charlotte Gobry‐Laurencin, by phone: +33 1 56 24 03 63 or by email: galerie@kamelmennour.com Press contact: Jeanne Barral jeanne@kamelmennour.com\nParis 6\n47 rue Saint-André des arts 6 rue du Pont de Lodi\nParis 8\n28 avenue Matignon London W1K 4HR\n51 Brook Street\n+33 1 56 24 03 63 www.kamelmennour.com\n As viewers, we are witnessing, through this long and painful circling, its revolting condition, while the repetitive movements of the bear gradually transform into a cruel, desperate dance to the rhythm of the sound of its own chains scraping along the floor of the cage. At last, the camera draws back, leaving the animal to its fate and its solitude, and the viewer to the responsibility of their own gaze.\nFor her fourth solo exhibition at the galerie kamel mennour, Marie Bovo draws us into the heart of Russian Europe, the Europe of the borderlands. In the dynamic melancholy of this journey, each photographic and filmic image, as Anne Valérie Gasc highlights, 'is like the 'blockade' that transforms a place of weakness into a stronghold, into an enclosure in space-time, into a site where everything is there, clearly identified, in the self-evidence of its reality and its place, a seat in the quasi-military sense of the term.' 1\nMarie Bovo was born in 1967 in Alicante, Spain and lives in Marseille, France. Her work has been exhibited on many occasions in France and abroad, including Les Rencontres de la photographie, in Arles (2017); currently at MUCEM; in the permanent exhibition \"Connectivité\", at La Chambre, Strasburg (2016); at La Fondation Fernet-Branca, St. Louis (2016); the UCR/California Museum of Photography, Riverside, California (2016); FRAC PACA, Marseille (2015); L'Institut français de Madrid (2014); La Maison européenne de la photographie, Paris (2010); Le Centre de création contemporaine, Tours (2009); Maison de la Photographie, Toulon (2009); Luìs Serpa Projectos, Lisbon (2008); and Les Ateliers de la Ville de Marseille, Musée de Marseille (2007). Her work was exhibited at Palazzo Zenobio as part of the 54th Venice Biennale in 2011. In 2016, Bovo was nominated for the ICP Infinity Awards in New York. Bovo's work has entered collections including those of Le Fonds National d'Art Contemporain (FNAC), Paris; La Maison européenne de la photographie, Paris; Le Grand Hornu, Boussu, Belgium; Les Collections de Saint-Cyprien, Saint-Cyprien; The California Museum of Photography, Riverside, CA; and FRAC PACA, Marseille.\n------\n1- L’architecture comme laps de temps, Spatium entretien avec Marie Bovo, Anne Valerie Gasc, mai 2017 (édition ensa-m)","2018-02-08T14:25:00+00:00","2018-03-10T14:25:00+00:00",[],{"id":2028,"slug":2029,"title":2030,"customTitle":1408,"defaultTitle":2031,"overrideHeading":420,"url":2032,"tagline":420,"thumbImage":2033,"locations":2045,"category":2061,"description":420,"startDate":2063,"endDate":2064,"type":236,"showForm":732,"form":2065,"__typename":1935},"134347","linienland","Alicja Kwade - LinienLand","LinienLand","https://www.mennour.com/exhibition/linienland",[2034],{"id":2035,"url":2036,"jpg16":2037,"jpg800":2038,"jpg1600":2039,"jpg2400":2040,"jpg3200":2041,"alt":420,"title":2042,"width":2043,"height":1822,"caption":420,"mobile":2044,"__typename":679},"41721","https://dev-admin.mennour.com/uploads/img/alicja-kwade-hau-konstruktiv.jpeg","nIIhy?00~pM{RPIBRjIUjZj[~Wt7RkM{Rk9FM{xuoft7bHIUt7ayt6%MM{t7ayM{","https://dev-admin.mennour.com/uploads/img/_jpg800/41721/alicja-kwade-hau-konstruktiv.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/41721/alicja-kwade-hau-konstruktiv.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/41721/alicja-kwade-hau-konstruktiv.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/41721/alicja-kwade-hau-konstruktiv.jpg","Alicja kwade hau konstruktiv",960,[],[2046],{"title":2047,"slug":2048,"url":2049,"type":1921,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2050,"city":2051,"mapLocation":2055},"Museum Haus Konstruktiv, Zurich","museum-haus-konstruktiv-zurich","https://www.mennour.com/location/museum-haus-konstruktiv-zurich",[],[2052],{"title":2053,"slug":2054},"Zürich","zürich",{"parts":2056},{"number":2057,"address":2058,"city":2053,"postcode":2059,"county":2053,"country":2060,"state":2053},"25","Selnaustrasse","8001","Suisse",[2062],{"title":1890,"slug":1889,"type":1885},"2018-02-07T23:00:00+00:00","2018-05-05T22:00:00+00:00",[],{"id":2067,"slug":2068,"title":2069,"customTitle":1490,"defaultTitle":2070,"overrideHeading":420,"url":2071,"tagline":420,"thumbImage":2072,"locations":2083,"category":2100,"description":420,"startDate":2102,"endDate":2103,"type":236,"showForm":732,"form":2104,"__typename":1935},"134349","southern-garden-of-the-château-bellevue","Matthew Lutz-Kinoy - Southern Garden of the Château Bellevue","Southern Garden of the Château Bellevue","https://www.mennour.com/exhibition/southern-garden-of-the-château-bellevue",[2073],{"id":2074,"url":2075,"jpg16":2076,"jpg800":2077,"jpg1600":2078,"jpg2400":2079,"jpg3200":2080,"alt":420,"title":2081,"width":1023,"height":960,"caption":420,"mobile":2082,"__typename":679},"41726","https://dev-admin.mennour.com/uploads/img/matthew-lutz-kinoy-le-consortium.jpg","fHLXJO%2%Mn$%hozx^t8xZV?xubIEmRjRPa}oct7~pV@W=ozoLof-;ayShozV@ae","https://dev-admin.mennour.com/uploads/img/_jpg800/matthew-lutz-kinoy-le-consortium.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/matthew-lutz-kinoy-le-consortium.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/matthew-lutz-kinoy-le-consortium.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/matthew-lutz-kinoy-le-consortium.jpg","Matthew lutz kinoy le consortium",[],[2084],{"title":2085,"slug":2086,"url":2087,"type":1921,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2088,"city":2089,"mapLocation":2093},"Le Consortium, Dijon","le-consortium-dijon","https://www.mennour.com/location/le-consortium-dijon",[],[2090],{"title":2091,"slug":2092},"Dijon","dijon",{"parts":2094},{"number":2095,"address":2096,"city":2091,"postcode":2097,"county":2098,"country":375,"state":2099},"37","Rue de Longvic","21000","Côte-d'Or","Bourgogne-Franche-Comté",[2101],{"title":1890,"slug":1889,"type":1885},"2018-02-02T23:00:00+00:00","2018-05-19T22:00:00+00:00",[],{"id":2106,"slug":2107,"title":2108,"customTitle":2108,"defaultTitle":2108,"overrideHeading":420,"url":2109,"tagline":2110,"thumbImage":2111,"locations":2124,"category":2133,"description":420,"startDate":2135,"endDate":2136,"type":236,"showForm":732,"form":2137,"__typename":1935},"114331","heroes-for-imagine-iii","Heroes for Imagine III","https://www.mennour.com/exhibition/heroes-for-imagine-iii","Exceptionnal auction sale for the Institute Imagine",[2112],{"id":2113,"url":2114,"jpg16":2115,"jpg800":2116,"jpg1600":2117,"jpg2400":2118,"jpg3200":2119,"alt":420,"title":2120,"width":2121,"height":2122,"caption":420,"mobile":2123,"__typename":679},"38149","https://dev-admin.mennour.com/uploads/img/heroes-for-imagine-iii.jpg","fGJu7S%1%h%gX9of?wM|D%xat6Rj00t6oeE1V@xuoJWB%gR*R+xuxvocIAxaf5IV","https://dev-admin.mennour.com/uploads/img/_jpg800/heroes-for-imagine-iii.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/heroes-for-imagine-iii.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/heroes-for-imagine-iii.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/heroes-for-imagine-iii.jpg","Heroes for imagine iii",1777,1272,[],[2125],{"title":1956,"slug":1957,"url":377,"type":1921,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":1958,"thumbImage":2126,"city":2129,"mapLocation":2131},[2127],{"id":1961,"url":1962,"jpg16":1963,"jpg800":1964,"jpg1600":1965,"jpg2400":1966,"jpg3200":1967,"alt":420,"title":1968,"width":1969,"height":1969,"caption":420,"mobile":2128,"__typename":679},[],[2130],{"title":350,"slug":351},{"parts":2132},{"number":382,"address":383,"city":350,"postcode":384,"county":357,"country":358,"state":359},[2134],{"title":1893,"slug":528,"type":1885},"2018-02-01T12:25:00+00:00","2018-02-11T12:25:00+00:00",[],{"id":2139,"slug":2140,"title":2141,"customTitle":799,"defaultTitle":2142,"overrideHeading":420,"url":2143,"tagline":420,"thumbImage":2144,"locations":2145,"category":2156,"description":420,"startDate":2158,"endDate":2159,"type":236,"showForm":732,"form":2160,"__typename":1935},"134351","urban-riders","Mohamed Bourouissa - Urban Riders","Urban Riders","https://www.mennour.com/exhibition/urban-riders",[],[2146],{"title":2147,"slug":2148,"url":2149,"type":1921,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2150,"city":2151,"mapLocation":2153},"Musée d'Art Moderne de Paris","musée-dart-moderne-de-paris","https://www.mennour.com/location/musée-dart-moderne-de-paris",[],[2152],{"title":350,"slug":351},{"parts":2154},{"number":2155,"address":1928,"city":350,"postcode":1929,"county":357,"country":375,"state":359},"11",[2157],{"title":1890,"slug":1889,"type":1885},"2018-01-25T23:00:00+00:00","2018-04-21T22:00:00+00:00",[],{"id":2162,"slug":2163,"title":2164,"customTitle":778,"defaultTitle":2165,"overrideHeading":420,"url":2166,"tagline":420,"thumbImage":2167,"locations":2179,"category":2196,"description":420,"startDate":2198,"endDate":2199,"type":236,"showForm":732,"form":2200,"__typename":1935},"134353","hicham-berrada-mac-lyon-2018","Hicham Berrada - Mac Lyon 2018","Mac Lyon 2018","https://www.mennour.com/exhibition/hicham-berrada-mac-lyon-2018",[2168],{"id":2169,"url":2170,"jpg16":2171,"jpg800":2172,"jpg1600":2173,"jpg2400":2174,"jpg3200":2175,"alt":420,"title":2176,"width":813,"height":2177,"caption":420,"mobile":2178,"__typename":679},"41736","https://dev-admin.mennour.com/uploads/img/hicham-berrada-biennale-de-lyon-2017.jpg","fa7lbs$Xsrj=oQo5$Vw~o3fijvo3sao4aua~a]jra+a$awawa_a~WRaxfUaya_a_","https://dev-admin.mennour.com/uploads/img/_jpg800/hicham-berrada-biennale-de-lyon-2017.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/hicham-berrada-biennale-de-lyon-2017.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/hicham-berrada-biennale-de-lyon-2017.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/hicham-berrada-biennale-de-lyon-2017.jpg","Hicham berrada biennale de lyon 2017",1001,[],[2180],{"title":2181,"slug":2182,"url":2183,"type":1921,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2184,"city":2185,"mapLocation":2189},"Musée d'Art Contemporain de Lyon","musée-dart-contemporain-de-lyon","https://www.mennour.com/location/musée-dart-contemporain-de-lyon",[],[2186],{"title":2187,"slug":2188},"Lyon","lyon",{"parts":2190},{"number":2191,"address":2192,"city":2187,"postcode":2193,"county":2194,"country":375,"state":2195},"81","Quai Charles de Gaulle","69006","Rhône","Auvergne-Rhône-Alpes",[2197],{"title":1890,"slug":1889,"type":1885},"2018-01-19T23:00:00+00:00","2018-12-06T23:00:00+00:00",[],{"id":2202,"slug":2203,"title":2204,"customTitle":1366,"defaultTitle":2205,"overrideHeading":420,"url":2206,"tagline":420,"thumbImage":2207,"locations":2219,"category":2240,"description":2242,"startDate":2243,"endDate":2244,"type":236,"showForm":732,"form":2245,"__typename":1935},"114345","nest","Tadashi Kawamata - Nest","Nest","https://www.mennour.com/exhibition/nest",[2208],{"id":2209,"url":2210,"jpg16":2211,"jpg800":2212,"jpg1600":2213,"jpg2400":2214,"jpg3200":2215,"alt":420,"title":2205,"width":2216,"height":2217,"caption":420,"mobile":2218,"__typename":679},"38157","https://dev-admin.mennour.com/uploads/img/nest.jpg","fFJt-d$|Djt6ozM|~9x?NG%2Rjj]9FW?%Ms+ofM{%LRkt7xtoeM{t7ayM_-;ayRj","https://dev-admin.mennour.com/uploads/img/_jpg800/nest.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/nest.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/nest.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/nest.jpg",1852,1369,[],[2220],{"title":2221,"slug":2222,"url":347,"type":1921,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":2223,"thumbImage":2224,"city":2236,"mapLocation":2238},"Mennour, 47 rue Saint-André-des-Arts","mennour-47-rue-saint-andré-des-arts","{\n \"html_attributions\" : [],\n \"result\" : \n {\n \"current_opening_hours\" : \n {\n \"open_now\" : true,\n \"periods\" : \n [\n {\n \"close\" : \n {\n \"date\" : \"2025-03-18\",\n \"day\" : 2,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-03-18\",\n \"day\" : 2,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-03-19\",\n \"day\" : 3,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-03-19\",\n \"day\" : 3,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-03-13\",\n \"day\" : 4,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-03-13\",\n \"day\" : 4,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-03-14\",\n \"day\" : 5,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-03-14\",\n \"day\" : 5,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-03-15\",\n \"day\" : 6,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-03-15\",\n \"day\" : 6,\n \"time\" : \"1100\"\n }\n }\n ],\n \"weekday_text\" : \n [\n \"Monday: Closed\",\n \"Tuesday: 11:00 AM – 7:00 PM\",\n \"Wednesday: 11:00 AM – 7:00 PM\",\n \"Thursday: 11:00 AM – 7:00 PM\",\n \"Friday: 11:00 AM – 7:00 PM\",\n \"Saturday: 11:00 AM – 7:00 PM\",\n \"Sunday: Closed\"\n ]\n }\n },\n \"status\" : \"OK\"\n}",[2225],{"id":2226,"url":2227,"jpg16":2228,"jpg800":2229,"jpg1600":2230,"jpg2400":2231,"jpg3200":2232,"alt":420,"title":2233,"width":1023,"height":2234,"caption":420,"mobile":2235,"__typename":679},"136113","https://dev-admin.mennour.com/uploads/img/1-2017-fa%C3%A7ade-47-rue-saint-andre-des-arts-Photo.-archives-kamel-mennour.jpg","obHx]IIpxUaeWYWA%%%NM_oeWERjNNt8acWBj]Rjx^xuV@WBWCf5bdxuRjayayWCtRWBofofWBj[","https://dev-admin.mennour.com/uploads/img/_jpg800/1-2017-façade-47-rue-saint-andre-des-arts-Photo.-archives-kamel-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/1-2017-façade-47-rue-saint-andre-des-arts-Photo.-archives-kamel-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/1-2017-façade-47-rue-saint-andre-des-arts-Photo.-archives-kamel-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/1-2017-façade-47-rue-saint-andre-des-arts-Photo.-archives-kamel-mennour.jpg","1 2017 façade 47 rue saint andre des arts Photo archives kamel mennour",3082,[],[2237],{"title":350,"slug":351},{"parts":2239},{"number":354,"address":355,"city":350,"postcode":356,"county":357,"country":358,"state":359},[2241],{"title":1893,"slug":528,"type":1885},"Kamel Mennour is pleased to present ‘Nest’, Tadashi Kawamata’s forth solo exhibition at the gallery.\nWith ‘Nest’, Tadashi Kawamata nests the gallery kamel mennour. He disorients the site by constructing an immense nest the structure of which incorporates the three exhibition rooms and extends into the courtyard. The nest, made of more than a hundred thousand interlaced wooden chopsticks, is an invitation to reconsider the space as if it was inhabited by a parasitic, precarious, and fragile body. Three other small nests, made of wooden slats or chopsticks, echo the larger one. They have been lodged in the inside and outside of the gallery, including under the window that gives on to the highly frequented rue Saint-André des arts, in Paris, just around the corner from the Place Saint-Michel.\nThese nests stitch together fluctuations of light and dark, an invitation to dream the space, to reexamine it, to reinvent rather than curl up in it. Kawamata’s nests are not a symbol of withdrawal but rather a reaction to a given situation and place, a possible mutation in the building and the beginning of a new flow. ‘My works are like bumps on the forehead,’ he says. ‘They’re an organism’s reaction, feeding on and disappearing from it as quickly as they appeared.’\n‘Nest’, like all Kawamata’s works, is site specific. ‘I don’t make work in order to exhibit,’ he says. ‘The creative process always begins after I’ve seen the exhibition space.’ And the initial sketches will be unfailingly modified by the comments and ideas of the ephemeral community of builders Kawamata engages in the process of each of his creations.\nWithout a collective, no work. In this sense, he is a good illustration of the ‘relational aesthetic’ theorised by Nicolas Bourriaud: ‘The space where [the] works unfold is entirely that of interaction, the space of opening that all dialogue begins.1’ The heterogeneity of these ephemeral communities contrasts with the homogeneity of the materials. These are always poor (wood, cardboard, etc.), always form a structure, and are always used in proliferation. 