Lives and works in Cotonou and Hamburg\u003C/p>",[667],{"id":668,"url":669,"jpg16":670,"jpg800":671,"jpg1600":672,"jpg2400":673,"jpg3200":674,"alt":420,"title":675,"width":676,"height":677,"caption":420,"mobile":678,"__typename":679},"272650","https://dev-admin.mennour.com/uploads/img/2024-Portrait-Georges-Adeagbo-Photo.-Archives-mennour.jpg","mCH2N9_3_M9F#jRh00t5MwIUIoaext_3_3s:tRtRD$9FIpE1MyoJ","https://dev-admin.mennour.com/uploads/img/_jpg800/2024-Portrait-Georges-Adeagbo-Photo.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/2024-Portrait-Georges-Adeagbo-Photo.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/2024-Portrait-Georges-Adeagbo-Photo.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/2024-Portrait-Georges-Adeagbo-Photo.-Archives-mennour.jpg","2024 Portrait Georges Adeagbo Photo Archives mennour",4082,6123,[],"images_Asset",[681],{"title":682,"slug":683,"type":684,"extra":685},"Collaboration","collaborations","artistCategory",true,"artist",{"url":688,"slug":689,"title":690,"firstName":691,"lastName":692,"customFullName":420,"tagline":693,"coverImage":694,"artistCategory":707,"type":686},"https://www.mennour.com/artist/mohammad-alfaraj","mohammad-alfaraj","Mohammad AlFaraj","Mohammad","AlFaraj","Born in 1993 in Saudi Arabia\u003Cbr />\nLives and works in Al-Ahsa, Saudi Arabia",[695],{"id":696,"url":697,"jpg16":698,"jpg800":699,"jpg1600":700,"jpg2400":701,"jpg3200":702,"alt":420,"title":703,"width":704,"height":705,"caption":420,"mobile":706,"__typename":679},"4320","https://dev-admin.mennour.com/uploads/img/d2ac0d56-8e16-45ce-90fc-f8eb496b94e5-2.jpg","nCJZ}7?_JW0OeZ..].tSElw0.9EeRPROt8RiIn~VE2Ekxus.MzM_Nxx]D%x]=|jX","https://dev-admin.mennour.com/uploads/img/_jpg800/d2ac0d56-8e16-45ce-90fc-f8eb496b94e5-2.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/d2ac0d56-8e16-45ce-90fc-f8eb496b94e5-2.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/d2ac0d56-8e16-45ce-90fc-f8eb496b94e5-2.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/d2ac0d56-8e16-45ce-90fc-f8eb496b94e5-2.jpg","Mohammad alfaraj",1200,1600,[],[],{"url":709,"slug":710,"title":711,"firstName":712,"lastName":713,"customFullName":420,"tagline":714,"coverImage":715,"artistCategory":728,"type":686},"https://www.mennour.com/artist/lucie-antoinette","lucie-antoinette","Lucie Antoinette","Lucie","Antoinette","Born in 1993, lives and works in Paris, France.",[716],{"id":717,"url":718,"jpg16":719,"jpg800":720,"jpg1600":721,"jpg2400":722,"jpg3200":723,"alt":420,"title":724,"width":725,"height":726,"caption":420,"mobile":727,"__typename":679},"125200","https://dev-admin.mennour.com/uploads/img/LucieBascoul_Jan_-50.jpg","W7F$684T~qSc?b?G0JM~?GD*IX%g4T?aNH0LM_w]XnIoVr%2g2IV","https://dev-admin.mennour.com/uploads/img/_jpg800/LucieBascoul_Jan_-50.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/LucieBascoul_Jan_-50.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/LucieBascoul_Jan_-50.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/LucieBascoul_Jan_-50.jpg","Lucie Bascoul Jan 50",3024,2005,[],[729],{"title":730,"slug":731,"type":684,"extra":732},"Emergence","emergence",false,{"url":734,"slug":735,"title":736,"firstName":737,"lastName":738,"customFullName":420,"tagline":420,"coverImage":739,"artistCategory":752,"type":686},"https://www.mennour.com/artist/eugène-atget","eugène-atget","Eugène Atget","Eugène","Atget",[740],{"id":741,"url":742,"jpg16":743,"jpg800":744,"jpg1600":745,"jpg2400":746,"jpg3200":747,"alt":420,"title":748,"width":749,"height":750,"caption":420,"mobile":751,"__typename":679},"272655","https://dev-admin.mennour.com/uploads/img/Atget-Eugene.jpg","n38E3tIU_3-;t7%M~qD%IU?b~WD%9FRiD%t7RjM{xuog4n%MxuIV%M%MM{xb%ME1","https://dev-admin.mennour.com/uploads/img/_jpg800/Atget-Eugene.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Atget-Eugene.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Atget-Eugene.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Atget-Eugene.jpg","Atget Eugene",1544,2000,[],[753],{"title":682,"slug":683,"type":684,"extra":685},{"url":755,"slug":756,"title":757,"firstName":758,"lastName":759,"customFullName":420,"tagline":760,"coverImage":761,"artistCategory":774,"type":686},"https://www.mennour.com/artist/neil-beloufa","neil-beloufa","Neïl Beloufa","Neïl","Beloufa","Born in 1985 in Paris, France\u003Cbr />\nLives and works in Paris, France",[762],{"id":763,"url":764,"jpg16":765,"jpg800":766,"jpg1600":767,"jpg2400":768,"jpg3200":769,"alt":420,"title":770,"width":771,"height":772,"caption":420,"mobile":773,"__typename":679},"7769","https://dev-admin.mennour.com/uploads/img/Portrait-%C2%A9Polly-Thomas.jpg","nZGuapWC%Nt7Ri?wWBozkCR*-UjZROjsofIVj[RjayxbxCayofjZkCIoWBofWBR*","https://dev-admin.mennour.com/uploads/img/_jpg800/Portrait-©Polly-Thomas.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Portrait-©Polly-Thomas.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Portrait-©Polly-Thomas.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Portrait-©Polly-Thomas.jpg","Neil beloufa",2667,4000,[],[],{"url":776,"slug":777,"title":778,"firstName":779,"lastName":780,"customFullName":420,"tagline":781,"coverImage":782,"artistCategory":795,"type":686},"https://www.mennour.com/artist/hicham-berrada","hicham-berrada","Hicham Berrada","Hicham","Berrada","Born in 1986 in Casablanca, Morocco \u003Cbr />\nLives and works in Paris and Roubaix, France",[783],{"id":784,"url":785,"jpg16":786,"jpg800":787,"jpg1600":788,"jpg2400":789,"jpg3200":790,"alt":420,"title":791,"width":792,"height":793,"caption":420,"mobile":794,"__typename":679},"8351","https://dev-admin.mennour.com/uploads/img/HICHAM_PORTRAIT%C2%A9TETARD.jpg","nqMG@loe-:%LM{~pWVR*WBWCoLoeM{V@xaofj]j[a}j[ayaxt6oeWBayfRayWVfQ","https://dev-admin.mennour.com/uploads/img/_jpg800/HICHAM_PORTRAIT©TETARD.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/HICHAM_PORTRAIT©TETARD.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/HICHAM_PORTRAIT©TETARD.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/HICHAM_PORTRAIT©TETARD.jpg","4 S9 A5796",2606,3475,[],[],{"url":797,"slug":798,"title":799,"firstName":800,"lastName":801,"customFullName":420,"tagline":802,"coverImage":803,"artistCategory":815,"type":686},"https://www.mennour.com/artist/mohamed-bourouissa","mohamed-bourouissa","Mohamed Bourouissa","Mohamed","Bourouissa","\u003Cp>Born in 1978 in Blida, Algeria\u003Cbr />Lives and works in Paris, France\u003C/p>",[804],{"id":805,"url":806,"jpg16":807,"jpg800":808,"jpg1600":809,"jpg2400":810,"jpg3200":811,"alt":420,"title":812,"width":813,"height":750,"caption":420,"mobile":814,"__typename":679},"288154","https://dev-admin.mennour.com/uploads/img/230724_NA_MB_06_0474_1.jpg","npI|ICuO=|%M%M}[pIozxGS3RPWBS#aKRPWBj[f+WBnixuofWVbboJoLj[bIkCae","https://dev-admin.mennour.com/uploads/img/_jpg800/230724_NA_MB_06_0474_1.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/230724_NA_MB_06_0474_1.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/230724_NA_MB_06_0474_1.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/230724_NA_MB_06_0474_1.jpg","230724 NA MB 06 0474 1",1500,[],[],{"url":817,"slug":818,"title":819,"firstName":820,"lastName":821,"customFullName":420,"tagline":822,"coverImage":823,"artistCategory":836,"type":686},"https://www.mennour.com/artist/marie-bovo","marie-bovo","Marie Bovo","Marie","Bovo","Born in 1967 in Alicante, Spain\u003Cbr />\nLives and works in Marseille, France",[824],{"id":825,"url":826,"jpg16":827,"jpg800":828,"jpg1600":829,"jpg2400":830,"jpg3200":831,"alt":420,"title":832,"width":833,"height":834,"caption":420,"mobile":835,"__typename":679},"4326","https://dev-admin.mennour.com/uploads/img/4S9A7589.jpg","WgJ8Lvxt?ct7IAoL~qogogs:RiaykDt8t6RjozM{M{ayRjoeflay","https://dev-admin.mennour.com/uploads/img/_jpg800/4S9A7589.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/4S9A7589.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/4S9A7589.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/4S9A7589.jpg","Marie bovo",5760,3840,[],[],{"url":838,"slug":839,"title":840,"firstName":841,"lastName":842,"customFullName":420,"tagline":843,"coverImage":844,"artistCategory":857,"type":686},"https://www.mennour.com/artist/daniel-buren","daniel-buren","Daniel Buren","Daniel","Buren","\u003Cp>Born in 1938 in Boulogne-Billancourt, France\u003Cbr />Lives and works \u003Ci>in situ\u003C/i>\u003C/p>",[845],{"id":846,"url":847,"jpg16":848,"jpg800":849,"jpg1600":850,"jpg2400":851,"jpg3200":852,"alt":420,"title":853,"width":854,"height":855,"caption":420,"mobile":856,"__typename":679},"4328","https://dev-admin.mennour.com/uploads/img/Daniel-Buren-EMMA-2022-%C2%A9Ari-Karttunen-EMMA-Espoo-Museum-of-art-0313.jpg","nKDcU7~o-.tRkq?ut1si%Kt7MhMzn4bFWUIcT2bfJEN{M|o|%Mt6oL=X-5xswbn#","https://dev-admin.mennour.com/uploads/img/_jpg800/Daniel-Buren-EMMA-2022-©Ari-Karttunen-EMMA-Espoo-Museum-of-art-0313.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Daniel-Buren-EMMA-2022-©Ari-Karttunen-EMMA-Espoo-Museum-of-art-0313.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Daniel-Buren-EMMA-2022-©Ari-Karttunen-EMMA-Espoo-Museum-of-art-0313.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Daniel-Buren-EMMA-2022-©Ari-Karttunen-EMMA-Espoo-Museum-of-art-0313.jpg","Daniel buren",2134,3200,[],[],{"url":859,"slug":860,"title":861,"firstName":862,"lastName":863,"customFullName":420,"tagline":864,"coverImage":865,"artistCategory":878,"type":686},"https://www.mennour.com/artist/haguette-caland","haguette-caland","Huguette Caland","Huguette","Caland","\u003Cp>Born in 1931 in Beirut, Lebanon\u003Cbr />Died in 2019 in Beirut\u003C/p>",[866],{"id":867,"url":868,"jpg16":869,"jpg800":870,"jpg1600":871,"jpg2400":872,"jpg3200":873,"alt":420,"title":874,"width":875,"height":876,"caption":420,"mobile":877,"__typename":679},"138260","https://dev-admin.mennour.com/uploads/img/Huguette-Photo-by-Jacques-Prayertiff.jpg","fWNTwJof~qM{ayxt-;Rjj]ofRjofxuWBRjxtofWBs:fQWVWBRjj[xujtWBt7ofof","https://dev-admin.mennour.com/uploads/img/_jpg800/Huguette-Photo-by-Jacques-Prayertiff.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Huguette-Photo-by-Jacques-Prayertiff.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Huguette-Photo-by-Jacques-Prayertiff.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Huguette-Photo-by-Jacques-Prayertiff.jpg","Huguette Photo by Jacques Prayertiff",542,375,[],[879],{"title":682,"slug":683,"type":684,"extra":685},{"url":881,"slug":882,"title":883,"firstName":737,"lastName":884,"customFullName":420,"tagline":885,"coverImage":886,"artistCategory":899,"type":686},"https://www.mennour.com/artist/eugene-carriere","eugene-carriere","Eugène Carrière","Carrière","Born in 1849 in Gournay-sur-Marne, France\u003Cbr />\nDied in 1906 in Paris, France",[887],{"id":888,"url":889,"jpg16":890,"jpg800":891,"jpg1600":892,"jpg2400":893,"jpg3200":894,"alt":420,"title":895,"width":896,"height":897,"caption":420,"mobile":898,"__typename":679},"4332","https://dev-admin.mennour.com/uploads/img/portrait-CARRIERE.jpg","n3ATi%9F01-;00xu_3xuM{M{_2~q9F%M-;a{9Goe?bfQ~pM{Rj%Mt700ofay-;%M","https://dev-admin.mennour.com/uploads/img/_jpg800/portrait-CARRIERE.