Preceded by a long immersion phase, each of Mohamed Bourouissa’s projects builds a new enunciation situation. With a critical take on mass media images, his artworks reintroduce complexity in contemporary society’s representations. The subjects of his photographs, sculptures and videos are often people “left behind”, at the crossroads of integration and exclusion. Kamel Mennour and Mohamed Bourouissa have been working together since 2010.
Palais de Tokyo, Paris, 2024
Biennale of Sydney, 2020
LaM, Villeneuve-d’Ascq, France, 2023
Mennour, Paris, 2020
Mennour, Paris, 2025
Musée d’Art Moderne de Paris, 2018
Mennour, Paris, 2025
Villeneuve d’Ascq Museum of Modern Art, France, 2023
Palais de Tokyo, Paris, 2024
Gropius Bau, Berlin, 2022
Kunsthalle Charlottenborg, Denmark, 2021
Palais de Tokyo, Paris, 2024
Biennale of Sydney, 2020
LaM, Villeneuve-d’Ascq, France, 2023
Mennour, Paris, 2020
Mennour, Paris, 2025
Musée d’Art Moderne de Paris, 2018
Mennour, Paris, 2025
Villeneuve d’Ascq Museum of Modern Art, France, 2023
Palais de Tokyo, Paris, 2024
Gropius Bau, Berlin, 2022
Kunsthalle Charlottenborg, Denmark, 2021
Palais de Tokyo, Paris, 2024
Biennale of Sydney, 2020
LaM, Villeneuve-d’Ascq, France, 2023
Mennour, Paris, 2020
Mennour, Paris, 2025
Musée d’Art Moderne de Paris, 2018
Mennour, Paris, 2025
Villeneuve d’Ascq Museum of Modern Art, France, 2023
Palais de Tokyo, Paris, 2024
Gropius Bau, Berlin, 2022
Kunsthalle Charlottenborg, Denmark, 2021
portfolio
2025
«Généalogie de la Violence», Galerie Mennour, Paris, France