4000 stacked chairs, a torrent of five thousand wooden crates, a hoard of hundreds of easels…\nWhether these assemblages come together in a crescendo like the ‘Cathedral of Chairs’, or are resolved in architectural punctuations like the perched cabins, Kawamata is always composing a rhythm, a musicality. This musicality is related to the ‘outsider art’ tonality of the Facteur Cheval or Francesco Toris’ ‘Nuovo Mondo’. It also has parallels with the philosophy of the musician John Cage: \" Using chance gets rid of prejudices, of preconceived ideas of order and organisation\"2. The unexpected is Kawamata’s motor. The process predominates over the result. His practice is inspired by favelas, urban camps, and their makeshift inventions. Just as much as this, it is inspired by the special energy of cities.\nAs a child being raised in the isolated mountains of the Japanese island of Hokkaidō, Kawamata used to dream of the city, its swarms, its dynamism, its wall and bitumen colours. The city became his biotope. It is where he invents an aesthetics of the fragment, of the interstice, of disturbance. A street art sculptor, he more readily identifies as an activist than as an artist. Like in the game Mikado, he loves shifting a single wooden stick and disorganising everything. Nothing is eternal, the river runs like time, change is the essence of life. Tadashi Kawamata’s works accompany the impermanence of the world.\n\nAnnabelle Gugnon\n\n1 Nicolas Bourriaud, Esthétique relationnelle, éd. Les Presses du Réel, 2001.\n2 John Cage, Pour les oiseaux. Entretiens avec Daniel Charles, 1970, éd. L'Herne, 2014.","2017-12-13T18:10:00+00:00","2018-01-27T18:10:00+00:00",[],{"id":2247,"slug":2248,"title":2249,"customTitle":1157,"defaultTitle":2250,"overrideHeading":420,"url":2251,"tagline":420,"thumbImage":2252,"locations":2265,"category":2274,"description":2276,"startDate":2277,"endDate":2278,"type":236,"showForm":732,"form":2279,"__typename":1935},"114357","abetare-fluturat","Petrit Halilaj - ABETARE (Fluturat)","ABETARE (Fluturat)","https://www.mennour.com/exhibition/abetare-fluturat",[2253],{"id":2254,"url":2255,"jpg16":2256,"jpg800":2257,"jpg1600":2258,"jpg2400":2259,"jpg3200":2260,"alt":420,"title":2261,"width":2262,"height":2263,"caption":420,"mobile":2264,"__typename":679},"38170","https://dev-admin.mennour.com/uploads/img/abetare-fluturat.jpg","fNMHMrt8oGxZbJkD_NofM_ocM|WC9Gj]RiaxRjWVj?WBofofofj[?bofIVofoej[","https://dev-admin.mennour.com/uploads/img/_jpg800/abetare-fluturat.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/abetare-fluturat.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/abetare-fluturat.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/abetare-fluturat.jpg","Abetare fluturat",1775,1377,[],[2266],{"title":2001,"slug":2002,"url":369,"type":1921,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":2003,"thumbImage":2267,"city":2270,"mapLocation":2272},[2268],{"id":2006,"url":2007,"jpg16":2008,"jpg800":2009,"jpg1600":2010,"jpg2400":2011,"jpg3200":2012,"alt":420,"title":2013,"width":2014,"height":2015,"caption":420,"mobile":2269,"__typename":679},[],[2271],{"title":350,"slug":351},{"parts":2273},{"number":374,"address":367,"city":350,"postcode":356,"county":357,"country":375,"state":359},[2275],{"title":1893,"slug":528,"type":1885},"Everything can change, but not the language that we carry inside us, like a world more exclusive and decisive than one's mother's womb.\nItalo Calvino, Hermit in Paris\n\nPetrit Halilaj’s work is deeply connected with the recent history of his country, Kosovo, and the consequences of the political and cultural tensions in the region. But while confronting a collective memory, his work often originates from a personal experience and it is usually the result of an intimate process and a shared moment with someone he loves. His unique, and sometimes irreverent, way to playfully confront the essence of reality results in a deep reflection on memory, freedom, cultural identity and life discoveries. \nFor his second solo exhibition at the galerie kamel mennour in Paris, Halilaj is presenting his series of works titled ABETARE. The project was first developed for his solo exhibition at the Kölnischer Kunstverein in Cologne (2015) and further expanded this year at the Fondazione Merz in Turin, where he was awarded the Mario Merz Prize. \n“ABETARE” is the title of the artist’s alphabet book, the traditional learning book where each letter of the alphabet is associated with a drawing and a corresponding word. Halilaj, like all the children of his generation, learned Albanian language on this book while attending primary school in the Kosovar village of Runik between 1992 and 1997. At the time the oppression of the ethnic Albanian population of Kosovo by the Serbian Government was reaching its peak. The book became an essential part of their cultural identity and each generation would pass it on to the next one. In Halilaj’s work a one-to-one reproduction of the book is playfully exposed page after page as a wallpaper, recalling the familiar process of learning, whereby, beside the alphabet, the foundations of society are taught through the representation of scenes from everyday life.\nSurprisingly many of the drawings of the book have a resonance with the artist life and practice. The page corresponding to the letter “P” in the book refers to a boy named Petrit who plays with chickens (“Pulat e Petritit”), an animal often present in the artist's work. In another page we see a boy bending metal wire to create letters. And finally the letter “F” for Fluturat (butterflies) introduces us to the new series of drawings presented here, where the artist has inserted small and detailed black ink drawings of moths on this page of the book. These animals are present in the artist’s memory since his early childhood, when he used to chase them around lights at night in his house in Kosterc. The drawings relate to an intimate conversation with his mother about his childhood fascination for butterflies and moths, and his particular sensibility towards natural wonders. They trace an ideal connection between the ABETARE (wallpaper installation) and the series of the Moth sculptures Do you realise there is a rainbow even if it’s night!?. Both works were presented as part of the 57th International Art Exhibition - La Biennale di Venezia where Halilaj was awarded the special mention from the Jury. \n\nLeonardo Bigazzi","2017-12-01T16:55:00+00:00","2018-01-27T17:05:00+00:00",[],{"id":2281,"slug":2282,"title":2283,"customTitle":819,"defaultTitle":2284,"overrideHeading":420,"url":2285,"tagline":420,"thumbImage":2286,"locations":2299,"category":2316,"description":420,"startDate":2318,"endDate":2319,"type":236,"showForm":732,"form":2320,"__typename":1935},"117078","marie-bovo-mucem","Marie Bovo - Connectivités","Connectivités","https://www.mennour.com/exhibition/marie-bovo-mucem",[2287],{"id":2288,"url":2289,"jpg16":2290,"jpg800":2291,"jpg1600":2292,"jpg2400":2293,"jpg3200":2294,"alt":420,"title":2295,"width":2296,"height":2297,"caption":420,"mobile":2298,"__typename":679},"40664","https://dev-admin.mennour.com/uploads/img/marie-bovo-mucem.jpg","fHE3J2RiDiR*t8js~WoMRkofRij]xtkCayogs:R*xuf5WBoet8j[n#ofWBWAkBog","https://dev-admin.mennour.com/uploads/img/_jpg800/marie-bovo-mucem.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/marie-bovo-mucem.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/marie-bovo-mucem.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/marie-bovo-mucem.jpg","Marie bovo mucem",2700,2106,[],[2300],{"title":2301,"slug":2302,"url":2303,"type":1921,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2304,"city":2305,"mapLocation":2309},"Mucem, Marseille","mucem-marseille","https://www.mennour.com/location/mucem-marseille",[],[2306],{"title":2307,"slug":2308},"Marseille","marseilles",{"parts":2310},{"number":2311,"address":2312,"city":2307,"postcode":2313,"county":2314,"country":375,"state":2315},"1","Esplanade J4","13002","Bouches-du-Rhône","Provence-Alpes-Côte d'Azur",[2317],{"title":1890,"slug":1889,"type":1885},"2017-11-28T23:00:00+00:00","2023-09-11T13:55:00+00:00",[],{"id":2322,"slug":2323,"title":2324,"customTitle":1157,"defaultTitle":2325,"overrideHeading":420,"url":2326,"tagline":420,"thumbImage":2327,"locations":2340,"category":2349,"description":2351,"startDate":2352,"endDate":2353,"type":236,"showForm":732,"form":2354,"__typename":1935},"114366","do-you-realise-there-is-a-rainbow-even-if-it-s-night","Petrit Halilaj - Do you realise there is a rainbow even if it’s night!?","Do you realise there is a rainbow even if it’s night!?","https://www.mennour.com/exhibition/do-you-realise-there-is-a-rainbow-even-if-it-s-night",[2328],{"id":2329,"url":2330,"jpg16":2331,"jpg800":2332,"jpg1600":2333,"jpg2400":2334,"jpg3200":2335,"alt":420,"title":2336,"width":2337,"height":2338,"caption":420,"mobile":2339,"__typename":679},"38173","https://dev-admin.mennour.com/uploads/img/do-you-realise-there-is-a-rainbow-even-if-it-s-night.jpg","fDFFEP9E00?cIp9F~BRjRjRjNHoz4T-;-=D%WX%M-;jYM{ozayV@xuadRPxuoeV@","https://dev-admin.mennour.com/uploads/img/_jpg800/do-you-realise-there-is-a-rainbow-even-if-it-s-night.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/do-you-realise-there-is-a-rainbow-even-if-it-s-night.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/do-you-realise-there-is-a-rainbow-even-if-it-s-night.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/do-you-realise-there-is-a-rainbow-even-if-it-s-night.jpg","Do you realise there is a rainbow even if it s night",1793,1333,[],[2341],{"title":1956,"slug":1957,"url":377,"type":1921,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":1958,"thumbImage":2342,"city":2345,"mapLocation":2347},[2343],{"id":1961,"url":1962,"jpg16":1963,"jpg800":1964,"jpg1600":1965,"jpg2400":1966,"jpg3200":1967,"alt":420,"title":1968,"width":1969,"height":1969,"caption":420,"mobile":2344,"__typename":679},[],[2346],{"title":350,"slug":351},{"parts":2348},{"number":382,"address":383,"city":350,"postcode":384,"county":357,"country":358,"state":359},[2350],{"title":1893,"slug":528,"type":1885},"Petrit Halilaj\nDo you realise there is a rainbow even if it’s night?!\n\nFrom the age of seven, everything I felt in connection with a rectangle of framed sunlight was dominated by a single passion. If my first glance of the morning was for the sun, my first thought was for the butterflies it would engender. […] [A] rare visitor, a splendid, pale-yellow creature with black blotches, blue crenels, and a cinnabar eyespot above each chrome-rimmed black tail […] kept restlessly jerking its great wings, and my desire for it was one of the most intense I have ever experienced. (Vladimir Nabokov, Speak, Memory)\n\nAs is often the case in the work of Petrit Halilaj, Do you realise there is a rainbow even if it’s night?! appears to be the materialisation of a dream or a traditional folk tale. His fascination with Lepidoptera, at least a precocious as Vladimir Nabokov’s, comes from the moths he used to chase as a child in his family home in Kösterc, as they narrowly missed burning their wings on the hanging lightbulbs. He was twelve when his family was forced to flee the war in Kosovo for a refugee camp in Albania, where he learned to draw by sketching the animals living around him. A former stu-dent of the Brera Academy in Milan, since 2009 Halilaj has been developing a body of work that is at once autobiographical and deeply inscribed in the collective histo-ry. His monumental installations tell stories of exile, war, and nostalgia for his lost homeland, without ever falling into drama or pathos. Like the insects he collects or the canaries he lets fly around his studio, whose presence he convokes in most of his work, his drawings and sculptures all border on a highly delicate sensibility. For Halilaj, fiction and imagination, metaphor, humour, and poetry all play a roll in an engaged, political and social struggle. \n\tFor his second solo exhibition at the galerie kamel mennour, Petrit Halilaj has made an installation based on the project he presented for the 55th Venice Biennale. The piece, with its unchanging title, Do you realise there is a rainbow even if it’s night?!, was initially made of Kilim rugs from Kosovo that he cut up and stitched to-gether with his mother in order to turn them into moths.\n\tInvited to put on his first solo exhibition at the Prishtina Centre for Contem-porary Art in 2009, Halilaj found in an abandoned reserve in the Natural History Mu-seum its collected of Lepidoptera. The discovery led first of all to a series entitled Cleopatra, in which revolving electric lights imitated the movement of the insects in the dark, then to the monumentally scaled moths he exhibited in the Arsenal pavil-ion in 2017.\n\tThe recent discovery of Nabokov’s butterfly drawings together with photo-graphs of different species of Lepidoptera found on the net are the inspirational sources of Halilaj’s new work, made up of meticulous drawings in pencil or ink. With their delicate lines, they resemble scientific drawings like those made by explorers in the seventeenth and eighteenth centuries when they discovered new species of an-imals. Halilaj’s ink drawings are particularly influenced by the graphic work of the German naturalist Alexander von Humboldt, whose encyclopedic plates showing birds and Lepidoptera can be found piled up around Halilaj’s studio. The sheet of pa-per is like a space in which the insects seem to be resting. Those drawings are also the starting point of potential moth sculptures, or accompagny the creative process of making this fictional and surreal creatures. The drawings are both drafts and autonomous works.\nPetrit Halilaj has made cases for each of them out of recycled wooden crates and packed them under traditional Kilim rugs that partly cover, partly reveal them. Making costumes with his mother in Prishtina and makeshift wooden crates in Runik like the ones he used to make with his grandfather testify to the importance of his homeland, his Heimat, and of the notion of identity in his work. Where the family home is imagined as a workshop, each step of the project becomes the pretext for an intimate dialogue with his origins and for a return to the innocence of childhood, as if it was a matter of harnessing creation to practice an ‘invisible activism’ capable of ‘transforming the future world little by little’.\n\tThe electric lighting blurs the boundary between the reality of a museum en-vironment, of a cabinet of curiosities, and the illusion of a place invaded by a multi-tude of insects. The wooden boxes, like Joseph Cornell’s ‘poetic theatres’, allow each viewer to project her own memories into them. The monumental moth costume, at once beautiful and grotesque, seductive and funny, seems, like Kafka’s monster in The Metamorphosis, to be a response to the absurdity of the contemporary world. The symbolism of metamorphosis that is associated with Lepidoptera, together with their vulnerability, are also, in his language, the Other, the refugee, the homosexual, or a metaphor for the resurrection of the Kosovar people today. \n\nMarie Sarré","2017-11-22T16:50:00+00:00","2018-01-26T16:55:00+00:00",[],{"id":2356,"slug":2357,"title":2358,"customTitle":1346,"defaultTitle":2359,"overrideHeading":420,"url":2360,"tagline":420,"thumbImage":2361,"locations":2374,"category":2389,"description":420,"startDate":2391,"endDate":2392,"type":236,"showForm":732,"form":2393,"__typename":1935},"134355","my-red-homeland","Anish Kapoor - My Red Homeland","My Red Homeland","https://www.mennour.com/exhibition/my-red-homeland",[2362],{"id":2363,"url":2364,"jpg16":2365,"jpg800":2366,"jpg1600":2367,"jpg2400":2368,"jpg3200":2369,"alt":420,"title":2370,"width":2371,"height":2372,"caption":420,"mobile":2373,"__typename":679},"41741","https://dev-admin.mennour.com/uploads/img/anish-kapoor-musee-d-art-moderne-et-contemporain-de-saint-etienne.jpg","mJJH2Q00o}kW~Wnh9GtlELV[%1Rj8_?H%2aKD%%MM|ozROogWoM|","https://dev-admin.mennour.com/uploads/img/_jpg800/anish-kapoor-musee-d-art-moderne-et-contemporain-de-saint-etienne.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/anish-kapoor-musee-d-art-moderne-et-contemporain-de-saint-etienne.