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/portrait-CARRIERE.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/portrait-CARRIERE.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/portrait-CARRIERE.jpg","Eugene carriere",3071,4016,[],[900],{"title":901,"slug":902,"type":684,"extra":732},"Estates","estates",{"url":904,"slug":905,"title":906,"firstName":907,"lastName":908,"customFullName":420,"tagline":909,"coverImage":910,"artistCategory":921,"type":686},"https://www.mennour.com/artist/valentin-carron","valentin-carron","Valentin Carron","Valentin","Carron","Born in 1977 in Martigny, Switzerland\u003Cbr />\nLives and works there",[911],{"id":912,"url":913,"jpg16":914,"jpg800":915,"jpg1600":916,"jpg2400":917,"jpg3200":918,"alt":420,"title":919,"width":750,"height":771,"caption":420,"mobile":920,"__typename":679},"4334","https://dev-admin.mennour.com/uploads/img/KamelMennour-ValentinCarron-portraits-JulienGremaud-074-web.jpg","nTL;dF-=%N%MD*~qt7M|t8ae?Ht8IUWAxuxuWBWAV@WBR*j]ofofj[Rjofxut7kC","https://dev-admin.mennour.com/uploads/img/_jpg800/KamelMennour-ValentinCarron-portraits-JulienGremaud-074-web.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/KamelMennour-ValentinCarron-portraits-JulienGremaud-074-web.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/KamelMennour-ValentinCarron-portraits-JulienGremaud-074-web.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/KamelMennour-ValentinCarron-portraits-JulienGremaud-074-web.jpg","Valentin carron",[],[],{"url":923,"slug":924,"title":925,"firstName":926,"lastName":927,"customFullName":420,"tagline":928,"coverImage":929,"artistCategory":942,"type":686},"https://www.mennour.com/artist/ymane-chabi-gara","ymane-chabi-gara","Ymane Chabi-Gara","Ymane","Chabi-Gara","Born in 1986 in Paris, France\u003Cbr />\nLives and works in Montreuil, France",[930],{"id":931,"url":932,"jpg16":933,"jpg800":934,"jpg1600":935,"jpg2400":936,"jpg3200":937,"alt":420,"title":938,"width":939,"height":940,"caption":420,"mobile":941,"__typename":679},"288991","https://dev-admin.mennour.com/uploads/img/Ymane-Chabi-Gara-048.jpg","fDF68^X9%Mj[9G-;~qs;%MkCt6a|?v?bIVf8tQM{8{M{xv%LWVWAtRa~a}oft7WB","https://dev-admin.mennour.com/uploads/img/_jpg800/Ymane-Chabi-Gara-048.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Ymane-Chabi-Gara-048.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Ymane-Chabi-Gara-048.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Ymane-Chabi-Gara-048.jpg","Ymane Chabi Gara 048",1920,1281,[],[],{"url":944,"slug":945,"title":946,"firstName":947,"lastName":948,"customFullName":420,"tagline":949,"coverImage":950,"artistCategory":962,"type":686},"https://www.mennour.com/artist/jean-degottex","jean-degottex","Jean Degottex","Jean","Degottex","Born in 1918 in Sathonay-Camp, France \u003Cbr />\nDied in 1988 in Paris",[951],{"id":952,"url":953,"jpg16":954,"jpg800":955,"jpg1600":956,"jpg2400":957,"jpg3200":958,"alt":420,"title":959,"width":960,"height":960,"caption":420,"mobile":961,"__typename":679},"4338","https://dev-admin.mennour.com/uploads/img/Portrait-Keiichi-Tahara.jpg","oBD,4W~qD%_2t64nD%-p?aWBoyay%MofRjt7%Mt7aya|WBWBIURkRjfjkBRjt7%Layfkayj[ofRj","https://dev-admin.mennour.com/uploads/img/_jpg800/Portrait-Keiichi-Tahara.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Portrait-Keiichi-Tahara.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Portrait-Keiichi-Tahara.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Portrait-Keiichi-Tahara.jpg","Jean degottex",2250,[],[963],{"title":901,"slug":902,"type":684,"extra":732},{"url":965,"slug":966,"title":967,"firstName":968,"lastName":969,"customFullName":420,"tagline":970,"coverImage":971,"artistCategory":984,"type":686},"https://www.mennour.com/artist/liam-everett","liam-everett","Liam Everett","Liam","Everett","Born in 1973 in Rochester, New York\u003Cbr />\nLives and works in California, USA",[972],{"id":973,"url":974,"jpg16":975,"jpg800":976,"jpg1600":977,"jpg2400":978,"jpg3200":979,"alt":420,"title":980,"width":981,"height":982,"caption":420,"mobile":983,"__typename":679},"8152","https://dev-admin.mennour.com/uploads/img/8.jpg","nkM7rxD$~qxtay?bofIURjt7%NkCM|t7R*bIazoeaxkCt8kCR*j?WBxuofWWWBf6","https://dev-admin.mennour.com/uploads/img/_jpg800/8.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/8.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/8.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/8.jpg","8",922,1382,[],[],{"url":986,"slug":987,"title":988,"firstName":989,"lastName":990,"customFullName":420,"tagline":991,"coverImage":992,"artistCategory":1005,"type":686},"https://www.mennour.com/artist/sidival-fila","sidival-fila","Sidival Fila","Sidival","Fila","Born in 1962 in the state of Parana, Brazil\u003Cbr />\nLives and works in Rome, Italy",[993],{"id":994,"url":995,"jpg16":996,"jpg800":997,"jpg1600":998,"jpg2400":999,"jpg3200":1000,"alt":420,"title":1001,"width":1002,"height":1003,"caption":420,"mobile":1004,"__typename":679},"42935","https://dev-admin.mennour.com/uploads/img/DSC2639-Recuperato.jpeg","fWHxZ*M|9F9Gt6%M~VoLRjoeRjR*%Lj?axxaRkWBt7jsoLj@j[ofozWBjZfks:oL","https://dev-admin.mennour.com/uploads/img/_jpg800/42935/DSC2639-Recuperato.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/42935/DSC2639-Recuperato.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/42935/DSC2639-Recuperato.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/42935/DSC2639-Recuperato.jpg","Sidival fila",7580,5054,[],[],{"url":1007,"slug":1008,"title":1009,"firstName":1010,"lastName":1011,"customFullName":420,"tagline":1012,"coverImage":1013,"artistCategory":1026,"type":686},"https://www.mennour.com/artist/dan-flavin","dan-flavin","Dan Flavin","Dan","Flavin","Born in 1933 in Jamaica, New York\u003Cbr />\nDan Flavin died in 1996 in Riverhead, New York",[1014],{"id":1015,"url":1016,"jpg16":1017,"jpg800":1018,"jpg1600":1019,"jpg2400":1020,"jpg3200":1021,"alt":420,"title":1022,"width":1023,"height":1024,"caption":420,"mobile":1025,"__typename":679},"270254","https://dev-admin.mennour.com/uploads/img/49717_portrait_de_l_artistedanflavin_high.jpeg","WXIhplRjj[IUof%M~qxuayxuj[RjIUxuj[ofj[WBIUt7j[Rjt7of","https://dev-admin.mennour.com/uploads/img/_jpg800/270254/49717_portrait_de_l_artistedanflavin_high.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/270254/49717_portrait_de_l_artistedanflavin_high.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/270254/49717_portrait_de_l_artistedanflavin_high.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/270254/49717_portrait_de_l_artistedanflavin_high.jpg","49717 portrait de l artistedanflavin high",3000,1888,[],[1027],{"title":682,"slug":683,"type":684,"extra":685},{"url":1029,"slug":1030,"title":1031,"firstName":1032,"lastName":1033,"customFullName":420,"tagline":1034,"coverImage":1035,"artistCategory":1048,"type":686},"https://www.mennour.com/artist/claire-fontaine","claire-fontaine","Claire Fontaine","Claire","Fontaine","Founded in 2004 in Paris\u003Cbr />\nWorks and lives in Palermo, Italy",[1036],{"id":1037,"url":1038,"jpg16":1039,"jpg800":1040,"jpg1600":1041,"jpg2400":1042,"jpg3200":1043,"alt":420,"title":1044,"width":1045,"height":1046,"caption":420,"mobile":1047,"__typename":679},"4342","https://dev-admin.mennour.com/uploads/img/1-2024-Portrait-Claire-Fontaine.-Archives-mennour.jpg","mSJ8V1%M?b%L~qRjoft6_3t7D$WBt7t7RjWCt7WAofayIoWBaeay","https://dev-admin.mennour.com/uploads/img/_jpg800/1-2024-Portrait-Claire-Fontaine.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/1-2024-Portrait-Claire-Fontaine.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/1-2024-Portrait-Claire-Fontaine.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/1-2024-Portrait-Claire-Fontaine.-Archives-mennour.jpg","Claire fontaine",939,1409,[],[],{"url":1050,"slug":1051,"title":1052,"firstName":1053,"lastName":1054,"customFullName":420,"tagline":1055,"coverImage":1056,"artistCategory":1069,"type":686},"https://www.mennour.com/artist/ryan-gander","ryan-gander","Ryan Gander","Ryan","Gander","Born in 1976 in Chester\u003Cbr />\nLives and works in London, United Kingdom",[1057],{"id":1058,"url":1059,"jpg16":1060,"jpg800":1061,"jpg1600":1062,"jpg2400":1063,"jpg3200":1064,"alt":420,"title":1065,"width":1066,"height":1067,"caption":420,"mobile":1068,"__typename":679},"4346","https://dev-admin.mennour.com/uploads/img/4S9A9540.jpg","mfFP83t7-;xu~poKkDof%1RjM{V@R*t7RPofR*oLjFaeozWBn%af","https://dev-admin.mennour.com/uploads/img/_jpg800/4S9A9540.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/4S9A9540.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/4S9A9540.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/4S9A9540.jpg","Ryan gander",940,1410,[],[],{"url":1071,"slug":1072,"title":1073,"firstName":1074,"lastName":1075,"customFullName":420,"tagline":1076,"coverImage":1077,"artistCategory":1090,"type":686},"https://www.mennour.com/artist/alberto-garcia-alix","alberto-garcia-alix","Alberto Garcia Alix","Alberto","Garcia Alix","Born in 1956 in León, Spain\u003Cbr />\nlives and works in Madrid, Spain",[1078],{"id":1079,"url":1080,"jpg16":1081,"jpg800":1082,"jpg1600":1083,"jpg2400":1084,"jpg3200":1085,"alt":420,"title":1086,"width":1087,"height":1088,"caption":420,"mobile":1089,"__typename":679},"4348","https://dev-admin.mennour.com/uploads/img/Autorretrato.-Mi-lado-femenino.-2002_2024-10-15-105642_todw.jpg","oCDl{3_3?bRjIUof~qM{RjWBM{ofD%WBoft7RjRjM{ofofofxuWBxuofM{RjofofxuayRjofayWB","https://dev-admin.mennour.com/uploads/img/_jpg800/Autorretrato.-Mi-lado-femenino.-2002_2024-10-15-105642_todw.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Autorretrato.-Mi-lado-femenino.-2002_2024-10-15-105642_todw.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Autorretrato.-Mi-lado-femenino.-2002_2024-10-15-105642_todw.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Autorretrato.-Mi-lado-femenino.-2002_2024-10-15-105642_todw.jpg","Alberto garcia alix",3080,3126,[],[],{"url":1092,"slug":1093,"title":1094,"firstName":1074,"lastName":1095,"customFullName":420,"tagline":1096,"coverImage":1097,"artistCategory":1110,"type":686},"https://www.mennour.com/artist/alberto-giacometti","alberto-giacometti","Alberto Giacometti","Giacometti","Born in 1901 in Borgonovo, Switzerland \u003Cbr />\nDied in 1966 in Chur, Switzerland",[1098],{"id":1099,"url":1100,"jpg16":1101,"jpg800":1102,"jpg1600":1103,"jpg2400":1104,"jpg3200":1105,"alt":420,"title":1106,"width":1107,"height":1108,"caption":420,"mobile":1109,"__typename":679},"7786","https://dev-admin.mennour.com/uploads/img/1957-Isaku-Yanaihara-Alberto-Giacometti-travaillant-dans-son-atelier-2003-3382-coll.-Fondation-Giacometti-Paris.jpg","nDI#x_009F?bxu~qt7xuIURj00%M-;M{M{D%xuRjt7WBxuxuM{M{%Mt7IU%MxuM{","https://dev-admin.mennour.com/uploads/img/_jpg800/1957-Isaku-Yanaihara-Alberto-Giacometti-travaillant-dans-son-atelier-2003-3382-coll.-Fondation-Giacometti-Paris.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/1957-Isaku-Yanaihara-Alberto-Giacometti-travaillant-dans-son-atelier-2003-3382-coll.-Fondation-Giacometti-Paris.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/1957-Isaku-Yanaihara-Alberto-Giacometti-travaillant-dans-son-atelier-2003-3382-coll.-Fondation-Giacometti-Paris.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/1957-Isaku-Yanaihara-Alberto-Giacometti-travaillant-dans-son-atelier-2003-3382-coll.-Fondation-Giacometti-Paris.jpg","Alberto giacometti",2340,3438,[],[1111],{"title":901,"slug":902,"type":684,"extra":732},{"url":1113,"slug":1114,"title":1115,"firstName":1116,"lastName":1117,"customFullName":420,"tagline":1118,"coverImage":1119,"artistCategory":1132,"type":686},"https://www.mennour.com/artist/douglas-gordon","douglas-gordon","Douglas Gordon","Douglas","Gordon","Born in 1966 in Glasgow, Scotland\u003Cbr />\nLives and works in Berlin, Glasgow and Paris",[1120],{"id":1121,"url":1122,"jpg16":1123,"jpg800":1124,"jpg1600":1125,"jpg2400":1126,"jpg3200":1127,"alt":420,"title":1128,"width":1129,"height":1130,"caption":420,"mobile":1131,"__typename":679},"4350","https://dev-admin.mennour.com/uploads/img/2019-06-05-15.00.56.jpg","feMQq+Rj-pRjIUxu~qRjIUofozWBxaayRjkCogWBofj@t6WBWBj[j[ayj[fjWCfQ","https://dev-admin.mennour.com/uploads/img/_jpg800/2019-06-05-15.00.56.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/2019-06-05-15.00.56.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/2019-06-05-15.00.56.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/2019-06-05-15.00.56.jpg","Douglas gordon",3046,2400,[],[],{"url":1134,"slug":1135,"title":1136,"firstName":1137,"lastName":1138,"customFullName":420,"tagline":1139,"coverImage":1140,"artistCategory":1153,"type":686},"https://www.mennour.com/artist/dhewadi-hadjab","dhewadi-hadjab","Dhewadi Hadjab","Dhewadi","Hadjab","Born in 1992 in M’Sila, Algeria\u003Cbr />\nLives and works in Paris, France",[1141],{"id":1142,"url":1143,"jpg16":1144,"jpg800":1145,"jpg1600":1146,"jpg2400":1147,"jpg3200":1148,"alt":420,"title":1149,"width":1150,"height":1151,"caption":420,"mobile":1152,"__typename":679},"289052","https://dev-admin.mennour.com/uploads/img/3-2024-Portrait-Dhewadi-Hadjab-Photo.-Archives-mennour.jpg","nZK_B[D%_2t7D%~qt7WBofj[jrRjIUWBxuNGIUWBofWBM{RjogayWBRkWCt7ayRj","https://dev-admin.mennour.com/uploads/img/_jpg800/3-2024-Portrait-Dhewadi-Hadjab-Photo.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/3-2024-Portrait-Dhewadi-Hadjab-Photo.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/3-2024-Portrait-Dhewadi-Hadjab-Photo.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/3-2024-Portrait-Dhewadi-Hadjab-Photo.-Archives-mennour.jpg","3 2024 Portrait Dhewadi Hadjab Photo Archives mennour",3571,4762,[],[],{"url":1155,"slug":1156,"title":1157,"firstName":1158,"lastName":1159,"customFullName":420,"tagline":1160,"coverImage":1161,"artistCategory":1174,"type":686},"https://www.mennour.com/artist/petrit-halilaj","petrit-halilaj","Petrit Halilaj","Petrit","Halilaj","Born in 1986 in Kostërrc, Kosovo\u003Cbr />\nLives and works between Germany, Kosovo, and Italy",[1162],{"id":1163,"url":1164,"jpg16":1165,"jpg800":1166,"jpg1600":1167,"jpg2400":1168,"jpg3200":1169,"alt":420,"title":1170,"width":1171,"height":1172,"caption":420,"mobile":1173,"__typename":679},"8289","https://dev-admin.mennour.com/uploads/img/MT_PETRIT-HALILAJ_David-Cruz-Puebla-small.jpg","nHM%ZPtTt8-pE100NIWnn~M}=;WCM|s.kC~q%MM{ogt7NfxuxZW=RjM^NG%2RjNG","https://dev-admin.mennour.com/uploads/img/_jpg800/MT_PETRIT-HALILAJ_David-Cruz-Puebla-small.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/MT_PETRIT-HALILAJ_David-Cruz-Puebla-small.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/MT_PETRIT-HALILAJ_David-Cruz-Puebla-small.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/MT_PETRIT-HALILAJ_David-Cruz-Puebla-small.jpg","MT PETRIT HALILAJ David Cruz Puebla small",1000,1477,[],[],{"url":1176,"slug":1177,"title":1178,"firstName":1179,"lastName":1180,"customFullName":420,"tagline":420,"coverImage":1181,"artistCategory":1194,"type":686},"https://www.mennour.com/artist/heidsieck-bernard","heidsieck-bernard","Bernard Heidsieck","Bernard","Heidsieck",[1182],{"id":1183,"url":1184,"jpg16":1185,"jpg800":1186,"jpg1600":1187,"jpg2400":1188,"jpg3200":1189,"alt":420,"title":1190,"width":1191,"height":1192,"caption":420,"mobile":1193,"__typename":679},"269609","https://dev-admin.mennour.com/uploads/img/ob_9cd4b7_mlp051138.jpg","msHLl1%M%Mxu~qt7ofayj[WBM{WBRjj[RjofofayWBayxuj[ayay","https://dev-admin.mennour.com/uploads/img/_jpg800/ob_9cd4b7_mlp051138.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/ob_9cd4b7_mlp051138.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/ob_9cd4b7_mlp051138.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/ob_9cd4b7_mlp051138.jpg","Ob 9cd4b7 mlp051138",682,1024,[],[1195],{"title":682,"slug":683,"type":684,"extra":685},{"url":1197,"slug":1198,"title":1199,"firstName":1200,"lastName":1201,"customFullName":420,"tagline":1202,"coverImage":1203,"artistCategory":1216,"type":686},"https://www.mennour.com/artist/camille-henrot","camille-henrot","Camille Henrot","Camille","Henrot","Born in 1978 in Paris, France\u003Cbr />\nLives and works in New York, United States",[1204],{"id":1205,"url":1206,"jpg16":1207,"jpg800":1208,"jpg1600":1209,"jpg2400":1210,"jpg3200":1211,"alt":420,"title":1212,"width":1213,"height":1214,"caption":420,"mobile":1215,"__typename":679},"4354","https://dev-admin.mennour.com/uploads/img/camille-henrot-josep-fonti-2019_146_2024-04-10-130937_ieba.jpg","WBHLr7Dh*0={IV.9%#IA?uSi%#-o0LkXMdIU?uoy4:i^-;S5xt%g","https://dev-admin.mennour.com/uploads/img/_jpg800/camille-henrot-josep-fonti-2019_146_2024-04-10-130937_ieba.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/camille-henrot-josep-fonti-2019_146_2024-04-10-130937_ieba.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/camille-henrot-josep-fonti-2019_146_2024-04-10-130937_ieba.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/camille-henrot-josep-fonti-2019_146_2024-04-10-130937_ieba.jpg","Camille henrot",5102,3401,[],[],{"url":1218,"slug":1219,"title":1220,"firstName":1221,"lastName":1222,"customFullName":420,"tagline":1223,"coverImage":1224,"artistCategory":1236,"type":686},"https://www.mennour.com/artist/david-hominal","david-hominal","David Hominal","David","Hominal","Born in 1976 in France\u003Cbr />\nLives and works in Berlin, Germany",[1225],{"id":1226,"url":1227,"jpg16":1228,"jpg800":1229,"jpg1600":1230,"jpg2400":1231,"jpg3200":1232,"alt":420,"title":1233,"width":1234,"height":750,"caption":420,"mobile":1235,"__typename":679},"8409","https://dev-admin.mennour.com/uploads/img/Portrait-c-Alexandra-Khazina-small.jpg","mIH2G*-po|_N~pRiIUoeRjIpxvMxM|kD?Gj[oNIAWAt7ozR+xaa#","https://dev-admin.mennour.com/uploads/img/_jpg800/Portrait-c-Alexandra-Khazina-small.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Portrait-c-Alexandra-Khazina-small.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Portrait-c-Alexandra-Khazina-small.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Portrait-c-Alexandra-Khazina-small.jpg","Portrait c Alexandra Khazina small",1125,[],[],{"url":1238,"slug":1239,"title":1240,"firstName":1241,"lastName":1242,"customFullName":1240,"tagline":1243,"coverImage":1244,"artistCategory":1257,"type":686},"https://www.mennour.com/artist/huang-yong-ping","huang-yong-ping","Huang Yong Ping","Yong Ping","Huang","Born in 1954 in Xiamen, China\u003Cbr />\nLived in Paris until his death in 2019",[1245],{"id":1246,"url":1247,"jpg16":1248,"jpg800":1249,"jpg1600":1250,"jpg2400":1251,"jpg3200":1252,"alt":420,"title":1253,"width":1254,"height":1255,"caption":420,"mobile":1256,"__typename":679},"138521","https://dev-admin.mennour.com/uploads/img/HYP-in-Grand-Palais-Paris-2016-Photo.-Archives-Mennour.jpg","o7DcXTM{-;D%00t7~qxu00t7t7ofIU-;D%%M%MM{M{IU_3M{WBay4nRj-;RjIUt700%MxuRjt7WB","https://dev-admin.mennour.com/uploads/img/_jpg800/HYP-in-Grand-Palais-Paris-2016-Photo.-Archives-Mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/HYP-in-Grand-Palais-Paris-2016-Photo.-Archives-Mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/HYP-in-Grand-Palais-Paris-2016-Photo.-Archives-Mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/HYP-in-Grand-Palais-Paris-2016-Photo.-Archives-Mennour.jpg","HYP in Grand Palais Paris 2016 Photo Archives Mennour",1151,1328,[],[1258],{"title":901,"slug":902,"type":684,"extra":732},{"url":1260,"slug":1261,"title":1262,"firstName":1263,"lastName":1264,"customFullName":420,"tagline":1265,"coverImage":1266,"artistCategory":1279,"type":686},"https://www.mennour.com/artist/elizabeth-jaeger","elizabeth-jaeger","Elizabeth Jaeger","Elizabeth","Jaeger","Born in 1988 in San Francisco, USA\u003Cbr />\nLives and works in New York, USA",[1267],{"id":1268,"url":1269,"jpg16":1270,"jpg800":1271,"jpg1600":1272,"jpg2400":1273,"jpg3200":1274,"alt":420,"title":1275,"width":1276,"height":1277,"caption":420,"mobile":1278,"__typename":679},"8217","https://dev-admin.mennour.com/uploads/img/Photo-Credit.Qiaosen-Yang-02.JPG","mPHed.Di-;~q?bIUt7NH-pxuM{jY-;t7V@t7_3V@xaof-;Rjt7oe","https://dev-admin.mennour.com/uploads/img/_jpg800/8217/Photo-Credit.Qiaosen-Yang-02.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/8217/Photo-Credit.Qiaosen-Yang-02.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/8217/Photo-Credit.Qiaosen-Yang-02.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/8217/Photo-Credit.Qiaosen-Yang-02.jpg","Photo Credit Qiaosen Yang 02",3712,5568,[],[],{"url":1281,"slug":1282,"title":1283,"firstName":1284,"lastName":1285,"customFullName":420,"tagline":1286,"coverImage":1287,"artistCategory":1299,"type":686},"https://www.mennour.com/artist/cameron-jamie","cameron-jamie","Cameron Jamie","Cameron","Jamie","Born 1969 in Los Angeles, United States\u003Cbr />\nLives and works in Paris, France",[1288],{"id":1289,"url":1290,"jpg16":1291,"jpg800":1292,"jpg1600":1293,"jpg2400":1294,"jpg3200":1295,"alt":420,"title":1296,"width":1297,"height":1297,"caption":420,"mobile":1298,"__typename":679},"295094","https://dev-admin.mennour.com/uploads/img/MGL7314_%C2%A9SilvioWaser.jpeg","o6J8Y6A8~p_300IU00x]ImI-~qs=00s=_3oNouoyr#9G_3%g00D~^,xc00t8%1t7_4%MIVRW^,s;","https://dev-admin.mennour.com/uploads/img/_jpg800/295094/MGL7314_©SilvioWaser.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/295094/MGL7314_©SilvioWaser.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/295094/MGL7314_©SilvioWaser.