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/anish-kapoor-musee-d-art-moderne-et-contemporain-de-saint-etienne.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/anish-kapoor-musee-d-art-moderne-et-contemporain-de-saint-etienne.jpg","Anish kapoor musee d art moderne et contemporain de saint etienne",3936,5904,[],[2375],{"title":2376,"slug":2377,"url":2378,"type":1921,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2379,"city":2380,"mapLocation":2384},"Musée d'art moderne et contemporain de Saint-Etienne","musée-dart-moderne-et-contemporain-de-saint-etienne","https://www.mennour.com/location/musée-dart-moderne-et-contemporain-de-saint-etienne",[],[2381],{"title":2382,"slug":2383},"Saint-Priest-en-Jarez","saint-priest-en-jarez",{"parts":2385},{"number":1867,"address":2386,"city":2382,"postcode":2387,"county":2388,"country":375,"state":2195},"Rue Fernand Léger","42270","Loire",[2390],{"title":1890,"slug":1889,"type":1885},"2017-11-10T23:00:00+00:00","2018-04-07T22:00:00+00:00",[],{"id":2395,"slug":2396,"title":2397,"customTitle":1553,"defaultTitle":2398,"overrideHeading":420,"url":2399,"tagline":420,"thumbImage":2400,"locations":2413,"category":2430,"description":420,"startDate":2432,"endDate":2433,"type":236,"showForm":732,"form":2434,"__typename":1935},"134552","diabeacon-and-diachelsea","François Morellet - Dia:Beacon and Dia:Chelsea","Dia:Beacon and Dia:Chelsea","https://www.mennour.com/exhibition/diabeacon-and-diachelsea",[2401],{"id":2402,"url":2403,"jpg16":2404,"jpg800":2405,"jpg1600":2406,"jpg2400":2407,"jpg3200":2408,"alt":420,"title":2409,"width":2410,"height":2411,"caption":420,"mobile":2412,"__typename":679},"41746","https://dev-admin.mennour.com/uploads/img/francois-morellet-dia-art-foundation.jpg","f38NkH01D%-;NG$~01?axuIUoeoz00-:V@NGs:RQ~p4ot7%MM{aetRxtRPWAkDxu","https://dev-admin.mennour.com/uploads/img/_jpg800/francois-morellet-dia-art-foundation.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/francois-morellet-dia-art-foundation.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/francois-morellet-dia-art-foundation.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/francois-morellet-dia-art-foundation.jpg","Francois morellet dia art foundation",3600,2403,[],[2414],{"title":2415,"slug":2416,"url":2417,"type":1921,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2418,"city":2419,"mapLocation":2423},"Dia Art Foundation, New York","dia-art-foundation-new-york","https://www.mennour.com/location/dia-art-foundation-new-york",[],[2420],{"title":2421,"slug":2422},"New York","new-york",{"parts":2424},{"number":2425,"address":2426,"city":2421,"postcode":2427,"county":2428,"country":2429,"state":2421},"3","Beekman Street, Manhattan","10038","New York County","États-Unis",[2431],{"title":1890,"slug":1889,"type":1885},"2017-10-27T22:00:00+00:00","2018-06-01T22:00:00+00:00",[],{"id":2436,"slug":2437,"title":2438,"customTitle":778,"defaultTitle":2439,"overrideHeading":420,"url":2440,"tagline":420,"thumbImage":2441,"locations":2454,"category":2469,"description":420,"startDate":2471,"endDate":2472,"type":236,"showForm":732,"form":2473,"__typename":1935},"134692","voyage-dhiver","Hicham Berrada - Voyage d’hiver","Voyage d’hiver","https://www.mennour.com/exhibition/voyage-dhiver",[2442],{"id":2443,"url":2444,"jpg16":2445,"jpg800":2446,"jpg1600":2447,"jpg2400":2448,"jpg3200":2449,"alt":420,"title":2450,"width":2451,"height":2452,"caption":420,"mobile":2453,"__typename":679},"41751","https://dev-admin.mennour.com/uploads/img/hicham-berrada-versailles.jpg","fQFPNnWYjDjsNGof0MxvaIRiWrWB-;t7M_WAo#ay.AkCs,j@WVayt9kCxtofRjWB","https://dev-admin.mennour.com/uploads/img/_jpg800/hicham-berrada-versailles.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/hicham-berrada-versailles.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/hicham-berrada-versailles.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/hicham-berrada-versailles.jpg","Hicham berrada versailles",1707,1260,[],[2455],{"title":2456,"slug":2457,"url":2458,"type":1921,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2459,"city":2460,"mapLocation":2464},"Jardins du Château de Versailles","jardins-du-château-de-versailles","https://www.mennour.com/location/jardins-du-château-de-versailles",[],[2461],{"title":2462,"slug":2463},"Versailles","versailles",{"parts":2465},{"number":1867,"address":2466,"city":2462,"postcode":2467,"county":2468,"country":375,"state":359},"Place d'Armes","78000","Yvelines",[2470],{"title":1890,"slug":1889,"type":1885},"2017-10-21T22:00:00+00:00","2018-01-06T23:00:00+00:00",[],{"id":2475,"slug":2476,"title":2477,"customTitle":1723,"defaultTitle":2478,"overrideHeading":420,"url":2479,"tagline":420,"thumbImage":2480,"locations":2493,"category":2503,"description":420,"startDate":2505,"endDate":2472,"type":236,"showForm":732,"form":2506,"__typename":1935},"134695","voyage-dhiver-2","Ugo Rondinone - Voyage d'hiver","Voyage d'hiver","https://www.mennour.com/exhibition/voyage-dhiver-2",[2481],{"id":2482,"url":2483,"jpg16":2484,"jpg800":2485,"jpg1600":2486,"jpg2400":2487,"jpg3200":2488,"alt":420,"title":2489,"width":2490,"height":2491,"caption":420,"mobile":2492,"__typename":679},"41756","https://dev-admin.mennour.com/uploads/img/ugo-rondinone-chateau-de-versailles.jpg","fwD0[vj[j@kBfPj]kvR+j]a#fPfkIqWBofa}j[ayV=oeaxfPfQfPoNj[aeayazj@","https://dev-admin.mennour.com/uploads/img/_jpg800/ugo-rondinone-chateau-de-versailles.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/ugo-rondinone-chateau-de-versailles.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/ugo-rondinone-chateau-de-versailles.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/ugo-rondinone-chateau-de-versailles.jpg","Ugo rondinone chateau de versailles",5750,3834,[],[2494],{"title":2495,"slug":2496,"url":2497,"type":1921,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2498,"city":2499,"mapLocation":2501},"Château de Versailles","château-de-versailles","https://www.mennour.com/location/château-de-versailles",[],[2500],{"title":2462,"slug":2463},{"parts":2502},{"number":2466,"address":1867,"city":2462,"postcode":2467,"county":2468,"country":375,"state":359},[2504],{"title":1890,"slug":1889,"type":1885},"2017-10-20T22:00:00+00:00",[],{"id":2508,"slug":2509,"title":2510,"customTitle":1199,"defaultTitle":2511,"overrideHeading":420,"url":2512,"tagline":420,"thumbImage":2513,"locations":2526,"category":2533,"description":420,"startDate":2535,"endDate":2472,"type":236,"showForm":732,"form":2536,"__typename":1935},"134697","days-are-dogs-carte-blanche","Camille Henrot - Days are Dogs - Carte Blanche","Days are Dogs - Carte Blanche","https://www.mennour.com/exhibition/days-are-dogs-carte-blanche",[2514],{"id":2515,"url":2516,"jpg16":2517,"jpg800":2518,"jpg1600":2519,"jpg2400":2520,"jpg3200":2521,"alt":420,"title":2522,"width":2523,"height":2524,"caption":420,"mobile":2525,"__typename":679},"41761","https://dev-admin.mennour.com/uploads/img/camille-henrot-palais-de-tokyo.jpg","WlMQ-RjXRQ-;ofj[~poMR*WBWBof-;ofa#ayt7oLxuofoMjtf6ay","https://dev-admin.mennour.com/uploads/img/_jpg800/camille-henrot-palais-de-tokyo.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/camille-henrot-palais-de-tokyo.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/camille-henrot-palais-de-tokyo.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/camille-henrot-palais-de-tokyo.jpg","Camille henrot palais de tokyo",1367,872,[],[2527],{"title":1918,"slug":1919,"url":1920,"type":1921,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2528,"city":2529,"mapLocation":2531},[],[2530],{"title":350,"slug":351},{"parts":2532},{"number":1927,"address":1928,"city":350,"postcode":1929,"county":357,"country":375,"state":359},[2534],{"title":1890,"slug":1889,"type":1885},"2017-10-17T22:00:00+00:00",[],{"id":2538,"slug":2539,"title":2540,"customTitle":1199,"defaultTitle":2541,"overrideHeading":420,"url":2542,"tagline":420,"thumbImage":2543,"locations":2554,"category":2563,"description":2565,"startDate":2566,"endDate":2567,"type":236,"showForm":732,"form":2568,"__typename":1935},"114378","testa-di-legno","Camille Henrot - Testa di Legno","Testa di Legno","https://www.mennour.com/exhibition/testa-di-legno",[2544],{"id":2545,"url":2546,"jpg16":2547,"jpg800":2548,"jpg1600":2549,"jpg2400":2550,"jpg3200":2551,"alt":420,"title":2552,"width":982,"height":981,"caption":420,"mobile":2553,"__typename":679},"38181","https://dev-admin.mennour.com/uploads/img/testa-di-legno.jpg","feODk9M_%MxvV@xu~qWBRjWBWBogt6WBM_ofkCWBIURjt6j]ogj@t7ofR*Rjayj[","https://dev-admin.mennour.com/uploads/img/_jpg800/testa-di-legno.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/testa-di-legno.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/testa-di-legno.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/testa-di-legno.jpg","Testa di legno",[],[2555],{"title":2001,"slug":2002,"url":369,"type":1921,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":2003,"thumbImage":2556,"city":2559,"mapLocation":2561},[2557],{"id":2006,"url":2007,"jpg16":2008,"jpg800":2009,"jpg1600":2010,"jpg2400":2011,"jpg3200":2012,"alt":420,"title":2013,"width":2014,"height":2015,"caption":420,"mobile":2558,"__typename":679},[],[2560],{"title":350,"slug":351},{"parts":2562},{"number":374,"address":367,"city":350,"postcode":356,"county":357,"country":375,"state":359},[2564],{"title":1893,"slug":528,"type":1885},"A “testa di legno” is a blockhead, a numbskull, a puppet. A person without the capacity for free thought, less a creative agent than a dumb body. The phrase has come, by extension, to describe a stand-in or body double paid by organised criminals to serve prison time on their behalf. As a tradable commodity in the justice system, these “teste di legno” illustrate how inequalities of money and power translate into inequalities of freedom. They also provide a case study for the relationship between individual liberty and the structures that dictate each person’s place in society. \n\nCamille Henrot’s latest exhibition at kamel mennour presents seven imprisoned wooden figures. Several are chained to a boundary fence enclosing a space we might presume—from the attitudes taken up by the characters, one of whom carries a gym ball while another lifts barbells—to be an exercise yard. The sculptures’ arrangement on a gridded surface calls to mind pawns on a chessboard, while their varying heights imply a nuclear family. Playing on the literal and figurative translations of “testa di legno,” these woodenheads prompt questions about formal and informal means of social control. \n\nThe detainees are kept under constant observation. Visitors walking around a perimeter walkway scrutinise the group, at a safe distance, from every angle. If surveillance is a means of enforcing normative standards then the audience is as integral to this prison complex as its chains and fences. With this in mind, the figures’ poses seem studied to satisfy their warders, impersonations of innocent leisure. It is tempting to imagine that, left momentarily unwatched, they would make a bid for freedom.\n\nIn a disciplinary society, as in a prison, even the most innocuous activities are observed and policed. Ostensibly at play, these elongated hourglass forms also suggest bowling pins and the kitsch quasi-Polynesian sculptures that decorate Tiki bars, two quintessential symbols of American leisure. Yet their furrowed surfaces and skeletal frameworks conjure the visual language of digital design and digital surveillance, a hollow world mapped out in volumetric grids. On closer inspection their bodies seem corrupted, their skin corroded. A symptom, perhaps, of the difficulty of maintaining one’s integrity under supervision. \n\nAn overhead glass ceiling—popular metaphor for the barrier on women’s professional ambitions—reinforces the sense that the most powerful social controls are unseen and unacknowledged. Those injustices stem from the values we learn in childhood, and the title also reads as a nod to the popular characterisation of criminal organisations as “families.” The “testa di legno” is the “minor” relative sacrificed to secure the patriarch’s freedom. Conflating family scene with prison tableau, “testa di legno” proposes that the same structures operate at the small and large scales of society.\n\nBen Eastham\n\n\n\nBorn in 1978, Camille Henrot lives and works in New York. Henrot's diverse practice combines film, drawing, and sculpture. Taking inspiration from subjects as varied as literature, mythology, cinema, anthropology, evolutionary biology, religion and the banality of everyday life, Henrot’s work acutely reconsiders the typologies of objects and established systems of knowledge.\n\nShe has had solo exhibitions at the New Museum, New York; Schinkel Pavilion, Berlin; New Orleans Museum of Art; Musée du Jeu de Paume, Paris. Her work has been included in group shows at MoMA, New York; Centre Pompidou, Paris; Astrup Fearnley Museet, Oslo; Stedelijk Museum, Amsterdam; and SculptureCenter, New York; as well as the 2015 Lyon Biennial and the 2016 Berlin Biennial. \n\nA 2013 artistic fellowship at the Smithsonian resulted in her film Grosse Fatigue, for which she was awarded the Silver Lion at the 55th Venice Biennale awarding the « most promising young artist ».\n\nDeveloping themes from the film, The Pale Fox installation was first shown at London’s Chisenhale Gallery in 2014 and traveled to Kunsthal Charlottenborg, Copenhagen; Bétonsalon, Paris; and the Westfälischer Kunstverein, Munster. \n\nHer current research, focusing on the days of the week, develops in several chapters - the first one, Monday, being exhibited at Fondazione Memmo, Rome, in 2016, and the second one, Tuesday at Kunsthalle Wien in 2017. The whole research is be the subject of a major solo show - a Carte Blanche - at Palais de Tokyo, Paris, from October 18th, 2017 to January 7th, 2018.\n\nA finalist of the Hugo Boss Prize in 2014, Camille Henrot is the recipient of the 2014 Nam Jun Paik Award and the Edvard Munch Art Award 2015.\n\nCamille Henrot is represented by kamel mennour, Paris/London, König galerie, Berlin and Metro Pictures, New York.","2017-10-13T22:00:00+00:00","2017-11-25T16:50:00+00:00",[],{"id":2570,"slug":2571,"title":2572,"customTitle":840,"defaultTitle":2573,"overrideHeading":420,"url":2574,"tagline":420,"thumbImage":2575,"locations":2586,"category":2595,"description":2597,"startDate":2598,"endDate":2599,"type":236,"showForm":732,"form":2600,"__typename":1935},"114398","pyramidal-hauts-reliefs-travaux-in-situ-et-situes-2017","Daniel Buren - Pyramidal, hauts-reliefs, travaux in situ et situés, 2017","Pyramidal, hauts-reliefs, travaux in situ et situés, 2017","https://www.mennour.com/exhibition/pyramidal-hauts-reliefs-travaux-in-situ-et-situes-2017",[2576],{"id":2577,"url":2578,"jpg16":2579,"jpg800":2580,"jpg1600":2581,"jpg2400":2582,"jpg3200":2583,"alt":420,"title":2584,"width":981,"height":982,"caption":420,"mobile":2585,"__typename":679},"38192","https://dev-admin.mennour.com/uploads/img/pyramidal-hauts-reliefs-travaux-in-situ-et-situes-2017.jpg","nALDrs00~Dt8550zG[.8QR#8nTNa0{FykX^%vf+v$}NGT09tI;t7V?Tz5RJ5X9KP","https://dev-admin.mennour.com/uploads/img/_jpg800/pyramidal-hauts-reliefs-travaux-in-situ-et-situes-2017.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/pyramidal-hauts-reliefs-travaux-in-situ-et-situes-2017.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/pyramidal-hauts-reliefs-travaux-in-situ-et-situes-2017.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/pyramidal-hauts-reliefs-travaux-in-situ-et-situes-2017.jpg","Pyramidal hauts reliefs travaux in situ et situes 2017",[],[2587],{"title":2221,"slug":2222,"url":347,"type":1921,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":2223,"thumbImage":2588,"city":2591,"mapLocation":2593},[2589],{"id":2226,"url":2227,"jpg16":2228,"jpg800":2229,"jpg1600":2230,"jpg2400":2231,"jpg3200":2232,"alt":420,"title":2233,"width":1023,"height":2234,"caption":420,"mobile":2590,"__typename":679},[],[2592],{"title":350,"slug":351},{"parts":2594},{"number":354,"address":355,"city":350,"postcode":356,"county":357,"country":358,"state":359},[2596],{"title":1893,"slug":528,"type":1885},"Photo-souvenir\n\nKamel Mennour is pleased to present Daniel Buren’s exhibition, ‘Pyramidal, hauts-reliefs, travaux in situ et situés, 2017’.\n‘There can’t be vision without thought.’ This statement by Daniel Buren underpins a considerable body of work that over five continents and more than fifty years has opened our contemporary ways of seeing to horizons as much inventive as they have been disorientating. For his fifth exhibition at the galerie kamel mennour, Buren is exploring new perspectives. ‘Pyramidal, hauts-reliefs, travaux in situ et situés, 2017’ reboots and reconsiders the stakes of the mythical form of the pyramid. The exhibition includes the seven-and-a-half hour long film, À contre-temps, À perte de vue, in which Buren presents a series of photos, films, interviews, explanations, memories, criticisms, and theoretical texts, drawing on works that he has made since the 1960s and grouped according to theme in alphabetical order.\nAcross the walls of the gallery, a succession of pyramids in high relief extend their three dimensions into mirrored prisms made of complementary colours or otherwise, each punctuated by 8.7 cm-wide black and white stripes. Here the famous visual tool that Buren invented in 1968 returns again in the construction of works capable of creating a wealth of new bearings for the inquisitive gaze. The colossal word ‘pyramid’, encrusted with its thousands-of-years-old archaeological history, is destabilised by the adjective ‘pyramidal’, which indicates a modus operandi. The pyramid’s pyramidal form is set in motion through the accumulation of adjoining primary units—the prism bricks—and the interactions of colour and light. Each pyramid is at once site specific and situated. In other words, according to Buren’s own artistic vocabulary, each creation depends absolutely on the place in which it appears and the presence, here and now, of the visitor. But each of these ‘Pyramidals’ is also ‘situated’, and hence susceptible, following certain rules, of transforming itself into a new work as a result of its dependence on a different environment.\nBuren’s works can never be disengaged from the place in which they are shown. This interdependence between the variable place and the repetitive elements of the work are at the heart of his thinking: the work of art is not an object, it is rather a place from which to perceive the world. The history of art is a succession of formal adventures and so, one has to hope, of thoughts. However, this not a question of progress, but rather of changing points of view. The real is infinite and the reality of the moment is no more than a possible version, among a multitude of others waiting to be formulated. Buren’s work helps to redefine of the world. ‘Les Deux Plateaux’ (1986), in the courtyard of the Palais-Royal, nicknamed les colonnes de Buren, is the most famous example of this. In 1985, the work was subject to an avalanche of acrimony, its case was brought before the courts and it narrowly missed being demolished. Today the black and white marble columns are a revered site on the contem- porary art map and continue opening the world to other possibilities. This was made evident three years after they had been put in place, with the unveiling of Ieoh Ming Pei’s Pyramide du Louvre, bringing together contemporary glass and metal with the historic stone of the old royal palace.\nBuren’s activity as an artist is so widespread that mentioning his Golden Lion at the 1986 Venice Biennale, his site-specific exhibition at the Guggenheim Museum in New York in 2005, and his reinvention of the Pompidou Centre in Paris for ‘Le Musée qui n’existait pas’ in 2002 would be only the beginning of a very long list. It would in fact be very difficult, even impossible, and, it would have to be said, contradictory, to organise a complete retrospective of his works. For a good reason: the site-specific works are either destroyed when they leave the exhibition space they depended on, or they remain definitively tied to their place if they are permanent installations. In both cases they can’t be brought together at the same time in the same place. Buren’s fidelity over the years to his initial position poses the question of the trace. Just as the footprint indicates the path taken by the hiker, the absence of the work here signals its presence. It writes its trace in the real. Creation here doesn’t impinge on space through its materiality but rather produces effects of freedom. This is how a great artist inscribes the world: letting existence unfold itself in vaster patterns. Together, ‘Pyramidal’ and À contre-temps, À perte de vue explore forms and traces, a homage to the risk of living and the risk of creating:\n‘Traveller, there is no path\nThe path is made by walking’. Here and now.\nAnnabelle Gugnon\n* Antonio Machado, « Poésie », éd. Gallimard, coll. Du monde entier, 1973.","2017-10-12T14:00:00+00:00","2017-11-25T15:00:00+00:00",[],{"id":2602,"slug":2603,"title":2604,"customTitle":778,"defaultTitle":2605,"overrideHeading":420,"url":2606,"tagline":420,"thumbImage":2607,"locations":2620,"category":2635,"description":420,"startDate":2637,"endDate":2159,"type":236,"showForm":732,"form":2638,"__typename":1935},"134700","74803-jours","Hicham Berrada - 74803 jours","74803 jours","https://www.mennour.com/exhibition/74803-jours",[2608],{"id":2609,"url":2610,"jpg16":2611,"jpg800":2612,"jpg1600":2613,"jpg2400":2614,"jpg3200":2615,"alt":420,"title":2616,"width":2617,"height":2618,"caption":420,"mobile":2619,"__typename":679},"41766","https://dev-admin.mennour.com/uploads/img/hicham-berrada-abbaye-de-maubuisson.jpg","fD9@YNx]9ExtRkt700D%%gt7RjRj~q-;RjR*t7ay4UIUt6V@azog_3xuWBofWBay","https://dev-admin.mennour.com/uploads/img/_jpg800/hicham-berrada-abbaye-de-maubuisson.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/hicham-berrada-abbaye-de-maubuisson.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/hicham-berrada-abbaye-de-maubuisson.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/hicham-berrada-abbaye-de-maubuisson.jpg","Hicham berrada abbaye de maubuisson",3716,2480,[],[2621],{"title":2622,"slug":2623,"url":2624,"type":1921,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2625,"city":2626,"mapLocation":2630},"Abbaye de Maubuisson, Saint-Ouen-l'Aumône","abbaye-de-maubuisson-saint-ouen-laumône","https://www.mennour.com/location/abbaye-de-maubuisson-saint-ouen-laumône",[],[2627],{"title":2628,"slug":2629},"Saint-Ouen-l'Aumône","saint-ouen-laumône",{"parts":2631},{"number":1867,"address":2632,"city":2628,"postcode":2633,"county":2634,"country":375,"state":359},"Avenue Richard de Tour","95310","Val-d'Oise",[2636],{"title":1890,"slug":1889,"type":1885},"2017-10-07T22:00:00+00:00",[],{"id":2640,"slug":2641,"title":2642,"customTitle":1408,"defaultTitle":2643,"overrideHeading":420,"url":2644,"tagline":420,"thumbImage":2645,"locations":2658,"category":2667,"description":2669,"startDate":2670,"endDate":2671,"type":236,"showForm":732,"form":2672,"__typename":1935},"114412","revolution-orbita","Alicja Kwade - Revolution Orbita","Revolution Orbita","https://www.mennour.com/exhibition/revolution-orbita",[2646],{"id":2647,"url":2648,"jpg16":2649,"jpg800":2650,"jpg1600":2651,"jpg2400":2652,"jpg3200":2653,"alt":420,"title":2654,"width":2655,"height":2656,"caption":420,"mobile":2657,"__typename":679},"38211","https://dev-admin.mennour.com/uploads/img/revolution-orbita.jpg","fDL4yxxuITxukC-;?dofITs;RjRjD$xuxvayWBazMxt7%Nayxuoft7f6IUM{t7Rj","https://dev-admin.mennour.com/uploads/img/_jpg800/revolution-orbita.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/revolution-orbita.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/revolution-orbita.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/revolution-orbita.jpg","Revolution orbita",1798,1351,[],[2659],{"title":2001,"slug":2002,"url":369,"type":1921,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":2003,"thumbImage":2660,"city":2663,"mapLocation":2665},[2661],{"id":2006,"url":2007,"jpg16":2008,"jpg800":2009,"jpg1600":2010,"jpg2400":2011,"jpg3200":2012,"alt":420,"title":2013,"width":2014,"height":2015,"caption":420,"mobile":2662,"__typename":679},[],[2664],{"title":350,"slug":351},{"parts":2666},{"number":374,"address":367,"city":350,"postcode":356,"county":357,"country":375,"state":359},[2668],{"title":1893,"slug":528,"type":1885},"Kamel Mennour is proud to present \"Revolution Orbita\", a show by Alicja Kwade.\n\nTime is space in movement. Alicja Kwade’s recent works invite the viewer to take a trip in the weight and measure of reality, from spacetime to social relations, in a physical exploration of the forces underpinning our lives. The astrophysician Trinh Xuan Thuan writes that, ‘when the Earth was born 4.6 billion years ago, it spun four times faster than it does now. The day lasted no more than six hours and the sun hurried in its daily journey across the sky in about three hours’.\n\nTime may hold the secret of the origin and the very end: Alicja Kwade sculpts the clues. These include granite stones, magma crystalized over the ages into metamorphic rock, and clay that heat and time have fixed in bricks.\n\nTrialTurn, presented at kamel mennour’s booth at Frieze, sets out in the space a series of celestial mechanisms and interlocking gears of matter. Immense hoops of stainless steel are linked together into possible cogs of brick. Like moving, oversized gears, the bricks seem to fall together, move or speed up, like planets incapable of getting out of orbit.\n\nThe bricks symbolize the human element, artifacts used to build the world, trapped in the narrow path of reality. Their number has been chosen according to the duodecimal system (12/24/26/48), which also underlies our calendar, our systems for keeping time and in many other ways our very sense of reality. In her work, Kwade brings together science and philosophy, separated since the Enlightenment, in order to create a renewed alliance or a third entity, one that includes the element of movement, synonymous with time. These brick machines, which support and work with each other like a gravitational system, are surrounded by three similar twodimensional works (Idol), presenting what at first sight appear to be merely wave-like patterns. On closer inspection, they appear to be dials responding to magnetic attraction, like a series of metal spikes formed by magnetic waves. The works are interconnected through a motif tied to the rotation of the hands of a clock (30, 90 and 150 degrees), as if a force was traveling from one work to the next, freezing them into three successive stages. Kwade refers here to an image that was created by scientists in 2015, when the hypothesis of gravitational waves was put forward for the first time. The pattern was produced to illustrate this very abstract matter: the matter of matter, the primal proof of everything.\n\nOn another wall, an old abacus, with only one bead left on each rod, refers to planets in parallel universes (Linienland V (Berlin)). Each rod could stand for a different dimension. The planets will never get out of their trajectories; never learn about the existence of the others. The stone beads never encounter each other. The remaining spheres seem to have fallen on the floor.\n\nA glass vitrine resembling an altar contains candles placed on a copper pipe (OOO (observed objects opportunities)). They seem to react to its heat, and materialise a suspension of time, embodying the creation of the universe in the series of globes they form together.\n\nFor the London gallery show “Revolution Orbita”, Alicja Kwade has chosen to present OrbitaGravitas, a site-specific installation, where the stainless steel loops and weighted floating boulders place the space in tension. The gallery metaphorically becomes the centre of the universe, with planets circling through it.\n\nUnder this site-specific installation stands another sculpture in place of the same construction, CausalStability, as a counterpart to the gravitational dial. It creates a bond between the shows at the Fair and the gallery. A trillionth of a second also sets out a gravitational wave pattern made of compass needles. The two systems of measurement, Time and Space, appear here blurred together. In a corner, a narrow tower made of sculpted cast bronze candles refers to the artist’s body size (Candle Column (Selfportrait)). The original wax sculpture was built up by extinguishing the flame of each candle with the next.\n\nDuration is subjective, it is a variable moment intensified by love, stretched by boredom, sped up by competition… And sometimes opened by creative emotion, that ‘cosmic memory […] that frees human beings from their own plane or level and makes creators of them, adequate to the whole movement of creation.’\n\nAlicja Kwade is an artifex of cosmic memory, an alchemical artist who rather than changing lead into gold keeps asking fundamental questions about our origin, our place in universe, our future, and deconstructing what we think of as our most familiar reality, uncovering mysterious, previously unknown details, measure by measure.\nNo answers here, just more questions…\n\nBorn in 1979 in Katowice, Poland, Alicja Kwade lives and works in Berlin. Her work was exhibited in multiple solo shows in institutions such as the Eli and Edythe Broad Art Museum, East Lansing, USA; the Museum Frieder Burda in Baden-Baden; the Whitechapel Gallery in London; the Public Art Fund in New York; the Kunstmuseum in St. Gallen; Zentrum für Kunst und Medien in Karlsruhe; the Polnisches Institut in Berlin; the Würth Haus Berlin; the Oldenburger Kunstverein; the Kunstverein Bremerhaven; the Westfälischer Kunstverein in Münster; the Kestnergesellschaft in Hanover; the Hamburger Bahnhof – Museum für Gegenwart in Berlin; De Appel arts centre in Amsterdam and the Schirn Kunsthalle Frankfurt. Alicja Kwade also took part of international events all around the world: the 57th Venice Biennale, in Venezia; the Kochi-Muziris Biennale and the Triennale di Milano. And also numerous group exhibitions in major institutions such as the Frankfurter Kunstverein; the Lentos Kunstmuseum Linz; the Musée d’Art Moderne et d’Art Contemporain (MAMAC) in Nice; the Museum of Contemporary Art Detroit (MOCAD); the Palazzo Strozzi in Florence; the KW Institute for Contemporary Art in Berlin; the Witte de With Center for Contemporary Art in Rotterdam; the SculptureCenter in Long Island; the Domaine Pommery in Reims; the Palais de Tokyo in Paris; the Museum of Contemporary Art Tokyo (MOT); the Den Frie Centre of Contemporary Art in Copenhagen, the Museum Moderner Kunst Stiftung Ludwig Wien (MUMOK) in Vienna; the Museum Kunstpalast of Dusseldorf; the Kunstmuseum Luzern; the Contemporary Jewish Museum (CJM) in San Francisco and the Kunstmuseum Bonn.","2017-10-03T22:00:00+00:00","2017-11-18T11:45:00+00:00",[],{"id":2674,"slug":2675,"title":2676,"customTitle":1303,"defaultTitle":2677,"overrideHeading":420,"url":2678,"tagline":420,"thumbImage":2679,"locations":2692,"category":2708,"description":420,"startDate":2710,"endDate":2711,"type":236,"showForm":732,"form":2712,"__typename":1935},"134704","hd-400","Ann Veronica Janssens - HD 400","HD 400","https://www.mennour.com/exhibition/hd-400",[2680],{"id":2681,"url":2682,"jpg16":2683,"jpg800":2684,"jpg1600":2685,"jpg2400":2686,"jpg3200":2687,"alt":420,"title":2688,"width":2689,"height":2690,"caption":420,"mobile":2691,"__typename":679},"41781","https://dev-admin.mennour.com/uploads/img/ann-veronica-janssens-ghent.jpg","mFIrT=00t7%L_4SjkDWX8^jDV@j[o~%MROoIM{RjtRflo#RjRjoe","https://dev-admin.mennour.com/uploads/img/_jpg800/ann-veronica-janssens-ghent.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/ann-veronica-janssens-ghent.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/ann-veronica-janssens-ghent.