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/295094/MGL7314_©SilvioWaser.jpg","MGL7314 Silvio Waser",1772,[],[],{"url":1301,"slug":1302,"title":1303,"firstName":1304,"lastName":1305,"customFullName":420,"tagline":1306,"coverImage":1307,"artistCategory":1320,"type":686},"https://www.mennour.com/artist/ann-veronica-janssens","ann-veronica-janssens","Ann Veronica Janssens","Ann Veronica","Janssens","Born in 1956 in Folkestone, United Kingdom\u003Cbr />\nLives and works in Brussels, Belgium",[1308],{"id":1309,"url":1310,"jpg16":1311,"jpg800":1312,"jpg1600":1313,"jpg2400":1314,"jpg3200":1315,"alt":420,"title":1316,"width":1317,"height":1318,"caption":420,"mobile":1319,"__typename":679},"8343","https://dev-admin.mennour.com/uploads/img/Portrait-2-%C2%A9-Colombe-Clier-Centre-des-monuments-nationaux.jpg","nAE.%}?b0000010L~pD%4.oJs79GIWoL?a?ct7xZxuR+01RjxuxuWBWBR*WDRjjY","https://dev-admin.mennour.com/uploads/img/_jpg800/Portrait-2-©-Colombe-Clier-Centre-des-monuments-nationaux.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Portrait-2-©-Colombe-Clier-Centre-des-monuments-nationaux.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Portrait-2-©-Colombe-Clier-Centre-des-monuments-nationaux.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Portrait-2-©-Colombe-Clier-Centre-des-monuments-nationaux.jpg","Portrait 2 Colombe Clier Centre des monuments nationaux",4004,6000,[],[],{"url":1322,"slug":1323,"title":1324,"firstName":1325,"lastName":1326,"customFullName":420,"tagline":1327,"coverImage":1328,"artistCategory":1341,"type":686},"https://www.mennour.com/artist/nina-jayasuriya","nina-jayasuriya","Nina Jayasuriya","Nina","Jayasuriya","Born in 1996 in Paris, France\u003Cbr />\nLives and works between Paris and Sri Lanka",[1329],{"id":1330,"url":1331,"jpg16":1332,"jpg800":1333,"jpg1600":1334,"jpg2400":1335,"jpg3200":1336,"alt":420,"title":1337,"width":1338,"height":1339,"caption":420,"mobile":1340,"__typename":679},"294769","https://dev-admin.mennour.com/uploads/img/Nina-Jayasuriya-Portrait-1_2025-02-20-134956_ayuh.jpeg","m8CPhY~q.S~W~p-pE2D*-pRP4.4oXA9aV@s.9uIonNslIpV?VsRj","https://dev-admin.mennour.com/uploads/img/_jpg800/294769/Nina-Jayasuriya-Portrait-1_2025-02-20-134956_ayuh.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/294769/Nina-Jayasuriya-Portrait-1_2025-02-20-134956_ayuh.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/294769/Nina-Jayasuriya-Portrait-1_2025-02-20-134956_ayuh.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/294769/Nina-Jayasuriya-Portrait-1_2025-02-20-134956_ayuh.jpg","Nina Jayasuriya Portrait 1",3456,5184,[],[1342],{"title":730,"slug":731,"type":684,"extra":732},{"url":1344,"slug":1345,"title":1346,"firstName":1347,"lastName":1348,"customFullName":420,"tagline":1349,"coverImage":1350,"artistCategory":1362,"type":686},"https://www.mennour.com/artist/anish-kapoor","anish-kapoor","Anish Kapoor","Anish","Kapoor","Born in 1954 in Bombay, India\u003Cbr />\nLives and works in London, England",[1351],{"id":1352,"url":1353,"jpg16":1354,"jpg800":1355,"jpg1600":1356,"jpg2400":1357,"jpg3200":1358,"alt":420,"title":1359,"width":1360,"height":939,"caption":420,"mobile":1361,"__typename":679},"4382","https://dev-admin.mennour.com/uploads/img/Photographs-by-Alex-Majoli-Magnum-for-The-New-Yorker-Art-works-%C2%A9-Anish-Kapoor-ARS.jpg","fG9@VE4oRk%MRPaz~q8_Mx%Mt6t7-;ocM{oyofRPM|ogM{WCxuj@WBt7ofRjj[j?","https://dev-admin.mennour.com/uploads/img/_jpg800/Photographs-by-Alex-Majoli-Magnum-for-The-New-Yorker-Art-works-©-Anish-Kapoor-ARS.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Photographs-by-Alex-Majoli-Magnum-for-The-New-Yorker-Art-works-©-Anish-Kapoor-ARS.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Photographs-by-Alex-Majoli-Magnum-for-The-New-Yorker-Art-works-©-Anish-Kapoor-ARS.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Photographs-by-Alex-Majoli-Magnum-for-The-New-Yorker-Art-works-©-Anish-Kapoor-ARS.jpg","Anish kapoor",2560,[],[],{"url":1364,"slug":1365,"title":1366,"firstName":1367,"lastName":1368,"customFullName":420,"tagline":1369,"coverImage":1370,"artistCategory":1383,"type":686},"https://www.mennour.com/artist/tadashi-kawamata","tadashi-kawamata","Tadashi Kawamata","Tadashi","Kawamata","Born in 1953 in Hokkaidō, Japan\u003Cbr />\nLives and works in Tokyo and Paris",[1371],{"id":1372,"url":1373,"jpg16":1374,"jpg800":1375,"jpg1600":1376,"jpg2400":1377,"jpg3200":1378,"alt":420,"title":1379,"width":1380,"height":1381,"caption":420,"mobile":1382,"__typename":679},"4384","https://dev-admin.mennour.com/uploads/img/2023-Portrait-TK-couleur-Photo.-Archives-mennour.jpg","mIDc2S00_ND%^+00-=IU_49Fx]j@NHkBs.t7Ipt7VsxuRls:t7fk","https://dev-admin.mennour.com/uploads/img/_jpg800/2023-Portrait-TK-couleur-Photo.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/2023-Portrait-TK-couleur-Photo.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/2023-Portrait-TK-couleur-Photo.-Archives-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/2023-Portrait-TK-couleur-Photo.-Archives-mennour.jpg","Tadashi kawamata",980,1470,[],[],{"url":1385,"slug":1386,"title":1387,"firstName":1388,"lastName":1389,"customFullName":420,"tagline":1390,"coverImage":1391,"artistCategory":1404,"type":686},"https://www.mennour.com/artist/idris-khan","idris-khan","Idris Khan","Idris","Khan","Born in 1978 in Birmingham, United Kingdom\u003Cbr />\nLives and works in London",[1392],{"id":1393,"url":1394,"jpg16":1395,"jpg800":1396,"jpg1600":1397,"jpg2400":1398,"jpg3200":1399,"alt":420,"title":1400,"width":1401,"height":1402,"caption":420,"mobile":1403,"__typename":679},"4386","https://dev-admin.mennour.com/uploads/img/idris-2-copy-Cr%C3%A9dit-Steven-White-and-Company.jpg","nPLW*BD%-p%1rp~VELbw-p%0W-IUIp$zxGIURPofr=oMRjDibFRko|IUIAs+Rkxt","https://dev-admin.mennour.com/uploads/img/_jpg800/idris-2-copy-Crédit-Steven-White-and-Company.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/idris-2-copy-Crédit-Steven-White-and-Company.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/idris-2-copy-Crédit-Steven-White-and-Company.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/idris-2-copy-Crédit-Steven-White-and-Company.jpg","Idris khan",4368,5824,[],[],{"url":1406,"slug":1407,"title":1408,"firstName":1409,"lastName":1410,"customFullName":420,"tagline":1411,"coverImage":1412,"artistCategory":1425,"type":686},"https://www.mennour.com/artist/alicja-kwade","alicja-kwade","Alicja Kwade","Alicja","Kwade","Born in 1979 in Katowice, Poland\u003Cbr />\nLives and works in Berlin, Germany",[1413],{"id":1414,"url":1415,"jpg16":1416,"jpg800":1417,"jpg1600":1418,"jpg2400":1419,"jpg3200":1420,"alt":420,"title":1421,"width":1422,"height":1423,"caption":420,"mobile":1424,"__typename":679},"8126","https://dev-admin.mennour.com/uploads/img/2017-%C2%A9Luise-M%C3%BCller-Hofstege.jpeg","nKC?v1RPyDof%2~qWBIUa|RPR-xuaKozWBIpoexuWVbbadj[t7j@WBs-WCR*j[ae","https://dev-admin.mennour.com/uploads/img/_jpg800/8126/2017-©Luise-Müller-Hofstege.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/8126/2017-©Luise-Müller-Hofstege.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/8126/2017-©Luise-Müller-Hofstege.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/8126/2017-©Luise-Müller-Hofstege.jpg","4 S9 A9350",3543,5308,[],[],{"url":1427,"slug":1428,"title":1429,"firstName":1430,"lastName":1431,"customFullName":420,"tagline":420,"coverImage":1432,"artistCategory":1445,"type":686},"https://www.mennour.com/artist/françois-xavier-lalanne","françois-xavier-lalanne","François-Xavier Lalanne","François-Xavier","Lalanne",[1433],{"id":1434,"url":1435,"jpg16":1436,"jpg800":1437,"jpg1600":1438,"jpg2400":1439,"jpg3200":1440,"alt":420,"title":1441,"width":1442,"height":1443,"caption":420,"mobile":1444,"__typename":679},"269616","https://dev-admin.mennour.com/uploads/img/Lalanne-Hero-Option-1.jpg","WeJkl#4nj[xuRjM{~qWBWBofWBM{t7t7RjWBt7WBt7j[Rjayofof","https://dev-admin.mennour.com/uploads/img/_jpg800/Lalanne-Hero-Option-1.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Lalanne-Hero-Option-1.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Lalanne-Hero-Option-1.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Lalanne-Hero-Option-1.jpg","Lalanne Hero Option 1",2650,1650,[],[1446],{"title":682,"slug":683,"type":684,"extra":685},{"url":1448,"slug":1449,"title":1450,"firstName":1451,"lastName":1452,"customFullName":420,"tagline":1453,"coverImage":1454,"artistCategory":1466,"type":686},"https://www.mennour.com/artist/bertrand-lavier","bertrand-lavier","Bertrand Lavier","Bertrand","Lavier","Born in 1949 in Châtillon sur Seine, France\u003Cbr />\nLives and works between Paris and Aignay‐le‐Duc, France",[1455],{"id":1456,"url":1457,"jpg16":1458,"jpg800":1459,"jpg1600":1460,"jpg2400":1461,"jpg3200":1462,"alt":420,"title":1463,"width":1381,"height":1380,"caption":1464,"mobile":1465,"__typename":679},"7995","https://dev-admin.mennour.com/uploads/img/4S9A1841.jpg","WOJ89O00?Es,D*Ne~TtSI=S5s;axx^x^E1Rjxus:?aIUt7s:V?oe","https://dev-admin.mennour.com/uploads/img/_jpg800/4S9A1841.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/4S9A1841.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/4S9A1841.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/4S9A1841.jpg","Portrait Bertrand Lavier Photo Archives mennour","Photo. Archives Mennour",[],[],{"url":1468,"slug":1469,"title":1470,"firstName":1471,"lastName":1472,"customFullName":1470,"tagline":1473,"coverImage":1474,"artistCategory":1486,"type":686},"https://www.mennour.com/artist/lee-ufan","lee-ufan","Lee Ufan","Ufan","Lee","Born in 1936 in Haman-gun, Korea\u003Cbr />\nLives and works in Paris and Kamakura, Japan",[1475],{"id":1476,"url":1477,"jpg16":1478,"jpg800":1479,"jpg1600":1480,"jpg2400":1481,"jpg3200":1482,"alt":420,"title":1470,"width":1483,"height":1484,"caption":420,"mobile":1485,"__typename":679},"7810","https://dev-admin.mennour.com/uploads/img/1-Lee-Ufan-Photos.-archives-kamel-mennour.jpg","m+K_5u~qxuRjj@ofWBfQRjM{RjofRjj[ofayRjRjj[j[WBayoej[","https://dev-admin.mennour.com/uploads/img/_jpg800/1-Lee-Ufan-Photos.-archives-kamel-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/1-Lee-Ufan-Photos.-archives-kamel-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/1-Lee-Ufan-Photos.-archives-kamel-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/1-Lee-Ufan-Photos.-archives-kamel-mennour.jpg",3744,5616,[],[],{"url":1488,"slug":1489,"title":1490,"firstName":1491,"lastName":1492,"customFullName":420,"tagline":1493,"coverImage":1494,"artistCategory":1507,"type":686},"https://www.mennour.com/artist/matthew-lutz-kinoy","matthew-lutz-kinoy","Matthew Lutz-Kinoy","Matthew","Lutz-Kinoy","Born in 1984 in New York, United States\u003Cbr />\nLives and works in Paris, France",[1495],{"id":1496,"url":1497,"jpg16":1498,"jpg800":1499,"jpg1600":1500,"jpg2400":1501,"jpg3200":1502,"alt":420,"title":1503,"width":1504,"height":1505,"caption":420,"mobile":1506,"__typename":679},"8170","https://dev-admin.mennour.com/uploads/img/IMG_6521.jpg","fDMt2DwJ_N_NPC%g~q%gWVWZ?Hfk_NROM{x]-oR+t7E2xvnhM{xutmDiV?x]bctR","https://dev-admin.mennour.com/uploads/img/_jpg800/IMG_6521.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/IMG_6521.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/IMG_6521.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/IMG_6521.jpg","IMG 6521",1225,865,[],[],{"url":1509,"slug":1510,"title":1511,"firstName":420,"lastName":1511,"customFullName":420,"tagline":1512,"coverImage":1513,"artistCategory":1526,"type":686},"https://www.mennour.com/artist/the-estate-of-maryan","the-estate-of-maryan","Maryan","Born in 1927 in Nowy Sacz, Poland\u003Cbr />\nDied in 1977 in New York, United States",[1514],{"id":1515,"url":1516,"jpg16":1517,"jpg800":1518,"jpg1600":1519,"jpg2400":1520,"jpg3200":1521,"alt":420,"title":1522,"width":1523,"height":1524,"caption":420,"mobile":1525,"__typename":679},"7817","https://dev-admin.mennour.com/uploads/img/Maryan-in-his-New-York-Chelsea-Hotel-apartment-studio-1974.-Photo-courtesy-of-Susan-Wiley.jpg","fSF={%~qM{RjM{IUxuWBt7t7of%MWBRjoft7WBayWBWBofWBRjWBM{M{j[j[fQof","https://dev-admin.mennour.com/uploads/img/_jpg800/Maryan-in-his-New-York-Chelsea-Hotel-apartment-studio-1974.-Photo-courtesy-of-Susan-Wiley.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Maryan-in-his-New-York-Chelsea-Hotel-apartment-studio-1974.-Photo-courtesy-of-Susan-Wiley.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Maryan-in-his-New-York-Chelsea-Hotel-apartment-studio-1974.-Photo-courtesy-of-Susan-Wiley.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Maryan-in-his-New-York-Chelsea-Hotel-apartment-studio-1974.-Photo-courtesy-of-Susan-Wiley.jpg","The estate of maryan",1320,892,[],[1527],{"title":901,"slug":902,"type":684,"extra":732},{"url":1529,"slug":1530,"title":1531,"firstName":1532,"lastName":1533,"customFullName":420,"tagline":1534,"coverImage":1535,"artistCategory":1548,"type":686},"https://www.mennour.com/artist/pierre-molinier","pierre-molinier","Pierre Molinier","Pierre","Molinier","Born in Agen (France)\u003Cbr />\n1900 — 1976",[1536],{"id":1537,"url":1538,"jpg16":1539,"jpg800":1540,"jpg1600":1541,"jpg2400":1542,"jpg3200":1543,"alt":420,"title":1544,"width":1545,"height":1546,"caption":420,"mobile":1547,"__typename":679},"138528","https://dev-admin.mennour.com/uploads/img/Capture-d%E2%80%99%C3%A9cran-2024-11-21-%C3%A0-17.25.56.jpg","n89aBQj[_3j[~q?bofRjWBayD%ofayj[9Ft7ofj[t7M{%MofRjt7j[%MofWBj[ay","https://dev-admin.mennour.com/uploads/img/_jpg800/Capture-d’écran-2024-11-21-à-17.25.56.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Capture-d’écran-2024-11-21-à-17.25.56.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Capture-d’écran-2024-11-21-à-17.25.56.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Capture-d’écran-2024-11-21-à-17.25.56.jpg","Capture décran 2024 11 21 à 17 25 56",1240,1552,[],[1549],{"title":901,"slug":902,"type":684,"extra":732},{"url":1551,"slug":1552,"title":1553,"firstName":1554,"lastName":1555,"customFullName":420,"tagline":1556,"coverImage":1557,"artistCategory":1570,"type":686},"https://www.mennour.com/artist/francois-morellet","francois-morellet","François Morellet","François","Morellet","Born in 1916 in Cholet, France\u003Cbr />\nDied in 2016 in Cholet, France",[1558],{"id":1559,"url":1560,"jpg16":1561,"jpg800":1562,"jpg1600":1563,"jpg2400":1564,"jpg3200":1565,"alt":420,"title":1566,"width":1567,"height":1568,"caption":420,"mobile":1569,"__typename":679},"138510","https://dev-admin.mennour.com/uploads/img/Capture-d%E2%80%99%C3%A9cran-2024-11-21-%C3%A0-17.10.06.jpg","WcJ*uAIUxuWBRjay~qRjRjxuRjofxut7WBWBt7ofIURjxuM{ofj[","https://dev-admin.mennour.com/uploads/img/_jpg800/Capture-d’écran-2024-11-21-à-17.10.06.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Capture-d’écran-2024-11-21-à-17.10.06.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Capture-d’écran-2024-11-21-à-17.10.06.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Capture-d’écran-2024-11-21-à-17.10.06.jpg","Capture décran 2024 11 21 à 17 10 06",2364,1566,[],[1571],{"title":901,"slug":902,"type":684,"extra":732},{"url":1573,"slug":1574,"title":1575,"firstName":1576,"lastName":1577,"customFullName":420,"tagline":1578,"coverImage":1579,"artistCategory":1592,"type":686},"https://www.mennour.com/artist/louise-nevelson","louise-nevelson","Louise Nevelson","Louise","Nevelson","\u003Cp>Born in 1899 in Kiev.\u003Cbr />Died in 1988 in New York.\u003C/p>",[1580],{"id":1581,"url":1582,"jpg16":1583,"jpg800":1584,"jpg1600":1585,"jpg2400":1586,"jpg3200":1587,"alt":420,"title":1588,"width":1589,"height":1590,"caption":420,"mobile":1591,"__typename":679},"138644","https://dev-admin.mennour.com/uploads/img/Nevelson-C2-4a-1440px.jpg","n58qNg9F00?bM{00-;_3M{%M_3Rjt7D%D%9Ft7j[xuWB~qIUD%%M-;4n%MxuM{M{","https://dev-admin.mennour.com/uploads/img/_jpg800/Nevelson-C2-4a-1440px.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Nevelson-C2-4a-1440px.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Nevelson-C2-4a-1440px.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Nevelson-C2-4a-1440px.jpg","Nevelson C2 4a 1440px",972,1440,[],[1593],{"title":682,"slug":683,"type":684,"extra":685},{"url":1595,"slug":1596,"title":1597,"firstName":1598,"lastName":1599,"customFullName":420,"tagline":1600,"coverImage":1601,"artistCategory":1615,"type":686},"https://www.mennour.com/artist/christodoulos-panayiotou","christodoulos-panayiotou","Christodoulos Panayiotou","Christodoulos","Panayiotou","Born in 1978 in Limassol, Cyprus\u003Cbr />\nLives and works between Limassol and Paris",[1602],{"id":1603,"url":1604,"jpg16":1605,"jpg800":1606,"jpg1600":1607,"jpg2400":1608,"jpg3200":1609,"alt":420,"title":1610,"width":1611,"height":1612,"caption":1613,"mobile":1614,"__typename":679},"7983","https://dev-admin.mennour.com/uploads/img/Portrait-Christodoulos-Panayiotou-by-Nikita-Shubnyi.jpg","nROgB0WB.8%MD%_3j[kDofV@M{kCM{WBt7~qofMxWBt7IofQjsj[j[oMWBt7ofaz","https://dev-admin.mennour.com/uploads/img/_jpg800/Portrait-Christodoulos-Panayiotou-by-Nikita-Shubnyi.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Portrait-Christodoulos-Panayiotou-by-Nikita-Shubnyi.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Portrait-Christodoulos-Panayiotou-by-Nikita-Shubnyi.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Portrait-Christodoulos-Panayiotou-by-Nikita-Shubnyi.jpg","Portrait Christodoulos Panayiotou by Nikita Shubnyi",4784,6378,"Photo: Nikita Shubnyi",[],[],{"url":1617,"slug":1618,"title":1619,"firstName":1620,"lastName":1621,"customFullName":420,"tagline":1622,"coverImage":1623,"artistCategory":1636,"type":686},"https://www.mennour.com/artist/gina-pane","gina-pane","Gina Pane","Gina","Pane","Born in 1939 in Biarritz, France\u003Cbr />\nDied in 1990 in Paris, France",[1624],{"id":1625,"url":1626,"jpg16":1627,"jpg800":1628,"jpg1600":1629,"jpg2400":1630,"jpg3200":1631,"alt":420,"title":1632,"width":1633,"height":1634,"caption":420,"mobile":1635,"__typename":679},"138502","https://dev-admin.mennour.com/uploads/img/Capture-d%E2%80%99%C3%A9cran-2024-11-21-%C3%A0-17.15.27.jpg","WXK1%fj[9FM{t7%M%MWBj[ofWBWB~qWBt7xuRjM{9Fj[WBWBt7of","https://dev-admin.mennour.com/uploads/img/_jpg800/Capture-d’écran-2024-11-21-à-17.15.27.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Capture-d’écran-2024-11-21-à-17.15.27.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Capture-d’écran-2024-11-21-à-17.15.27.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Capture-d’écran-2024-11-21-à-17.15.27.jpg","Capture décran 2024 11 21 à 17 15 27",2740,1806,[],[1637],{"title":901,"slug":902,"type":684,"extra":732},{"url":1639,"slug":1640,"title":1641,"firstName":1642,"lastName":1643,"customFullName":420,"tagline":1644,"coverImage":1645,"artistCategory":1658,"type":686},"https://www.mennour.com/artist/philippe-parreno","philippe-parreno","Philippe Parreno","Philippe","Parreno","Born in 1964 in Oran, Algeria\u003Cbr />\nLives and works in Paris, France",[1646],{"id":1647,"url":1648,"jpg16":1649,"jpg800":1650,"jpg1600":1651,"jpg2400":1652,"jpg3200":1653,"alt":420,"title":1654,"width":1655,"height":1656,"caption":420,"mobile":1657,"__typename":679},"7830","https://dev-admin.mennour.com/uploads/img/PhilippeParreno2014PhotoCreditAndreaRossetti-imagemaitre.jpg","mMD0Z3^-.QMzbWM|X4V]4UD$IBtQaxayf6j[x]%M%Mt7Rkf$n*j[","https://dev-admin.mennour.com/uploads/img/_jpg800/PhilippeParreno2014PhotoCreditAndreaRossetti-imagemaitre.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/PhilippeParreno2014PhotoCreditAndreaRossetti-imagemaitre.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/PhilippeParreno2014PhotoCreditAndreaRossetti-imagemaitre.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/PhilippeParreno2014PhotoCreditAndreaRossetti-imagemaitre.jpg","Philippe parreno",1872,2808,[],[],{"url":1660,"slug":1661,"title":1662,"firstName":1663,"lastName":1664,"customFullName":420,"tagline":1665,"coverImage":1666,"artistCategory":1677,"type":686},"https://www.mennour.com/artist/adam-pendleton","adam-pendleton","Adam Pendleton","Adam","Pendleton","\u003Cp>Born in 1984 in Richmond, United States\u003Cbr />Lives and works in New York\u003C/p>",[1667],{"id":1668,"url":1669,"jpg16":1670,"jpg800":1671,"jpg1600":1672,"jpg2400":1673,"jpg3200":1674,"alt":420,"title":1675,"width":1023,"height":750,"caption":420,"mobile":1676,"__typename":679},"303282","https://dev-admin.mennour.com/uploads/img/Pendleton_010824_0021_Matthew-Septimus.jpg","WOKdlBIA_4-;IAt7.9MxM{ofRiof-pWVW9RjRjWBE2%MWBoftQj[","https://dev-admin.mennour.com/uploads/img/_jpg800/Pendleton_010824_0021_Matthew-Septimus.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Pendleton_010824_0021_Matthew-Septimus.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Pendleton_010824_0021_Matthew-Septimus.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Pendleton_010824_0021_Matthew-Septimus.jpg","Pendleton 010824 0021 Matthew Septimus",[],[],{"url":1679,"slug":1680,"title":1681,"firstName":1682,"lastName":1683,"customFullName":420,"tagline":1684,"coverImage":1685,"artistCategory":1698,"type":686},"https://www.mennour.com/artist/judit-reigl","judit-reigl","Judit Reigl","Judit","Reigl","Born in 1923 in Kapuvár, Hungary\u003Cbr />\nDied in 2020 in Marcoussis, 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principle of Activations, Hicham Berrada’s second solo exhibition at the galerie kamel mennour, is to make forms emerge, encourage them to appear rather than represent them.\nHicham Berrada defines his practice as that of an energy director (in the sense one speaks of a stage director), whose creative gesture consists in a choice of physical and chemical parameters: to act on the temperature, the light, or the viscosity of an environment, so that, within a defined frame, something is produced.