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/ann-veronica-janssens-ghent.jpg","Ann veronica janssens ghent",484,858,[],[2693],{"title":2694,"slug":2695,"url":2696,"type":1921,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2697,"city":2698,"mapLocation":2702},"Ghent, Belgium","ghent-belgium","https://www.mennour.com/location/ghent-belgium",[],[2699],{"title":2700,"slug":2701},"Ghent","ghent",{"parts":2703},{"number":1867,"address":1867,"city":2704,"postcode":1867,"county":2705,"country":2706,"state":2707},"Gand","Flandre Orientale","Belgique","Région Flamande",[2709],{"title":1890,"slug":1889,"type":1885},"2017-09-27T22:00:00+00:00","2017-12-30T23:00:00+00:00",[],{"id":2714,"slug":2715,"title":2716,"customTitle":1703,"defaultTitle":2717,"overrideHeading":420,"url":2718,"tagline":420,"thumbImage":2719,"locations":2732,"category":2746,"description":420,"startDate":2710,"endDate":2102,"type":236,"showForm":732,"form":2748,"__typename":1935},"134702","under-the-sun","Robin Rhode - Under the sun","Under the sun","https://www.mennour.com/exhibition/under-the-sun",[2720],{"id":2721,"url":2722,"jpg16":2723,"jpg800":2724,"jpg1600":2725,"jpg2400":2726,"jpg3200":2727,"alt":420,"title":2728,"width":2729,"height":2730,"caption":420,"mobile":2731,"__typename":679},"41776","https://dev-admin.mennour.com/uploads/img/robin-rhode-tel-aviv-museum-of-art.jpg","fGD]uISc9cRA$ftP01tQs.afWXkC^,RQ--tiNeMz9FoeENkWxVoJ~obaV[M{jZtQ","https://dev-admin.mennour.com/uploads/img/_jpg800/robin-rhode-tel-aviv-museum-of-art.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/robin-rhode-tel-aviv-museum-of-art.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/robin-rhode-tel-aviv-museum-of-art.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/robin-rhode-tel-aviv-museum-of-art.jpg","Robin rhode tel aviv museum of art",3810,3048,[],[2733],{"title":2734,"slug":2735,"url":2736,"type":1921,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2737,"city":2738,"mapLocation":2739},"Tel Aviv Museum of Art","tel-aviv-museum-of-art","https://www.mennour.com/location/tel-aviv-museum-of-art",[],[],{"parts":2740},{"number":2741,"address":2742,"city":2743,"postcode":1867,"county":1867,"country":2744,"state":2745},"27","Sderot Sha'ul HaMelech","Tel Aviv-Yafo","Israël","Tel Aviv District",[2747],{"title":1890,"slug":1889,"type":1885},[],{"id":2750,"slug":2751,"title":2752,"customTitle":1157,"defaultTitle":2753,"overrideHeading":420,"url":2754,"tagline":420,"thumbImage":2755,"locations":2768,"category":2781,"description":420,"startDate":2783,"endDate":2784,"type":236,"showForm":732,"form":2785,"__typename":1935},"134706","ru","Petrit Halilaj - RU","RU","https://www.mennour.com/exhibition/ru",[2756],{"id":2757,"url":2758,"jpg16":2759,"jpg800":2760,"jpg1600":2761,"jpg2400":2762,"jpg3200":2763,"alt":420,"title":2764,"width":2765,"height":2766,"caption":420,"mobile":2767,"__typename":679},"41786","https://dev-admin.mennour.com/uploads/img/petrit-halilaj-new-museum.jpg","fSOWvn4nM{xuj[t7IUIURjayWBWB~q-;s:juj[j[t7xuxut7t7ayD%M{xut7WBRj","https://dev-admin.mennour.com/uploads/img/_jpg800/petrit-halilaj-new-museum.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/petrit-halilaj-new-museum.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/petrit-halilaj-new-museum.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/petrit-halilaj-new-museum.jpg","Petrit halilaj new museum",928,696,[],[2769],{"title":2770,"slug":2771,"url":2772,"type":1921,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2773,"city":2774,"mapLocation":2776},"New Museum, New York","new-museum-new-york","https://www.mennour.com/location/new-museum-new-york",[],[2775],{"title":2421,"slug":2422},{"parts":2777},{"number":2778,"address":2779,"city":2421,"postcode":2780,"county":2428,"country":2429,"state":2421},"235","Bowery, Manhattan","10002",[2782],{"title":1890,"slug":1889,"type":1885},"2017-09-26T22:00:00+00:00","2018-01-17T23:00:00+00:00",[],{"id":2787,"slug":2788,"title":2789,"customTitle":906,"defaultTitle":2790,"overrideHeading":420,"url":2791,"tagline":420,"thumbImage":2792,"locations":2804,"category":2813,"description":2815,"startDate":2816,"endDate":2817,"type":236,"showForm":732,"form":2818,"__typename":1935},"114422","celeste-temesta","Valentin Carron - Céleste Temesta","Céleste Temesta","https://www.mennour.com/exhibition/celeste-temesta",[2793],{"id":2794,"url":2795,"jpg16":2796,"jpg800":2797,"jpg1600":2798,"jpg2400":2799,"jpg3200":2800,"alt":420,"title":2801,"width":2802,"height":1952,"caption":420,"mobile":2803,"__typename":679},"38214","https://dev-admin.mennour.com/uploads/img/celeste-temesta.jpg","f9FPNn004T9Ex_-:_4D*M{s:ofoK00?a_4Rl9ERlD$xaxvM{IVbIMy-=ITM{%NoI","https://dev-admin.mennour.com/uploads/img/_jpg800/celeste-temesta.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/celeste-temesta.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/celeste-temesta.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/celeste-temesta.jpg","Celeste temesta",1699,[],[2805],{"title":2001,"slug":2002,"url":369,"type":1921,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":2003,"thumbImage":2806,"city":2809,"mapLocation":2811},[2807],{"id":2006,"url":2007,"jpg16":2008,"jpg800":2009,"jpg1600":2010,"jpg2400":2011,"jpg3200":2012,"alt":420,"title":2013,"width":2014,"height":2015,"caption":420,"mobile":2808,"__typename":679},[],[2810],{"title":350,"slug":351},{"parts":2812},{"number":374,"address":367,"city":350,"postcode":356,"county":357,"country":375,"state":359},[2814],{"title":1893,"slug":528,"type":1885},"Kamel Mennour is proud to present \"Céleste Temesta\", a show by Valentin Carron.\nWith a mixture of brutality and humour, Valentin Carron’s exhibition plays with the state of medicated lethargy—dulling contrasts and modifying the effects of reality—evoked by its title, ‘Céleste Témesta’.\nOn the painted walls of the first room, Carron presents a series of new collages in wooden boxes, compositions according to the most simple definition: a subject on a background. ‘I’ll look for these backgrounds and subjects. I make myself a relationship of proximity with them. I like being a witness to the presence of each of these objects in the real. I drive around and I pass scenes, schemes. I see subjects and I see them already included with their background. It becomes a bit obsessive. There are subjects I owe it to myself to have. Subjects I owe it to myself to take. Subjects I owe it to myself to work. I’m attracted to margins, to marginality. Sometimes I find situations that are so pathetic and depressing that I try to conserve the proofs of this visual poverty in order to try to transcend it later. I make use of what fails, of what shows itself like a piece of information that should be able to improve my existence. I address myself with these broken promises: a poster for a comedy show, a flaking wall, a hairdresser’s logo, a heart, a piece of fake marble… These subject have asked nothing of me. I capture them. I put them on adhesive paper, I make outlines for them or I make use of their mental or physical textures. All this lies around in my studio until the moment I try to assemble them, to produce collisions, a grinding noise between the parts.’\nCollaging the subjects together with wooden offcuts, Caron assembles fragments and archetypes of different iconographies. But the sources, gathered from the real like possible sweepings from the advertising industry, also very clearly evoke art historical references. With his acidic, cutting compositions, Carron appears to be unfolding an allegory of weary boredom, the boredom of an artist who owes it to himself to bear witness to the dreary platitudes left by modernity in our everyday lives. He takes us on a walk through a dirty, depressing night.\n\nOn the level below, the atmosphere of the second space is completely different. Its overhead light and its white walls are reassuring. The works arranged in the white cube even seem familiar to us. Everything seems directly connected to the history of contemporary sculpture. We might think we were in the presence of a final reinterpretation of Joseph Beuys or a post-post-minimalist installation. But, perversely, the objects of this installation are in fact a series of replicas of village water troughs.\n‘These troughs no longer serve any purpose in the villages. They’ve become purely decorative. They are no longer even places to meet, now that there are service stations. But all these little urban conglomerations still try to confirm their identity through them.\nIn the past, the troughs were already produced with a proto-industrial form. It’s extremely regular, which was how one worked granite. They’re undecorated. They have no structure of their own, no purely decorative flourishes. They’re as pragmatic as possible. They’re the simplest statement of a stone basin.\nI think of myself however as making naturalist representations. My objects are fakes. They’re not heavy. But as copies they have been made with the highest possible level of exactitude and the upmost care.’\nThrough the extreme attention that the copying of these outdated, fallen objects allows, lifted as they have been from real life, Carron ridicules the vain attempts at identitarian distinction made by the authorities to distinguish us from one another. Taken out of their usual context, these basins do indeed reveal the marks time has left on them—so necessary for reassuring the city authorities—but also their worn shape and the sincere weakness of their forms.\nWith ‘Céleste Témesta’, Valentin Carron has again demonstrated his strength for perceiving in the real, in what is close to hand, the cracks behind which we would collectively like to seal off our most basic feelings.\n\nSamuel Gross","2017-09-07T13:20:00+00:00","2017-10-08T13:20:00+00:00",[],{"id":2820,"slug":2821,"title":2822,"customTitle":1199,"defaultTitle":2823,"overrideHeading":420,"url":2824,"tagline":2825,"thumbImage":2826,"locations":2838,"category":2847,"description":420,"startDate":2849,"endDate":2850,"type":236,"showForm":732,"form":2851,"__typename":1935},"114430","the-commodification-of-love","Camille Henrot - The Commodification of Love","The Commodification of Love","https://www.mennour.com/exhibition/the-commodification-of-love","Curated by Cloé Perrone",[2827],{"id":2828,"url":2829,"jpg16":2830,"jpg800":2831,"jpg1600":2832,"jpg2400":2833,"jpg3200":2834,"alt":420,"title":2835,"width":2836,"height":1255,"caption":420,"mobile":2837,"__typename":679},"38223","https://dev-admin.mennour.com/uploads/img/the-commodification-of-love.jpg","fcJH]wj]tRs;Rjoe~qj@Rjofj[j[M{ofj?WBofofWBofofWBayWBxuRjWBofayaz","https://dev-admin.mennour.com/uploads/img/_jpg800/the-commodification-of-love.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/the-commodification-of-love.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/the-commodification-of-love.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/the-commodification-of-love.jpg","The commodification of love",1779,[],[2839],{"title":2221,"slug":2222,"url":347,"type":1921,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":2223,"thumbImage":2840,"city":2843,"mapLocation":2845},[2841],{"id":2226,"url":2227,"jpg16":2228,"jpg800":2229,"jpg1600":2230,"jpg2400":2231,"jpg3200":2232,"alt":420,"title":2233,"width":1023,"height":2234,"caption":420,"mobile":2842,"__typename":679},[],[2844],{"title":350,"slug":351},{"parts":2846},{"number":354,"address":355,"city":350,"postcode":356,"county":357,"country":358,"state":359},[2848],{"title":1893,"slug":528,"type":1885},"2017-09-07T10:10:00+00:00","2017-10-08T10:10:00+00:00",[],{"id":2853,"slug":2854,"title":2855,"customTitle":1283,"defaultTitle":1283,"overrideHeading":420,"url":2856,"tagline":420,"thumbImage":2857,"locations":2870,"category":2888,"description":2890,"startDate":2891,"endDate":2892,"type":236,"showForm":732,"form":2893,"__typename":1935},"114438","cameron-jamie-2","Cameron Jamie - Cameron Jamie","https://www.mennour.com/exhibition/cameron-jamie-2",[2858],{"id":2859,"url":2860,"jpg16":2861,"jpg800":2862,"jpg1600":2863,"jpg2400":2864,"jpg3200":2865,"alt":420,"title":2866,"width":2867,"height":2868,"caption":420,"mobile":2869,"__typename":679},"38230","https://dev-admin.mennour.com/uploads/img/cameron-jamie-2.jpg","fcLNupngtRIU-;WA_Nj]M{ogWCt7MwR*axofRjof%Lt7kCWUjsWCtRt7Rjj[WBay","https://dev-admin.mennour.com/uploads/img/_jpg800/cameron-jamie-2.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/cameron-jamie-2.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/cameron-jamie-2.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/cameron-jamie-2.jpg","Cameron jamie 2",1073,742,[],[2871],{"title":2872,"slug":2873,"url":2874,"type":1921,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2875,"city":2876,"mapLocation":2880},"Mennour, 51 Brook Street, London","mennour-51-brooke-street-london","https://www.mennour.com/location/mennour-51-brooke-street-london",[],[2877],{"title":2878,"slug":2879},"London","london",{"parts":2881},{"number":2882,"address":2883,"city":2878,"postcode":2884,"county":2885,"country":2886,"state":2887},"51","Brook Street","W1K 4HP","Greater London","Royaume-Uni","England",[2889],{"title":1893,"slug":528,"type":1885},"Kamel Mennour is pleased to present American artist Cameron Jamie’s first solo exhibition at the gallery. In his latest exhibition, Jamie is exhibiting his new series of ceramic works which he has expanded and merged into his own personal language as an extension of his graphic and sculptural disciplines.\nWith his video works, photographs, performances, sculptures and drawings, Jamie has been a major figure on the international arts scene for the last thirty years. His practice, enriched by appropriations and collaborations, has often been compared to anthropology, and continues to stretch the notion of identity, highlighting the resurgences of myth and fantasy in everyday life and popular culture.\nHis investigations into ritualistic practice in marginal or underground cultures deconstruct the overarching processes of normalization. His most recent work, however, forces us to rethink his role as the amateur documenter of backyard and urban culture that he has been assigned.\nThough his work has often been explained by his own biographical context (the loss of meaning and the desperation that came out of a normative life in the sterile suburbs of Southern California), he freed himself from this through a wider reflection on the conditions of life in a total society of the spectacle. Like an antidote to mass culture, he has been developing an intimate cosmology that transcends the death of the subject, and sublimates expressions that come from so-called minor forms of expression. Jamie has been working actively in ceramic again for the past decade,\nthe material he originally trained in during his early school years which allows him to work through successive additions and effacements. Jamie draws on large smooth plates of wet clay, by reacting to draw lines and create forms using both his hands, fingers, and a large needle to mark shapes as he etches incisions, scratches, or stipples, which he then quickly scrapes or smooths out, in order to start again. He uses and mixes a vast range of bright, often acidic and highly contrasting glaze\ncolours which are layered upon one another through successive firings, each firing putting them at risk and finally saturating them in vibrant colours.\nOn these ceramic plates, the imagery of Jamie’s automatic drawings of the interior and exterior of his figurative art (heads, guts, organs), real matrices of his whole body of work, have been replaced by more slender, ethereal signs. From these mind maps, it is often the image of a flower that emerges, the scrollwork, fluid lines suggesting a head mounted on a graceful body. For Jamie, this is Georges Bataille’s flower, an dealised and therefore misleading form, the medium for a symbolic projection of the idea of beauty, born, however, of compost. An image of impermanence and fragility, it can also be seen as a vacillating body. Like his earlier imagery, from the wrestler’s mask to the deconstructed interior and exterior of the face, his figurative alter egos are always figures in suspense, mediums for generic representations that make it possible to fix a temporary, uninhibited state.\nThe skillfully choreographed exhibition space is filled in the centre with large ceramic sculptures. Somewhere between totemic forms and mounds, these organic forms materialise in their own way an idea of the shapeless.\nAt times their surfaces are smooth, or carry the imprint of the full-body grip of the artist in the throes of this vaguely anthropomorphic presence, topped with profiles in the shape of a bird’s beak. A projection of an interior self, the animal is here another variation in his effort at disfigurement.\nOne of the new large sculptural pieces has been vertically sliced in two in order to reveal their insides, like one splits a gemstone rock in two. With a surgical gesture, the artist reveals a second anthropomorphic form and figure inside the architectural interior cavern. Reminiscent of the concretion of material in the ritual ablutions\nof African bolis, the overabundance of glazed material layered through successive firings, creates a feeling of mysterious emotion and beautiful intensity as one examines and explores the frozen form of the cavernous figure.\nA true sculptor, Cameron Jamie massages earth like he kneads history in a continuous cycle of construction and deconstruction. Creation in the widest sense of the term is an exact product of these contradictory psychic forces.\nConstantly somewhere between letting go and control, figuration and abstraction, Jamie formulates a precarious balance between the sublimation of an interiority and the serial processes of conceptual art. By inscribing his works in a temporality made up of successive instants that also signal his ties to cinema, and in the malleability\nof Earth, he opens the way for a wider conception of drawing as a medium rooted in time and space.\n\nAxelle Blanc","2017-05-16T22:00:00+00:00","2018-06-23T14:45:00+00:00",[],{"id":2895,"slug":2896,"title":2897,"customTitle":1553,"defaultTitle":2898,"overrideHeading":420,"url":2899,"tagline":2900,"thumbImage":2901,"locations":2913,"category":2922,"description":420,"startDate":2924,"endDate":2925,"type":236,"showForm":732,"form":2926,"__typename":1935},"114455","cholet-new-york","François Morellet - Cholet - New York","Cholet - New York","https://www.mennour.com/exhibition/cholet-new-york","Curated by Béatrice Gross",[2902],{"id":2903,"url":2904,"jpg16":2905,"jpg800":2906,"jpg1600":2907,"jpg2400":2908,"jpg3200":2909,"alt":420,"title":2910,"width":2523,"height":2911,"caption":420,"mobile":2912,"__typename":679},"38237","https://dev-admin.mennour.com/uploads/img/cholet-new-york.jpg","WMK1zV4:%MM}4nofIANHxtozM{t6xu%LIU%Lxus:~q%MNGogR*ay","https://dev-admin.mennour.com/uploads/img/_jpg800/cholet-new-york.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/cholet-new-york.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/cholet-new-york.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/cholet-new-york.jpg","Cholet new york",911,[],[2914],{"title":2221,"slug":2222,"url":347,"type":1921,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":2223,"thumbImage":2915,"city":2918,"mapLocation":2920},[2916],{"id":2226,"url":2227,"jpg16":2228,"jpg800":2229,"jpg1600":2230,"jpg2400":2231,"jpg3200":2232,"alt":420,"title":2233,"width":1023,"height":2234,"caption":420,"mobile":2917,"__typename":679},[],[2919],{"title":350,"slug":351},{"parts":2921},{"number":354,"address":355,"city":350,"postcode":356,"county":357,"country":358,"state":359},[2923],{"title":1893,"slug":528,"type":1885},"2017-04-27T11:00:00+00:00","2017-06-16T11:00:00+00:00",[],{"id":2928,"slug":2929,"title":2930,"customTitle":2930,"defaultTitle":2930,"overrideHeading":420,"url":2931,"tagline":420,"thumbImage":2932,"locations":2943,"category":2952,"description":2954,"startDate":2955,"endDate":2956,"type":236,"showForm":732,"form":2957,"__typename":1935},"114471","sera-montree-une-suite-de-dessins-etudes-et-modellos-issus-d-une-pratique-peu-usitee-de-nos-jours-mais-qui-n-a-rien-perdu-de-son-charme-ni-de-sa-pertinence","Sera montrée une suite de dessins, études et modellos, issus d’une pratique peu usitée de nos jours, mais qui n’a rien perdu de son charme, ni de sa pertinence.","https://www.mennour.com/exhibition/sera-montree-une-suite-de-dessins-etudes-et-modellos-issus-d-une-pratique-peu-usitee-de-nos-jours-mais-qui-n-a-rien-perdu-de-son-charme-ni-de-sa-pertinence",[2933],{"id":2934,"url":2935,"jpg16":2936,"jpg800":2937,"jpg1600":2938,"jpg2400":2939,"jpg3200":2940,"alt":420,"title":2941,"width":982,"height":981,"caption":420,"mobile":2942,"__typename":679},"38253","https://dev-admin.mennour.com/uploads/img/sera-montree-une-suite-de-dessins-etudes-et-modellos-issus-d-une-pratique-peu-usitee-de-nos-jours-mais-qui-n-a-rien-perdu-de-son-charme-ni-de-sa-pertinence.jpg","fKNTwQRlt8Rixuoc~qayWBofogj]9Fj[M{WBRjWBxuWVj@axaeay4nj]xuogt7of","https://dev-admin.mennour.com/uploads/img/_jpg800/sera-montree-une-suite-de-dessins-etudes-et-modellos-issus-d-une-pratique-peu-usitee-de-nos-jours-mais-qui-n-a-rien-perdu-de-son-charme-ni-de-sa-pertinence.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/sera-montree-une-suite-de-dessins-etudes-et-modellos-issus-d-une-pratique-peu-usitee-de-nos-jours-mais-qui-n-a-rien-perdu-de-son-charme-ni-de-sa-pertinence.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/sera-montree-une-suite-de-dessins-etudes-et-modellos-issus-d-une-pratique-peu-usitee-de-nos-jours-mais-qui-n-a-rien-perdu-de-son-charme-ni-de-sa-pertinence.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/sera-montree-une-suite-de-dessins-etudes-et-modellos-issus-d-une-pratique-peu-usitee-de-nos-jours-mais-qui-n-a-rien-perdu-de-son-charme-ni-de-sa-pertinence.jpg","Sera montree une suite de dessins etudes et modellos issus d une pratique peu usitee de nos jours mais qui n a rien perdu de son charme ni de sa pertinence",[],[2944],{"title":2221,"slug":2222,"url":347,"type":1921,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":2223,"thumbImage":2945,"city":2948,"mapLocation":2950},[2946],{"id":2226,"url":2227,"jpg16":2228,"jpg800":2229,"jpg1600":2230,"jpg2400":2231,"jpg3200":2232,"alt":420,"title":2233,"width":1023,"height":2234,"caption":420,"mobile":2947,"__typename":679},[],[2949],{"title":350,"slug":351},{"parts":2951},{"number":354,"address":355,"city":350,"postcode":356,"county":357,"country":358,"state":359},[2953],{"title":1893,"slug":528,"type":1885},"It’s easy to imagine him arriving at the gallery with a big box of drawings and a spur-ofthe moment notion of putting on a show. The hundred or so drawings in this exhibition provide an intimate glance into the work of Martial Raysse, making available for the general public a body of work that has been little known until now. The lens offered by drawing often gives one the impression of having surprised the artist in his studio. There is a bit of that here, in the spontaneity of the compositions and poetic assemblages, but it’s not everything. There is also the image of work, control, straightening and fixing up, of past time and the surprising alignments this allows for today.\n\nTo begin with, with Martial Raysse there are always women, doubtless the first of his subjects. Rebecca (1996) brings to mind the Mona Lisa, but we could have also passed her yesterday in the metro. Her portrait is surrounded by long brush strokes of brown and purple gouache. This is the artist’s palette and the most elegant dress she wears. You have the impression of catching him at work, as you do with the succession of certain variations, like the charcoal drawing of La Charmante Nad who reappears in Nad (2000) dressed in red and surrounded by field flowers. Are these two images a few minutes or a few days apart? Raysse’s drawings say much about his practice. Everything is permitted, all the pencils, all papers and collages, including photocopies, all the pirouettes and acrobatic turns imaginable.\n\nAt first, the most arresting thing about the large compositions he made in the\n1960s is their high level of relief: the plastic deer antlers, the fake plants, the plywood fragments of beach and landscape. His drawings are also often in three dimensions, like in the studies for La Source (1990) for instance, in the small collages where girls’ heads have been cut out and attached to busts that are slightly too small. There are also swimming costumes glued onto models’ bodies, like the cut-out dress-ups young girls play with. These collages, no less vehicles of fantasy, indicate stages in a scrupulous working process, with all its adjustments. They can also be a bit of a joke—or are they not really?—like the child from the Bronzino painting whom a crown of lily flowers added to his head in Place d’Assas à Tolède (1993) has transformed into a prince. In a café or by the fireplace, Raysse often takes a little sketch book out of his pocket, where it has been nestled with the book he is reading. He is one of those artists who has always drawn, who is always drawing. In the box he brought to the gallery was a selection traversing practically all the periods of his life. The oldest is a strange bricolage-collage portrait of Henry Geldzahler (1963), a homage to the New York curator, friend of Warhol and the American Pop artists. Also amongst the older work are the two “Formes” inscrites (1969), even more minimal than minimal, perspectival grids\nin which the viewer guesses at the absence of two Formes en liberté. Since then, Raysse has never stopped making drawings that are in a way like the rear side of his work. He has made a sort of atlas from these sketch books, the pages of which were\nnever intended to be collected together. They are the Petits bouts échappés au déluge, to use the violent, poetic title he has given to some of his works since the 1970s. \n\nThe drawings appear anew in these compositions, plunging the viewer into the intimate core of his investigations, or at least into his most spontaneous working moments. Étude pour Les Chemins de la Liberté (1982) is amongst the most startling of these pieces, with a series of cut-out stupas, rimmed with black, and glued together like an encyclopedia page, with a little blue spot on one of them.\n\nAmong the numerous studies, one recognises all the large paintings he has\nexhibited over the last fifteen years. There are the preparatory drawings for Jour des roses sur le toit (2001), for Dieu Merci (2005), and for Poisson d’avril (2006) where the Duc d’Issigeac inveighs against an impertinent young lady, and whose modello is truly a kind of paper marquetry. There is the parade of girls who inspired the immense composition Ici Plage, comme ici-bas (2012). The green, blue and fluorescent pink Deux extravagantes de Sarlat (2009), cut out of their canvas one day and taped to the wall, are the most extravagant. Lucie (2010) isn’t bad either, her cut-out shape evoking shadow puppetry and shamanic trances.\n\nOther drawings have served as preparation for sculptures, like the 2010 study\nin which one recognises the bronze Ménis le Pêcheur (1997). The border of the drawing is torn, a little like with Tableau cassé (1964), except that on lifting it up, one sees on the sheet beneath the face and hand of the boy, the drawing object transformed into a little theatre. Some of the drawings are less easily identifiable. It’s easy to guess the dates wrong. Since the end of the 1950s, Martial Raysse has never stopped questioning his works in progress, never stopped developing them in spite of the risk of criticism. This has lent multiple faces to his whole body of work. But there are also invariables, themes and forms that regularly reappear, but made-up and costumed in what are sometimes\nslightly misleading resurgences from the past.\n\nIn a more indirect way, some of his drawings, such as Lydia (2005), are linked to\nthe films that he has made since the mid 1960s. The preparatory works for the painting Temps couvert à Tanger (2012) recall the Oriental universe of the video Lotel des folles fatmas (1976) and its remake Re-Fatmas (2006). Martial Raysse appears on numerous occasions in his films in the guise of a harlequin, an insider, a wise man and a fool all at once. Amongst the drawings, a few self-portraits show him in the role of the insider or the secret mediator, in O sole mio (2005) for instance, his violet face topped by a cross between a Pierrot and a Harlequin hat, and in Étude pour le Grand Jury (2014), in which he can be seen seated before his easel, which is a mirror. His drawing, too, is a mirror for his work.\n© Anaël Pigeat\n-\nBorn in 1936 in Golfe-Juan (France), Martial Raysse lives and works in Issigeac (France). Former member of the Nouveaux Réalistes, he is a major and historical figure of contemporary art in France and abroad. Great exhibitions have been dedicated to him in the last years, notably a retrospective at the Centre Pompidou in 2014 curated by Catherine Grenier and also in Venice at the Palazzo Grassi – François Pinault Foundation curated by Caroline Bourgeois in 2015. His works\nhave been part of the collections of various institutions: the Centre Pompidou and the Musée d'art moderne de la ville de Paris, the Museum Ludwig and the Wallraf-Richartz-Museum in Cologne, the S.M.A.K. in Ghent, the Moderna Museet in Stockholm, the Montreal Museum of Fine Arts, the Hirshhorn Museum and Sculpture Garden in Washington, the Louisiana Museum of Modern Art in Humlebæk and the Menil Collection in Houston.","2017-03-16T10:45:00+00:00","2017-04-22T09:45:00+00:00",[],{"id":2959,"slug":2960,"title":2961,"customTitle":2961,"defaultTitle":2961,"overrideHeading":420,"url":2962,"tagline":420,"thumbImage":2963,"locations":2976,"category":2985,"description":2987,"startDate":2988,"endDate":2989,"type":236,"showForm":732,"form":2990,"__typename":1935},"114488","la-belle-jeanne","La Belle Jeanne","https://www.mennour.com/exhibition/la-belle-jeanne",[2964],{"id":2965,"url":2966,"jpg16":2967,"jpg800":2968,"jpg1600":2969,"jpg2400":2970,"jpg3200":2971,"alt":420,"title":2972,"width":2973,"height":2974,"caption":420,"mobile":2975,"__typename":679},"38268","https://dev-admin.mennour.com/uploads/img/la-belle-jeanne.jpg","WaP%9RVY-;x^%#yD~poJayW=WqbHIVtRt6V@RPV@t7j[ofn~j@bI","https://dev-admin.mennour.com/uploads/img/_jpg800/la-belle-jeanne.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/la-belle-jeanne.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/la-belle-jeanne.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/la-belle-jeanne.jpg","La belle jeanne",1299,866,[],[2977],{"title":1956,"slug":1957,"url":377,"type":1921,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":1958,"thumbImage":2978,"city":2981,"mapLocation":2983},[2979],{"id":1961,"url":1962,"jpg16":1963,"jpg800":1964,"jpg1600":1965,"jpg2400":1966,"jpg3200":1967,"alt":420,"title":1968,"width":1969,"height":1969,"caption":420,"mobile":2980,"__typename":679},[],[2982],{"title":350,"slug":351},{"parts":2984},{"number":382,"address":383,"city":350,"postcode":384,"county":357,"country":358,"state":359},[2986],{"title":1893,"slug":528,"type":1885},"It’s easy to imagine him arriving at the gallery with a big box of drawings and a spur-of-the moment notion of putting on a show. The hundred or so drawings in this exhibition provide an intimate glance into the work of Martial Raysse, making available for the general public a body of work that has been little known until now. The lens offered by drawing often gives one the impression of having surprised the artist in his studio. There is a bit of that here, in the spontaneity of the compositions and poetic assemblages, but it’s not everything. There is also the image of work, control, straightening and fixing up, of past time and the surprising alignments this allows for today.\n\nTo begin with, with Martial Raysse there are always women, doubtless the first of his subjects. Rebecca (1996) brings to mind the Mona Lisa, but we could have also passed her yesterday in the metro. Her portrait is surrounded by long brush strokes of brown and purple gouache. This is the artist’s palette and the most elegant dress she wears. You have the impression of catching him at work, as you do with the succession of certain variations, like the charcoal drawing of La Charmante Nad who reappears in Nad (2000) dressed in red and surrounded by field flowers. Are these two images a few minutes or a few days apart? Raysse’s drawings say much about his practice. Everything is permitted, all the pencils, all papers and collages, including photocopies, all the pirouettes and acrobatic turns imaginable.\n\nAt first, the most arresting thing about the large compositions he made in the 1960s is their high level of relief: the plastic deer antlers, the fake plants, the plywood fragments of beach and landscape. His drawings are also often in three dimensions, like in the studies for La Source (1990) for instance, in the small collages where girls’ heads have been cut out and attached to busts that are slightly too small. There are also swimming costumes glued onto models’ bodies, like the cut-out dress-ups young girls play with. These collages, no less vehicles of fantasy, indicate stages in a scrupulous working process, with all its adjustments. They can also be a bit of a joke—or are they not really?