\nWhat is given to the viewer to see in this frame are forms of activated nature, generated rather than represented forms. The circular video installation is a part of the series Présages, which the artist has been working on since 2007. The Présages, made from chemical substances submerged in beakers or aquariums, are composed according to the classical conception of landscape: a human-scale perspective on nature, oriented towards the horizon. A whole palette of components is deployed by the artist according to the colors and forms that he wants to make appear.\nThe immersive projection plunges the spectator into a universe under construction, at once vast and pullulating. It was made by filming in real time a 10 cm-diameter jar, in which purified mineral components enter into reaction with one another. Both scale and the border between the organic and the mineral are blurred here. We tend to think of the mineral world as fixed, in contrast with animated life. We are incapable of erceiving mineral movement because its temporality extends beyond our own. In conditions chosen by the artist, we discover the metamorphoses of these elements that we normally think of as immutable and inert. Minerals even show themselves to possess a gestural dimension, productive of movements that we think of as belonging exclusively to life. In this chemically activated way, multiple worlds emerge that can evoke at once vegetable life forms, architecture, and surreal or familiar landscapes.\nThe bronzes from the series Kéromancie, with the wealth and diversity of their forms, are also a basis for the spectator’s capacities for interpretation and imagination, like three-dimensional Rorschach tests. Are they sculptures? Not in the classic sense of the word, since nothing has been sculpted or molded. Keromancy is a traditional divinatory art practiced since Antiquity, which consists in reading the future from the shapes taken by hot wax after it is thrown into water.\n\nThe result depends of course on the composition of the wax, the temperature and pH of the water, and the movement with which the wax is immersed. Hicham Berrada has taken up this technique in an effort to control it: the wax is submitted to precise onditions in order to inflect the way its shapes develop. Controlling these parameters is an attempt to orient the future, to influence the course of events so that they become favorable to us. The best predictions are then cast in bronze with traditional lost-wax casting, which has been used in sculpture since Antiquity. Thus fixed in time, these redictions will perhaps outlast the future that they are supposed to predict.\nThe white sculpture, printed in 3D, is the first one of a series called Augures athématiques. The piece has been generated by combining different algorithms of morphogenesis, the study of the laws that determine natural forms. These algorithms have been determined by scientists, in order to give an account of the rules according\nto which organisms develop and take shape. Mathematical auguries thus capture entirely virtual entities, which only exist through digital calculations, but which could be, since their development has been guided by the laws that preside over the formation of matter in our universe. Composed entirely of polygons, they are structured\nby a geometry so complex that it ends up appearing chaotic. Mathematic auguries simulate possibilities that outstrip our imagination, hybrids that exist or will perhaps exist, in other times or other places...\nAude Wyart","2019-03-07T16:15:00+00:00","2019-04-13T15:15:00+00:00",[],"defaultExhibition_Entry",{"id":1947,"slug":1948,"title":1949,"customTitle":1807,"defaultTitle":1950,"overrideHeading":420,"url":1951,"tagline":420,"thumbImage":1952,"locations":1965,"category":1986,"description":1988,"startDate":1989,"endDate":1990,"type":236,"showForm":732,"form":1991,"__typename":1945},"114119","inks-and-watercolours","Zao Wou-Ki - Inks and watercolours (1948-2009)","Inks and watercolours (1948-2009)","https://www.mennour.com/exhibition/inks-and-watercolours",[1953],{"id":1954,"url":1955,"jpg16":1956,"jpg800":1957,"jpg1600":1958,"jpg2400":1959,"jpg3200":1960,"alt":420,"title":1961,"width":1962,"height":1963,"caption":420,"mobile":1964,"__typename":679},"38050","https://dev-admin.mennour.com/uploads/img/inks-and-watercolours.jpg","WYP6:M%NRjaxofxt_NWBRjayj@ofs;oeofofazWV-=j[j@ofayWV","https://dev-admin.mennour.com/uploads/img/_jpg800/inks-and-watercolours.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/inks-and-watercolours.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/inks-and-watercolours.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/inks-and-watercolours.jpg","Inks and watercolours",1122,748,[],[1966],{"title":1967,"slug":1968,"url":347,"type":1920,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":1969,"thumbImage":1970,"city":1982,"mapLocation":1984},"Mennour, 47 rue Saint-André-des-Arts","mennour-47-rue-saint-andré-des-arts","{\n \"html_attributions\" : [],\n \"result\" : \n {\n \"current_opening_hours\" : \n {\n \"open_now\" : true,\n \"periods\" : \n [\n {\n \"close\" : \n {\n \"date\" : \"2025-03-18\",\n \"day\" : 2,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-03-18\",\n \"day\" : 2,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-03-19\",\n \"day\" : 3,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-03-19\",\n \"day\" : 3,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-03-13\",\n \"day\" : 4,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-03-13\",\n \"day\" : 4,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-03-14\",\n \"day\" : 5,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-03-14\",\n \"day\" : 5,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-03-15\",\n \"day\" : 6,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-03-15\",\n \"day\" : 6,\n \"time\" : \"1100\"\n }\n }\n ],\n \"weekday_text\" : \n [\n \"Monday: Closed\",\n \"Tuesday: 11:00 AM – 7:00 PM\",\n \"Wednesday: 11:00 AM – 7:00 PM\",\n \"Thursday: 11:00 AM – 7:00 PM\",\n \"Friday: 11:00 AM – 7:00 PM\",\n \"Saturday: 11:00 AM – 7:00 PM\",\n \"Sunday: Closed\"\n ]\n }\n },\n \"status\" : \"OK\"\n}",[1971],{"id":1972,"url":1973,"jpg16":1974,"jpg800":1975,"jpg1600":1976,"jpg2400":1977,"jpg3200":1978,"alt":420,"title":1979,"width":1023,"height":1980,"caption":420,"mobile":1981,"__typename":679},"136113","https://dev-admin.mennour.com/uploads/img/1-2017-fa%C3%A7ade-47-rue-saint-andre-des-arts-Photo.-archives-kamel-mennour.jpg","obHx]IIpxUaeWYWA%%%NM_oeWERjNNt8acWBj]Rjx^xuV@WBWCf5bdxuRjayayWCtRWBofofWBj[","https://dev-admin.mennour.com/uploads/img/_jpg800/1-2017-façade-47-rue-saint-andre-des-arts-Photo.-archives-kamel-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/1-2017-façade-47-rue-saint-andre-des-arts-Photo.-archives-kamel-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/1-2017-façade-47-rue-saint-andre-des-arts-Photo.-archives-kamel-mennour.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/1-2017-façade-47-rue-saint-andre-des-arts-Photo.-archives-kamel-mennour.jpg","1 2017 façade 47 rue saint andre des arts Photo archives kamel mennour",3082,[],[1983],{"title":350,"slug":351},{"parts":1985},{"number":354,"address":355,"city":350,"postcode":356,"county":357,"country":358,"state":359},[1987],{"title":1893,"slug":528,"type":1885},"The exhibitions devoted to Zao Wou-Ki at kamel mennour in Paris and London revolve around inks and watercolours produced between 1948 and 2009: a panorama of fifty works with the ultimate spotlight on the creative liveliness of the artist’s final working decade. The choice of 1948 was not random: this was the year of Zao’s migration from China to Paris. Educated in the privileged, scholarly environment of a family whose origins could be traced back to the Song dynasty (960–1279), the budding artist who began his studies at the art school in Hangzhou in 1935 first came into contact with European painting as a teenager. His situation, then, was nothing if not paradoxical. Exposed to two age-old but diametrically opposed cultures – Chinese and European – he was nonetheless out of phase during the 1930s and 1940s: the little information that reached him regarding the kind of Western art that would now be described as hyper-contemporary was strictly rudimentary and his two immediately postwar points of reference were Matisse and Picasso. The upshot being that he arrived in Paris in 1948 with a significant historical and technical baggage, while utterly callow in terms of what was happening in art at the time. The earliest works in the Paris exhibition are still “figurative” – among them are copies of Rembrandts – but they are nonetheless already representative of a middle ground that would come to mark his credo: the blending of an “abstract” dimension with an acute sense of observation. Also striking in these early works is the role accorded the blank areas, that is to say to the Emptiness whose interconnection with Fullness would be the subject of endless renegotiation throughout the painter’s career, especially in the works on paper. This interconnectedness has its roots in a long Chinese painterly tradition. Emptiness, François Cheng points out, “is not, as one might suppose, something vague or nonexistent. It is dynamic and active. Linked with the idea of vital breaths and with the principle of the alternation of yin and yang, it is the preeminent site of transformation, the place where fullness can attain its whole measure. Emptiness introduces discontinuity and reversibility into a given system and thus permits the elements composing the system to transcend rigid opposition and one-sided development. At the same time emptiness offers human beings the possibility of approaching the universe at a level of totality … a Chinese person, whether an artist or merely an amateur, intuitively accepts emptiness as a basic principle.”\nZao’s works from the late 1940s and the beginning of the 1950s are clearly indebted to this Chinese notion of painting, even if, in his keenness to immerse himself in the great Western tradition, he feigns an attempt to turn his back on his roots. As French writer Claude Roy put it, those transitional years enabled Zao to become a “modern Chinese painter”, However, it was not until the 1970s and his reconciliation with the ink medium which, in contrast with watercolour, he had sidelined during the previous decades, that he fully accepted this dual heritage. Setting aside the biographical details which are said to have driven him to a more overt return to ink on paper, we should nonetheless note that his reintroduction of the medium coincided with the opening chapter of a mature oeuvre marked by tranquillity and a newfound freedom. As well as by the symmetry of the “perfect chord”, which meant that the achievement of the fifty preceding years now allowed a more relaxed statement of the cultural and artistic balancing act the oeuvre had been built around. An oeuvre neither abstract not figurative, as critics like Roy and Cheng – to cite only two – have pointed out in an ongoing assessment of his output through a prism far broader than that of modernist reductivism. For Zao painting could have nothing to do with the gross misconception of abstraction being promulgated across the Atlantic by the New York art critic Clement Greenberg. His innate humility told him that no invention of “things that do not exist” could dispense with “knowledge of the world, of nature”. This link with the world and nature reappears in the works on paper consciously opted for in the 1970s, their consolidation in the 1980s and their blossoming in his final period. During those years he produced works forming a quintessential interspace that would in fine become his maker’s mark. In black and white or massings of complementary colours, the last inks on paper and watercolours testify to a kind of precarious equilibrium: between observation of nature and tradition “stored up” for several decades and intensification of a language tending in the very instant towards autonomy, the two being reworked together in exercises in which mastery of gesture and “letting go” ultimately merge. Rare are those who have achieved this equilibrium. Zao Wou-Ki is one of them.\n\n— Erik Verhagen","2019-03-01T14:30:00+00:00","2019-03-23T14:30:00+00:00",[],{"id":1993,"slug":1994,"title":1995,"customTitle":1807,"defaultTitle":1996,"overrideHeading":420,"url":1997,"tagline":420,"thumbImage":1998,"locations":2011,"category":2020,"description":2022,"startDate":2023,"endDate":2024,"type":236,"showForm":732,"form":2025,"__typename":1945},"114137","inks-and-watercolours-1948-2009","Zao Wou-Ki - Inks and watercolours (1948 - 2009)","Inks and watercolours (1948 - 2009)","https://www.mennour.com/exhibition/inks-and-watercolours-1948-2009",[1999],{"id":2000,"url":2001,"jpg16":2002,"jpg800":2003,"jpg1600":2004,"jpg2400":2005,"jpg3200":2006,"alt":420,"title":2007,"width":2008,"height":2009,"caption":420,"mobile":2010,"__typename":679},"38053","https://dev-admin.mennour.com/uploads/img/inks-and-watercolours-1948-2009.jpg","WMKUWd%Lozxvxtxu~qj]RjoeofWBIBWBofWBofofxut7t7ofayt7","https://dev-admin.mennour.com/uploads/img/_jpg800/inks-and-watercolours-1948-2009.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/inks-and-watercolours-1948-2009.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/inks-and-watercolours-1948-2009.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/inks-and-watercolours-1948-2009.jpg","Inks and watercolours 1948 2009",2004,1241,[],[2012],{"title":1967,"slug":1968,"url":347,"type":1920,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":1969,"thumbImage":2013,"city":2016,"mapLocation":2018},[2014],{"id":1972,"url":1973,"jpg16":1974,"jpg800":1975,"jpg1600":1976,"jpg2400":1977,"jpg3200":1978,"alt":420,"title":1979,"width":1023,"height":1980,"caption":420,"mobile":2015,"__typename":679},[],[2017],{"title":350,"slug":351},{"parts":2019},{"number":354,"address":355,"city":350,"postcode":356,"county":357,"country":358,"state":359},[2021],{"title":1893,"slug":528,"type":1885},"The exhibitions devoted to Zao Wou-Ki at kamel mennour in Paris and London revolve around inks and watercolours produced between 1948 and 2009: a panorama of fifty works with the ultimate spotlight on the creative liveliness of the artist's final working decade. The choice of 1948 was not random: this was the year of Zao's migration from China to Paris. Educated in the privileged, scholarly environment of a family whose origins could be traced back to the Song dynasty (960–1279), the budding artist who began his studies at the art school in Hangzhou in 1935 first came into contact with European painting as a teenager. His situation, then, was nothing if not paradoxical. Exposed to two age-old but diametrically opposed cultures – Chinese and European – he was nonetheless out of phase during the 1930s and 1940s: the little information that reached him regarding the kind of Western art that would now be described as hyper-contemporary was strictly rudimentary and his two immediately postwar points of reference were Matisse and Picasso. The upshot being that he arrived in Paris in 1948 with a significant historical and technical baggage, while utterly callow in terms of what was happening in art at the time. The earliest works in the Paris exhibition are still \"figurative\" – among them are copies of Rembrandts – but they are nonetheless already representative of a middle ground that would come to mark his credo: the blending of an \"abstract\" dimension with an acute sense of observation. Also striking in these early works is the role accorded the blank areas, that is to say to the Emptiness whose interconnection with Fullness would be the subject of endless renegotiation throughout the painter's career, especially in the works on paper. This interconnectedness has its roots in a long Chinese painterly tradition. Emptiness, François Cheng points out, \"is not, as one might suppose, something vague or nonexistent. It is dynamic and active. Linked with the idea of vital breaths and with the principle of the alternation of yin and yang, it is the preeminent site of transformation, the place where fullness can attain its whole measure. Emptiness introduces discontinuity and reversibility into a given system and thus permits the elements composing the system to transcend rigid opposition and one-sided development. At the same time emptiness offers human beings the possibility of approaching the universe at a level of totality . . . a Chinese person, whether an artist or merely an amateur, intuitively accepts emptiness as a basic principle.\"\nZao's works from the late 1940s and the beginning of the 1950s are clearly indebted to this Chinese notion of painting, even if, in his keenness to immerse himself in the great Western tradition, he feigns an attempt to turn his back on his roots. As French writer Claude Roy put it, those transitional years enabled Zao to become a \"modern Chinese painter\", However, it was not until the 1970s and his reconciliation with the ink medium which, in contrast with watercolour, he had sidelined during the previous decades, that he fully accepted this dual heritage. Setting aside the biographical details which are said to have driven him to a more overt return to ink on paper, we should nonetheless note that his reintroduction of the medium coincided with the opening chapter of a mature oeuvre marked by tranquillity and a newfound freedom. As well as by the symmetry of the \"perfect chord\", which meant that the achievement of the fifty preceding years now allowed a more relaxed statement of the cultural and artistic balancing act the oeuvre had been built around. An oeuvre neither abstract not figurative, as critics like Roy and Cheng – to cite only two – have pointed out in an ongoing assessment of his output through a prism far broader than that of modernist reductivism. For Zao painting could have nothing to do with the gross misconception of abstraction being promulgated across the Atlantic by the New York art critic Clement Greenberg. His innate humility told him that no invention of \"things that do not exist\" could dispense with \"knowledge of the world, of nature\". This link with the world and nature reappears in the works on paper consciously opted for in the 1970s, their consolidation in the 1980s and their blossoming in his final period. During those years he produced works forming a quintessential interspace that would in fine become his maker's mark. In black and white or massings of complementary colours, the last inks on paper and watercolours testify to a kind of precarious equilibrium: between observation of nature and tradition \"stored up\" for several decades and intensification of a language tending in the very instant towards autonomy, the two being reworked together in exercises in which mastery of gesture and \"letting go\" ultimately merge. Rare are those who have achieved this equilibrium. Zao Wou-Ki is one of them.\n\n— Erik Verhagen","2019-02-28T12:00:00+00:00","2019-04-13T11:00:00+00:00",[],{"id":2027,"slug":2028,"title":2029,"customTitle":1470,"defaultTitle":2030,"overrideHeading":420,"url":2031,"tagline":420,"thumbImage":2032,"locations":2045,"category":2060,"description":420,"startDate":2062,"endDate":2063,"type":236,"showForm":732,"form":2064,"__typename":1945},"134301","habiter-le-temps","Lee Ufan - Habiter le temps","Habiter le temps","https://www.mennour.com/exhibition/habiter-le-temps",[2033],{"id":2034,"url":2035,"jpg16":2036,"jpg800":2037,"jpg1600":2038,"jpg2400":2039,"jpg3200":2040,"alt":420,"title":2041,"width":2042,"height":2043,"caption":420,"mobile":2044,"__typename":679},"41589","https://dev-admin.mennour.com/uploads/img/lee-ufan-pompidou-metz.jpg","fiH-lgWXRPofbbn%~qayRjj[ayfQO?oJR%ayaeW;XSj[W;WBe.fk$jazWBaeWBoL","https://dev-admin.mennour.com/uploads/img/_jpg800/lee-ufan-pompidou-metz.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/lee-ufan-pompidou-metz.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/lee-ufan-pompidou-metz.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/lee-ufan-pompidou-metz.jpg","Lee ufan pompidou metz",1720,1170,[],[2046],{"title":2047,"slug":2048,"url":2049,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2050,"city":2051,"mapLocation":2055},"Centre Pompidou-Metz","centre-pompidou-metz","https://www.mennour.com/location/centre-pompidou-metz",[],[2052],{"title":2053,"slug":2054},"Metz","metz",{"parts":2056},{"number":1867,"address":1867,"city":2053,"postcode":2057,"county":2058,"country":375,"state":2059},"57000","Moselle","Grand Est",[2061],{"title":1890,"slug":1889,"type":1885},"2019-02-26T23:00:00+00:00","2019-09-29T22:00:00+00:00",[],{"id":2066,"slug":2067,"title":2068,"customTitle":1553,"defaultTitle":2069,"overrideHeading":420,"url":2070,"tagline":420,"thumbImage":2071,"locations":2084,"category":2099,"description":420,"startDate":2101,"endDate":2102,"type":236,"showForm":732,"form":2103,"__typename":1945},"117072","francois-morellet-zkm-center-for-art-and-media","François Morellet - Writing the History of the Future","Writing the History of the Future","https://www.mennour.com/exhibition/francois-morellet-zkm-center-for-art-and-media",[2072],{"id":2073,"url":2074,"jpg16":2075,"jpg800":2076,"jpg1600":2077,"jpg2400":2078,"jpg3200":2079,"alt":420,"title":2080,"width":2081,"height":2082,"caption":420,"mobile":2083,"__typename":679},"40658","https://dev-admin.mennour.com/uploads/img/francois-morellet-zkm-center-for-art-and-media.jpg","o6ON2t~X%fxu%f-;~XxuxuV[M{Rj?uxuayofj]t7?bxut7xuxut7_3oet7%MIUxu%Ms:oft7t7of","https://dev-admin.mennour.com/uploads/img/_jpg800/francois-morellet-zkm-center-for-art-and-media.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/francois-morellet-zkm-center-for-art-and-media.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/francois-morellet-zkm-center-for-art-and-media.