—like the child from the Bronzino painting whom a crown of lily flowers added to his head in Place d’Assas à Tolède (1993) has transformed into a prince.\n\nIn a café or by the fireplace, Raysse often takes a little sketch book out of his pocket, where it has been nestled with the book he is reading. He is one of those artists who has always drawn, who is always drawing. In the box he brought to the gallery was a selection traversing practically all the periods of his life. The oldest is a strange bricolage-collage portrait of Henry Geldzahler (1963), a homage to the New York curator, friend of Warhol and the American Pop artists. Also amongst the older work are the two “Formes” inscrites (1969), even more minimal than minimal, perspectival grids in which the viewer guesses at the absence of two Formes en liberté. Since then, Raysse has never stopped making drawings that are in a way like the rear side of his work.\n\nHe has made a sort of atlas from these sketch books, the pages of which were never intended to be collected together. They are the Petits bouts échappés au déluge, to use the violent, poetic title he has given to some of his works since the 1970s. The drawings appear anew in these compositions, plunging the viewer into the intimate core of his investigations, or at least into his most spontaneous working moments. Étude pour Les Chemins de la Liberté (1982) is amongst the most startling of these pieces, with a series of cut-out stupas, rimmed with black, and glued together like an encyclopedia page, with a little blue spot on one of them.\n\nAmong the numerous studies, one recognises all the large paintings he has exhibited over the last fifteen years. There are the preparatory drawings for Jour des roses sur le toit (2001), for Dieu Merci (2005), and for Poisson d’avril (2006) where the Duc d’Issigeac inveighs against an impertinent young lady, and whose modello is truly a kind of paper marquetry. There is the parade of girls who inspired the immense composition Ici Plage, comme ici-bas (2012). The green, blue and fluorescent pink Deux extravagantes de Sarlat (2009), cut out of their canvas one day and taped to the wall, are the most extravagant. Lucie (2010) isn’t bad either, her cut-out shape evoking shadow puppetry and shamanic trances.\n\nOther drawings have served as preparation for sculptures, like the 2010 study in which one recognises the bronze Ménis le Pêcheur (1997). The border of the drawing is torn, a little like with Tableau cassé (1964), except that on lifting it up, one sees on the sheet beneath the face and hand of the boy, the drawing object transformed into a little theatre.\n\nSome of the drawings are less easily identifiable. It’s easy to guess the dates wrong. Since the end of the 1950s, Martial Raysse has never stopped questioning his works in progress, never stopped developing them in spite of the risk of criticism. This has lent multiple faces to his whole body of work. But there are also invariables, themes and forms that regularly reappear, but made-up and costumed in what are sometimes slightly misleading resurgences from the past.\n\nIn a more indirect way, some of his drawings, such as Lydia (2005), are linked to the films that he has made since the mid 1960s. The preparatory works for the painting Temps couvert à Tanger (2012) recall the Oriental universe of the video Lotel des folles fatmas (1976) and its remake Re-Fatmas (2006). Martial Raysse appears on numerous occasions in his films in the guise of a harlequin, an insider, a wise man and a fool all at once. Amongst the drawings, a few self-portraits show him in the role of the insider or the secret mediator, in O sole mio (2005) for instance, his violet face topped by a cross between a Pierrot and a Harlequin hat, and in Étude pour le Grand Jury (2014), in which he can be seen seated before his easel, which is a mirror. His drawing, too, is a mirror for his work.\n\n© Anaël Pigeat\n\n-\nBorn in 1936 in Golfe-Juan (France), Martial Raysse lives and works in Issigeac (France). Former member of the Nouveaux Réalistes, he is a major and historical figure of contemporary art in France and abroad. Great exhibitions have been dedicated to him in the last years, notably a retrospective at the Centre Pompidou in 2014 curated by Catherine Grenier and also in Venice at the Palazzo Grassi – François Pinault Foundation curated by Caroline Bourgeois in 2015. His works have been part of the collections of various institutions: the Centre Pompidou and the Musée d'art moderne de la ville de Paris, the Museum Ludwig and the Wallraf-Richartz-Museum in Cologne, the S.M.A.K. in Ghent, the Moderna Museet in Stockholm, the Montreal Museum of Fine Arts, the Hirshhorn Museum and Sculpture Garden in Washington, the Louisiana Museum of Modern Art in Humlebæk and the Menil Collection in Houston","2017-03-16T10:40:00+00:00","2017-04-22T09:40:00+00:00",[],{"id":2992,"slug":2993,"title":2994,"customTitle":1220,"defaultTitle":1220,"overrideHeading":420,"url":2995,"tagline":420,"thumbImage":2996,"locations":3009,"category":3018,"description":3020,"startDate":3021,"endDate":3022,"type":236,"showForm":732,"form":3023,"__typename":1935},"114499","david-hominal-2017","David Hominal - David Hominal","https://www.mennour.com/exhibition/david-hominal-2017",[2997],{"id":2998,"url":2999,"jpg16":3000,"jpg800":3001,"jpg1600":3002,"jpg2400":3003,"jpg3200":3004,"alt":420,"title":3005,"width":3006,"height":3007,"caption":420,"mobile":3008,"__typename":679},"38284","https://dev-admin.mennour.com/uploads/img/david-hominal-2017.jpg","WqIY5]ofxuoexuof%Lofj[fQj[fQ~qofM{j[Rjj[-;oeWBj[ayay","https://dev-admin.mennour.com/uploads/img/_jpg800/david-hominal-2017.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/david-hominal-2017.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/david-hominal-2017.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/david-hominal-2017.jpg","David hominal 2017",1355,903,[],[3010],{"title":2001,"slug":2002,"url":369,"type":1921,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":2003,"thumbImage":3011,"city":3014,"mapLocation":3016},[3012],{"id":2006,"url":2007,"jpg16":2008,"jpg800":2009,"jpg1600":2010,"jpg2400":2011,"jpg3200":2012,"alt":420,"title":2013,"width":2014,"height":2015,"caption":420,"mobile":3013,"__typename":679},[],[3015],{"title":350,"slug":351},{"parts":3017},{"number":374,"address":367,"city":350,"postcode":356,"county":357,"country":375,"state":359},[3019],{"title":1893,"slug":528,"type":1885},"Kamel Mennour is proud to present David Hominal's fourth solo show at the gallery.\n\nThe current exhibition continues the one presented at the Consortium which was held at the end of last year. In the words of Stéphanie Moisdon, the curator of last year's show: 'David Hominal's work stands right in the middle of today's tumultuous landscape. It contains no hidden parts, neither revealed nor disguised. It stands there in the full, raw light of its appearance. No second degree, no false floor, no illusion, no tricks. His painting expresses only what can be seen, routing all efforts to clarify and unveil, as wearisome as these are numerous.'\n\nAt the Rue du Pont de Lodi, Hominal is exhibiting an impressive collection from his recent work consisting of large, at once brightly and darkly coloured canvases, halfway between abstract and figurative painting. The painter's gestures can be glimpsed through the blank patches and the flashes of pigment, the moments of pictorial intensity appearing in the midst of solid colour, and the roughly sketched\nheads. A tragic or liberating drive, 'painting is in itself composition' for David Hominal, who has no need to find organisational principles in his canvases, endeavouring instead to feel, to find, to recover the impetus of creation.\n\n_\nBorn in 1976 in France, David Hominal lives and works in Berlin. His work has been shown in a large number of solo and group exhibitions in France, including the Palais de Tokyo and the Centre culturel Suisse in Paris, the Consortium in Dijon, and Magasin in Grenoble, as well as abroad, including the Musée Jenisch in Vevey, the Centre d’édition contemporaine and the Centre d'Art Contemporain in Geneva, the\nSwiss Institute and the New Museum of Contemporary Art in New York, the Musée des Beaux Arts in Lausanne, Fri Art in Fribourg, the Kunsthalle Bern, the Kunsthaus Zürich and the CAC - Contemporary Art Center in Vilnius.","2017-03-16T10:15:00+00:00","2017-04-22T09:15:00+00:00",[],{"id":3025,"slug":3026,"title":3027,"customTitle":799,"defaultTitle":3028,"overrideHeading":420,"url":3029,"tagline":2878,"thumbImage":3030,"locations":3042,"category":3049,"description":3051,"startDate":3052,"endDate":3053,"type":236,"showForm":732,"form":3054,"__typename":1935},"114510","hustling-london","Mohamed Bourouissa - HUSTLING","HUSTLING","https://www.mennour.com/exhibition/hustling-london",[3031],{"id":3032,"url":3033,"jpg16":3034,"jpg800":3035,"jpg1600":3036,"jpg2400":3037,"jpg3200":3038,"alt":420,"title":3039,"width":1822,"height":3040,"caption":420,"mobile":3041,"__typename":679},"38294","https://dev-admin.mennour.com/uploads/img/hustling-london.jpeg","fbIX?Ux]%Mt8xvWD?wWBjYWBRjWBxCj[xvofadt7xZj]x]WUWBj@RjWBM{RjjYWB","https://dev-admin.mennour.com/uploads/img/_jpg800/38294/hustling-london.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/38294/hustling-london.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/38294/hustling-london.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/38294/hustling-london.jpg","Hustling london",879,[],[3043],{"title":2872,"slug":2873,"url":2874,"type":1921,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":3044,"city":3045,"mapLocation":3047},[],[3046],{"title":2878,"slug":2879},{"parts":3048},{"number":2882,"address":2883,"city":2878,"postcode":2884,"county":2885,"country":2886,"state":2887},[3050],{"title":1893,"slug":528,"type":1885},"kamel mennour is pleased to present Hustling, the fourth exhibition of the acclaimed Algerian-born Paris-based artist Mohamed Bourouissa at the gallery, and the first at the London venue, taking place simultaneously with Urban Riders, a museum display of works from the same project at the Musée d’Art moderne de la Ville de Paris. Selections from this body of work have previously been exhibited at the Barnes Foundation, Philadelphia, Stedelijk Museum, Amsterdam, Studio Museum in Harlem, Montreal Museum of Fine Arts, Canada, basis, Frankfurt am Main, Lyon Biennale and Haus der Kunst, Munich.\nThe works on show in London and Paris derive from a project initiated by the artist in 2013, inspired by the Martha Camarillo’s Fletcher Street photographs of the black inner city ‘cowboys’, or horsemen, as they call themselves, of inner city Philadelphia. The horses are mostly acquired from livestock auctions, and thereby spared a more ignominious fate. They are kept in stables dotted around the impoverished neighbourhood of Strawberry Mansion on abandoned land. Horsemen look after the animals and teach the local youth to ride them.\nBourouissa spent 8 months in Philly, drawing, photographing and filming this community, building many personal relationships in the process. Out of this, came photographs, films and three-dimensional works. This London exhibition focuses on the assemblages, which the artist began in his Paris studio in 2015. The wall-mounted reliefs and floor-standing sculptures comprise arrangements of fragments of car bodywork, trimmed or cut into asymmetric and jagged forms, onto which the artist has printed his photographs of local scenes, streets and riders in a non-digital silver gelatin process. In a gesture of social reversal typical for his work, informed by the discourses of identity politics, Bourouissa takes the conventionally white American culture of cars and Western and presents us with its appropriation by a black community. His use of materials is, to use the same word with a different meaning, impressively appropriate: the silver gelatin process gives the images, though contemporary, a faded archival aura, like old 19th century ethnographic photography, while evoking the shiny metallic surfaces of modern cars. As much as it is socially engaged, the work is also highly aestheticized, self-consciously propelling itself from the ghetto to the gallery, with its alluring modernist geometry and glowing jewel-like palette of turquoise, emerald, silver and crimson.\nBourouissa speaks of these motivations for the techniques of these pieces:\n“I printed the images on the cars as a reflection of the distortion of the reality. As a French-Algerian artist I came to this American city with my own perspective, but I do have some commonality with Afro-American history. When I started to look at this period of the 1960's and 1970's, I saw it was an interesting moment in the history of post-colonialism. Eldridge Cleaver, the leader of the Black Panthers, spent a lot of time in Algeria in exile. A lot of people in this time came from oppressed communities and they found themselves together there – Panthers, Marxist-Leninist revolutionaries, Fanon – and started to consider what they shared. I took a lot of pictures in 9 months. After I came back to France, I started to look at them from my own perspective – it is important that the car panels do not come from American but from European cars, and all from the area where I live. The title of my London show “Hustling’” means that you find the best way to live.”\nIn these works, Bourouissa performs a journey in two directions, driven perhaps by a postcolonial disregard for Western hierarchies of genre and medium, or perhaps more prosaically, as a North African artist from an unprivileged neck of the woods, naively unaware of them. On the one hand, he appropriates into these works large chunks of post-war American art – another gesture of reversal, this time of cultural colonisation. Bourouissa’s new sculptures are redolent of Frank Stella, John Chamberlain, Warhol, Richard Prince and Rauschenberg, as well as of any number of twentieth century collagists – a deft and surprisingly unjarring synthesis. At the same time Bourouissa does the rarefied world of fine art a favour, by plunging it into the cut-n-paste aesthetic of Les Banlieues, and relocating it amidst the voices of resistance of urban French Hip Hop from Supreme NTM, Arsenik or Booba, as well as of the cinema of La Haine (1995, director Mathieu Kassovitz) and Un Prophete (2009, director Jacques Audiard).\nThe intricate crosstown cultural traffic of Bourouissa’s art recalls the time-lapse choreography of a crowded intersection, as social, cultural and economic currents moving in multiple directions pass across the surface of his works, defying any threat of collision, as if organised by traffic lights and slipways. Or perhaps the work of this Algerian-born resident of Paris’ deprived outer suburbs should be better compared to one of the busy and dusty towns of the North African Mediterranean, where merchants, bearing goods from distant cultures, compete for attention in dense bazaars, their dissonant voices combining in one unpredictably harmonious soundscape.\n\nBen Lewis","2017-01-30T23:00:00+00:00","2017-02-26T12:00:00+00:00",[],{"id":3056,"slug":3057,"title":3058,"customTitle":967,"defaultTitle":3059,"overrideHeading":420,"url":3060,"tagline":420,"thumbImage":3061,"locations":3074,"category":3083,"description":3085,"startDate":3086,"endDate":3087,"type":236,"showForm":732,"form":3088,"__typename":1935},"114531","panem-et-circen","Liam Everett - panem et Circen","panem et Circen","https://www.mennour.com/exhibition/panem-et-circen",[3062],{"id":3063,"url":3064,"jpg16":3065,"jpg800":3066,"jpg1600":3067,"jpg2400":3068,"jpg3200":3069,"alt":420,"title":3070,"width":3071,"height":3072,"caption":420,"mobile":3073,"__typename":679},"38304","https://dev-admin.mennour.com/uploads/img/panem-et-circen.jpg","fLL4yu_3WC-;-;-;~qt7RjWBWBRj00?bxuRjRjIUR*xuxuWBayWBofRjWBfQoft7","https://dev-admin.mennour.com/uploads/img/_jpg800/panem-et-circen.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/panem-et-circen.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/panem-et-circen.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/panem-et-circen.jpg","Panem et circen",1603,1202,[],[3075],{"title":2221,"slug":2222,"url":347,"type":1921,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":2223,"thumbImage":3076,"city":3079,"mapLocation":3081},[3077],{"id":2226,"url":2227,"jpg16":2228,"jpg800":2229,"jpg1600":2230,"jpg2400":2231,"jpg3200":2232,"alt":420,"title":2233,"width":1023,"height":2234,"caption":420,"mobile":3078,"__typename":679},[],[3080],{"title":350,"slug":351},{"parts":3082},{"number":354,"address":355,"city":350,"postcode":356,"county":357,"country":358,"state":359},[3084],{"title":1893,"slug":528,"type":1885},"At first, US artist Liam Everett’s Screen Paintings evoke strange maps, chaotic landscapes overrun with luminous spasms. It is impossible to establish a precise correlation between the Irish topology evoked in the captions accompanying each of the paintings and the paintings themselves. But each of the villages named here (Annadorn, Ardgroom, Cloghanmore...) is home to an important Neolithic site (dolmens, megalithic alignments, tombs). This is an important piece of information for approaching Everett’s painting, as—constructing and deconstructing, erecting and excavating—it pertains at once to the spheres of architecture and the archaeological dig.\nThe paintings are built up with many layers. They are the result of a long process during which the artist executes various, heterogeneous operations. He works with the canvas on the floor, or on the wall, without an easel. In this way, Everett works ‘on’ and ‘before’ it. This double positioning sets in motion a decision made not only in the visual field but also in that of the physical in space, anticipating— and so directing—the viewer’s gaze, as it is scattered in different directions, solicited by multiple interventions without a pre-established centre. On top of the application of the pictorial materials, protocols of effacement generate a ceaseless back and forth between addition and subtraction. The paintings are also subjected to the abrasive activity of natural elements (sun, wind), salt, and alcohol, which disturb the internal structure of the painting and give to the finished surface qualities at once reflective and porous, at times generating subtle anthropomorphic apparitions.\nThe smaller paintings in the series of Mask Paintings begin with vinyl prints glued onto wooden panels. The works are exposed directly to the sunlight, and Everett applies up to thirty layers of a thin varnish, intermittently effaced. The captions of these works (Helvine, Tinzenite...) come from mineralogy. A recurrent grid pattern encloses the composition, revealing in its interstices, like an openwork panel or an Oriental lattice, the layered strata drawing the gaze towards the interior of the painting.\nWith these two new series, Everett has wanted push in the direction of subtraction the modernist concept of ‘two-dimensionality’. This two- dimensionality ‘filters’ in a way the light and air so that they appear at the surface of the painting. In a first instance, it holds the painting back from divulging the long, almost alchemical series of operations the artist has subject it to, while at the same time, the effects of transparency open onto a depth making it possible to reconstitute the ‘life’ of the work. Life seems indeed to be the eminently adequate word here: the paintings feel truly alive and the process in an uninterrupted state of becoming. Everett himself says, ‘I am very interested in the possibility of a work that’s always working, instead of a work that’s been worked.’\n\nLiam Everett was born in 1973 in Rochester (USA). He lives and works in San Francisco (USA). He has exhibited in a number of important museums around the world such as: Museum of Modern Art, San Francisco; Museum Dhondt-Dhaenens, Deurle; San Jose Institute of Contemporary Art; Headlands Center for the Arts, Sausalito; CCA Wattis Institute, San Francisco. His work is part of various public collections: the Metropolitan Museum of Art, New York; San Francisco Museum of Modern Art, San Francisco; Berkeley Art Museum and Pacific Film Archive ; Fondation Carmignac, Paris.\nIn 2017 he received the SECA Art Award delivered by the San Francisco Museum of Modern Art.","2017-01-20T17:30:00+00:00","2017-03-04T17:30:00+00:00",[],{"id":3090,"slug":3091,"title":3092,"customTitle":1703,"defaultTitle":3093,"overrideHeading":420,"url":3094,"tagline":420,"thumbImage":3095,"locations":3108,"category":3117,"description":3119,"startDate":3120,"endDate":3121,"type":236,"showForm":732,"form":3122,"__typename":1935},"114539","force-of-circumstance","Robin Rhode - Force of Circumstance","Force of Circumstance","https://www.mennour.com/exhibition/force-of-circumstance",[3096],{"id":3097,"url":3098,"jpg16":3099,"jpg800":3100,"jpg1600":3101,"jpg2400":3102,"jpg3200":3103,"alt":420,"title":3104,"width":3105,"height":3106,"caption":420,"mobile":3107,"__typename":679},"38324","https://dev-admin.mennour.com/uploads/img/force-of-circumstance.jpg","fSKK=@-=?H-pxvt7~qj]t7s:ayj@D$oJkDWCM{t7jYaeogfkayt7M|xuRjRjxuRj","https://dev-admin.mennour.com/uploads/img/_jpg800/force-of-circumstance.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/force-of-circumstance.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/force-of-circumstance.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/force-of-circumstance.jpg","Force of circumstance",1586,1192,[],[3109],{"title":2001,"slug":2002,"url":369,"type":1921,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":2003,"thumbImage":3110,"city":3113,"mapLocation":3115},[3111],{"id":2006,"url":2007,"jpg16":2008,"jpg800":2009,"jpg1600":2010,"jpg2400":2011,"jpg3200":2012,"alt":420,"title":2013,"width":2014,"height":2015,"caption":420,"mobile":3112,"__typename":679},[],[3114],{"title":350,"slug":351},{"parts":3116},{"number":374,"address":367,"city":350,"postcode":356,"county":357,"country":375,"state":359},[3118],{"title":1893,"slug":528,"type":1885},"A very particular kind of poetry emanates from the work of South-African artist\nRobin Rhode. Rhode speaks in connection with his works about ‘a form of theatre’ and even more so of ‘a kind of live cinema’. Standing before a succession of photographs decomposing an action (that of a body together with drawings that gradually materialize and dematerialize on the wall), one does indeed think of cinema’s primitive origins, of Étienne-Jules Marey or Eadweard Muybridge. But even more so, the fragmented narration, the bodies in profile, the relationship between these and the wall, all recall a much older tradition of image making, that of the ancient Egyptians.\nIn Rhode’s work, the wall is a screen opening onto another world, perhaps an infinity of parallel universes. Doors and windows are a recurrent motif, making it possible to penetrate a two-dimensional space where the proportions and the laws of physics underpinning our world are no longer valid. It is truly a space of dreaming, of oneiric projection, materializing intimate thoughts with symbolic dimensions.\nOn the ground floor space of the gallery on the Rue du Pont de Lodi, Holy Key (2016) shows a figure caught in the throes of a struggle with a gigantic key. Like Atlas with the world on his back, and even more like Sisyphus endlessly rolling his rock, he is desperately trying to insert it into an outsized lock, through which a blinding light is streaming: the sign of a better world beyond the opaque, black wall on which each of his attempts has left behind a trace of the key. From a metaphysical point of view, the work evokes the difficulty we sometimes have finding a place in this world. Albert Camus’ book the Myth of Sisyphus comes to mind. ‘We must imagine Sisyphus happy,’Camus concludes the book by saying, meaning that the Greek hero, in spite of his eternal damnation, remains nonetheless superior to his destiny.\nThis reference to existentialist philosophy recalls another. The title of the exhibition, “Force of Circumstance”, has been taken from Simone de Beauvoir’s memoir La Force des choses (1963). Rhode’s work is without a doubt, in an allegorical way, existentialist.\nHe stages an interaction among living bodies attempting to master the mechanism\nof their destiny along with that of inert objects, with predefined uses, but which the magic of choreography and drawing can poetically, irremediably modify.\nIn the basement level space, Rhode reenacts in a new way a performance made in\n2016 at the SCAD Museum of Art (Savanah College of Art and Design) in Georgia US.\nObjects painted black (chairs, a bicycle, a coat stand) are hung on the wall. The artist submerges his body in a bath full of ink, then takes hold of the objects to make them leave their trace. Robin Rhode’s work is shot through with an art of contrast, paradox, and antagonism—negative/positive, flatness/depth, abstraction/realism—where the power of thought and imagination lead us on a voyage from one extreme to another.","2017-01-20T15:30:00+00:00","2017-03-04T15:30:00+00:00",[],{"id":3124,"slug":3125,"title":3126,"customTitle":1408,"defaultTitle":3127,"overrideHeading":420,"url":3128,"tagline":420,"thumbImage":3129,"locations":3142,"category":3151,"description":3153,"startDate":3154,"endDate":3155,"type":236,"showForm":732,"form":3156,"__typename":1935},"114550","in-aporie","Alicja Kwade - In Aporie","In Aporie","https://www.mennour.com/exhibition/in-aporie",[3130],{"id":3131,"url":3132,"jpg16":3133,"jpg800":3134,"jpg1600":3135,"jpg2400":3136,"jpg3200":3137,"alt":420,"title":3138,"width":3139,"height":3140,"caption":420,"mobile":3141,"__typename":679},"38331","https://dev-admin.mennour.com/uploads/img/in-aporie.jpg","fPN^bz%M?bf6Rjxu~qt7RiWBRjayD%IUoft7t7Rjt7fPofayj[ayRkofM{ayofj@","https://dev-admin.mennour.com/uploads/img/_jpg800/in-aporie.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/in-aporie.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/in-aporie.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/in-aporie.jpg","In aporie",1813,1344,[],[3143],{"title":2001,"slug":2002,"url":369,"type":1921,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":2003,"thumbImage":3144,"city":3147,"mapLocation":3149},[3145],{"id":2006,"url":2007,"jpg16":2008,"jpg800":2009,"jpg1600":2010,"jpg2400":2011,"jpg3200":2012,"alt":420,"title":2013,"width":2014,"height":2015,"caption":420,"mobile":3146,"__typename":679},[],[3148],{"title":350,"slug":351},{"parts":3150},{"number":374,"address":367,"city":350,"postcode":356,"county":357,"country":375,"state":359},[3152],{"title":1893,"slug":528,"type":1885},"Kamel Mennour is pleased to present for the second time an exhibition by\nBerlin-based artist Alicja Kwade.\nAlicja Kwade brings us face to face with questions rather than interpretations.\nShe questions objects, presumed truths, and matter. She has framed her exhibition within the philosophical concept of aporia, a term designating an\nirresolvable contradiction. In its own way, with a mix of rigour and humour,\neach piece in the show questions the real, its limits, and its illusions. The\nwhole gallery becomes a space of questioning.\n\nThe concept of aporia makes its perturbing nature felt as soon as one enters\nthe gallery. Here are works of handwriting, handwriting that has been a part of Kwade’s production since 2006. She has chosen handwritten letters by figures she admires or who inspire her, and has trained herself to write identically. She has then sent her own handwriting to a graphologist for an analysis of the personality of the writer. But which writer? It is an insoluble and reiterated question. Could such an appropriation of the gesture of writing, the most direct movement between the brain and the hand, lend the artist something of the psychological and neurological characteristics of these admirable figures? Who knows…\n\nFurther on, the work entitled, Durchbruch durch Schwaeche [Going Through Weakness] (2009-2016) is made up of old clock weights, parts of a timeless collection of the artist’s. They transform the space, descending from the ceiling and disappearing into the floor. The weights of Durchbruch durch\nSchwaeche is visualizing gravity, at once the weakest and most important force of all existing.\n\nUnder the glass ceiling, Hypothetishe Gebilde (2016) interrogates space in all its dimensions. Copper horns seem to explore the space, listening to it,pressed up against it in order to learn its secrets. They appear to be fixed in a movement, made up of changing matter. Matter is just a condition here, and even the sculptures, called Hypothetishe Gebilde [Hypothetical Structure], disown themselves as ‘hypothetical’. Brass, or copper, is a conductive metal but also an alchemical one…\n\nAlicja Kwade uses art—with its infinite avenues of possibility—to interfere\nwith the mysteries of the universe. Aurélien Barrau, universe and multiverse\nexplorer, has reached the same point by way of science: ‘Perhaps the real itself is not unified. Perhaps it is a sort of material […] and we are free to use this material to create meaningful worlds.1 ’ The world then could be completely different… One might find there a single book holding down a block of granite weighing several tons, as in the piece Heavy Weight of Hindsight (2016), where the granite has taken flight, making for the glass ceiling in a bid for the life of a cloud.\n\nIn Alicja Kwade’s work, rocks play a primordial role. Their formation, their\nconcretion, their pulverisation are themselves a form of aporia: is it a rock or\njust dust? Or is this the same thing? In the real world, this question can always be posed of the objects and matter that make it up. When does it begin, and when does it stop? What information is there about the object, what is its\nnature, and then who or what chose it? A definitive answer to this question cannot be found in the geological process itself. This is why rocks contain a\nsecret entry into the real. The poet Roger Caillois defined it in the following\nterms: ‘Minerals: primary index from which everything dilutes, decays, and\nevapo-rates, perhaps all the way to the exceptions of the dreamworld and the siren call of vertigo. They convince me that the imagination is simply one of the conceivable extensions of matter.2 ’ Alicja Kwade explores imagination to the point of giving shape to the mute murmurings of the universe.\nAnnabelle Gugnon\n\nBorn in 1979 in Katowice, Poland, Alicja Kwade lives and works in Berlin. Her work was exhibited in multiple solo shows in institutions such as the Zentrum für Kunst und Medientechnologie in Karlsruhe, the Polnisches Institut in Berlin, the Würth Haus Berlin, the Oldenburger Kunstverein, the Kunstverein Bremerhaven, the Westfälischen Kunstverein, the Kestnergesellschaft in Hanover and the Hamburger Bahnhof – Museum für Gegenwart in Berlin, , the Kunstverein de St. Gallen, the Kunsthalle of Mannheim, the Public Art Fund of New York, the Appel arts centre in Amsterdam and the Schirn Kunsthalle of Francfurt. Alicja Kwade also took part of numerous group shows all around the world: at the Museum of Contemporary Art in Detroit, the Palazzo Strozzi in Florence, the KW Institute for Contemporary Art in Berlin, the Witte de With in Rotterdam, the SculptureCenter in Long Island, the Domaine Pommery in Reims, the Palais de Tokyo in Paris, the Museum of Contemporary Art in Tokyo, the Den Frie in Copenhagen, the MUMOK in Vienna, the Museum Kunstpalast of Düsseldorf, the Triennale di Milano, the Kunstmuseum of Luzern, the Contemporary Jewish Museum in San Francisco and the Kunstmuseum of Bonn. Alicja Kwade is currently presenting a solo show entitled Medium Median at the Whitechapel Gallery, London (UK)..","2016-10-14T10:35:00+00:00","2016-11-26T11:35:00+00:00",[],{"id":3158,"slug":3159,"title":3160,"customTitle":3160,"defaultTitle":3160,"overrideHeading":420,"url":3161,"tagline":2110,"thumbImage":3162,"locations":3174,"category":3183,"description":420,"startDate":3184,"endDate":3185,"type":236,"showForm":732,"form":3186,"__typename":1935},"114561","heroes-for-imagine-ii","Heroes for Imagine 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