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/francois-morellet-zkm-center-for-art-and-media.jpg","Francois morellet zkm center for art and media",720,721,[],[2085],{"title":2086,"slug":2087,"url":2088,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2089,"city":2090,"mapLocation":2091},"ZKM | Center for Art and Media, Karlsruhe","zkm-center-for-art-and-media-karlsruhe","https://www.mennour.com/location/zkm-center-for-art-and-media-karlsruhe",[],[],{"parts":2092},{"number":2093,"address":2094,"city":2095,"postcode":2096,"county":2095,"country":2097,"state":2098},"19","Lorenzstraße, Südweststadt","Karlsruhe","76135","Allemagne","Baden-Württemberg",[2100],{"title":1890,"slug":1889,"type":1885},"2019-02-22T23:00:00+00:00","2021-03-28T13:45:00+00:00",[],{"id":2105,"slug":2106,"title":2107,"customTitle":778,"defaultTitle":2108,"overrideHeading":420,"url":2109,"tagline":420,"thumbImage":2110,"locations":2123,"category":2134,"description":420,"startDate":2136,"endDate":2137,"type":236,"showForm":732,"form":2138,"__typename":1945},"134303","la-fabrique-du-vivant","Hicham Berrada - La Fabrique du vivant","La Fabrique du vivant","https://www.mennour.com/exhibition/la-fabrique-du-vivant",[2111],{"id":2112,"url":2113,"jpg16":2114,"jpg800":2115,"jpg1600":2116,"jpg2400":2117,"jpg3200":2118,"alt":420,"title":2119,"width":2120,"height":2121,"caption":420,"mobile":2122,"__typename":679},"41594","https://dev-admin.mennour.com/uploads/img/hicham-berrada-centre-pompidou.jpg","f242I~?Ht89Y9EM}ogxuWBWURjWB009ZWA-;?JxYIUITj]t8%Mxa?c%LahM{D$R.","https://dev-admin.mennour.com/uploads/img/_jpg800/hicham-berrada-centre-pompidou.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/hicham-berrada-centre-pompidou.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/hicham-berrada-centre-pompidou.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/hicham-berrada-centre-pompidou.jpg","Hicham berrada centre pompidou",5000,3591,[],[2124],{"title":2125,"slug":2126,"url":2127,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2128,"city":2129,"mapLocation":2131},"Centre Pompidou Paris","le-centre-pompidou-paris","https://www.mennour.com/location/le-centre-pompidou-paris",[],[2130],{"title":350,"slug":351},{"parts":2132},{"number":1867,"address":1867,"city":350,"postcode":2133,"county":357,"country":375,"state":359},"75004",[2135],{"title":1890,"slug":1889,"type":1885},"2019-02-19T23:00:00+00:00","2019-04-14T22:00:00+00:00",[],{"id":2140,"slug":2141,"title":2142,"customTitle":1408,"defaultTitle":2143,"overrideHeading":420,"url":2144,"tagline":420,"thumbImage":2145,"locations":2158,"category":2174,"description":420,"startDate":2176,"endDate":2177,"type":236,"showForm":732,"form":2178,"__typename":1945},"134305","the-resting-thought","Alicja Kwade - The resting thought","The resting thought","https://www.mennour.com/exhibition/the-resting-thought",[2146],{"id":2147,"url":2148,"jpg16":2149,"jpg800":2150,"jpg1600":2151,"jpg2400":2152,"jpg3200":2153,"alt":420,"title":2154,"width":2155,"height":2156,"caption":420,"mobile":2157,"__typename":679},"41599","https://dev-admin.mennour.com/uploads/img/alicja-kwade-cccod-tours.jpg","fKM@fnRl_4?bo2t7_4RQ?b%MRjay8_IU%MV[RiWB4nog%M%Moft7E0M{%Mt7WCxu","https://dev-admin.mennour.com/uploads/img/_jpg800/alicja-kwade-cccod-tours.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/alicja-kwade-cccod-tours.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/alicja-kwade-cccod-tours.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/alicja-kwade-cccod-tours.jpg","Alicja kwade cccod tours",2480,1852,[],[2159],{"title":2160,"slug":2161,"url":2162,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2163,"city":2164,"mapLocation":2168},"CCCOD, Tours","ccc-od-tours","https://www.mennour.com/location/ccc-od-tours",[],[2165],{"title":2166,"slug":2167},"Tours","tours",{"parts":2169},{"number":1867,"address":2170,"city":2166,"postcode":2171,"county":2172,"country":375,"state":2173},"Jardin François 1er","37000","Indre-et-Loire","Centre-Val de Loire",[2175],{"title":1890,"slug":1889,"type":1885},"2019-02-01T23:00:00+00:00","2019-08-31T22:00:00+00:00",[],{"id":2180,"slug":2181,"title":2182,"customTitle":967,"defaultTitle":2183,"overrideHeading":420,"url":2184,"tagline":420,"thumbImage":2185,"locations":2198,"category":2207,"description":2209,"startDate":2210,"endDate":2211,"type":236,"showForm":732,"form":2212,"__typename":1945},"114156","the-winds","Liam Everett - The Winds","The Winds","https://www.mennour.com/exhibition/the-winds",[2186],{"id":2187,"url":2188,"jpg16":2189,"jpg800":2190,"jpg1600":2191,"jpg2400":2192,"jpg3200":2193,"alt":420,"title":2194,"width":2195,"height":2196,"caption":420,"mobile":2197,"__typename":679},"38056","https://dev-admin.mennour.com/uploads/img/the-winds.jpg","fpK1tEjs-;xvxuad~qayfkofj[j[M{ofM{RjRjogj]ozt6WBj[ayt7j[a{j[WBWB","https://dev-admin.mennour.com/uploads/img/_jpg800/the-winds.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/the-winds.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/the-winds.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/the-winds.jpg","The winds",1521,1064,[],[2199],{"title":1918,"slug":1919,"url":369,"type":1920,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":1921,"thumbImage":2200,"city":2203,"mapLocation":2205},[2201],{"id":1924,"url":1925,"jpg16":1926,"jpg800":1927,"jpg1600":1928,"jpg2400":1929,"jpg3200":1930,"alt":420,"title":1931,"width":1932,"height":1933,"caption":420,"mobile":2202,"__typename":679},[],[2204],{"title":350,"slug":351},{"parts":2206},{"number":374,"address":367,"city":350,"postcode":356,"county":357,"country":375,"state":359},[2208],{"title":1893,"slug":528,"type":1885},"THE CLIENT: God made the world in six days and you, you’re not fit to make me a pair of pants in six months. THE TAILOR: But Sir, look at the world, and look at your pants.\nSamuel Beckett\n\nKamel Mennour is proud to present the gallery’s third solo exhibition of the work of Liam Everett. The American painter’s new works have made an unexpected recovery. After the Camp Fire that destroyed thousands of acres of forest and caused at least 85 deaths in California in autumn 2018, Everett, based in the north of San Francisco and deeply touched by the terror of the catastrophe and its consequences, destroyed the works that he had previously begun for the exhibition in Paris.\n‘These fires caused a great distress because what was happening was uncontrollable. For almost two weeks it was necessary to stay inside because of the toxic levels of smoke. All this destabilized me and the result was a desire for raw clarity. During the fires, I destroyed several of the paintings and started over with new material, new sizes, new directions. I felt an urgency to get close to the truth of this situation and to enter into my own fear also.’1\nAs if the paintings had allowed access to both flames and fear. As if they had made it possible to confront the fascination of a radical energy and the spectacle of destruction in which the archaic and contemporary worlds come together in the primordial and the sacred.\nWell before the fires, which would become the most destructive in the history of the United States, Everett had felt a desire to ‘create a kind of painting that could be only visible through wind, through a primary force’. The weaving of desire and destruction, of life and death, is terrifying. For it is truly the wind—more precisely the hot and dry autumn winds, blowing at 100 km/h, devouring the equivalent of a football field every three seconds—that breathed its gigantic power into the fires.\nIn order not to annihilate everything, tragedy needed to be rearranged by comedy. The saving surge came from laughter and the absurd. It is why Everett also decided to reinterpret Gustave Courbet’s Un enterrement à Ornans (1850) and repurposed the narrative of the somber funeral for a theatrical representation in which the guests are actors playing at mourning [Untitled (Comedy at Ornans), 2018]. These actors are free of illusion like Beckett’s tramps living in a devastated world where everyday language wavers towards poetic and comical eruptions.\n\n1 All quotations from Liam Everett are from an email correspondence with the author between April and December 2018.\n\nBy repurposing Courbet’s painting and making a painted floor that covers the main level of the gallery, Everett brings us into contact with ‘another stage’ (this is the way Freud defined the unconscious [ein Andere Schauplatz]). It includes three domains: that of the visitor, that of the painting, and that of the exhibition space. Entering the gallery and walking on the floor, the visitor finds herself immediately placed on an intimate footing with painting and phenomena—fire, wind, gravity.\nIn his time, Courbet brought both spectator and painter within the painting2. He revolutionized painting by dissolving the distance between canvas and viewer. Everett, for his part, offers the body the possibility of entering into the invisibility of painting.\nOne can hear the echo of Bruce Nauman’s steps as he walks across the floor of his studio in his video Slow Angle Walk (Beckett Walk) (1968) or as he forces his own body, then the visitor’s, within the narrow confines of his Performance Corridor (1969)3. The narrowness of the corridor engenders anxiety: the work is experience.\nFor Everett, it is a question of making that part of the invisible that is conquered day after day in the practice of the studio palpable, through the gestures and the bodily situations in which he engages. His paintings are the trace of this effort, a force that surprises even itself. ‘Over the years an autonomous presence that has risen up out of the practice, it is an evasive entity. This is also the same kind of energy that I look for in the paintings, a force that requires a certain level of invisibility to survive.’ This sedimentation of works and days magnetises the spaces of the wild: ‘I am constantly overwhelmed by color as it is always ahead of me, shrouded in the evershifting light source. It is the weight, volume and speed of color that I recognize and depend on in order to build the structure and surface of the painting.’ \"The Winds\" are an attempt to direct these untamed forces towards the potential of the imagination, hence towards a possibility of the future. For the violent dynamism of the wind can become constructive when its cosmic vortices accompany the metamorphoses of painting. Everett’s works become the terrain for this phenomenon to unfold. Entering them is to find yourself transformed.\nAnnabelle Gugnon\n\nBorn in 1973 in Rochester, New York, Everett lives and works in Northern California. He has had solo exhibitions at Altman Siegel Gallery, San Francisco; Eleni Koroneou Gallery, Athens; Office Baroque, Brussels; On Stellar Rays, New York; Paul Kasmin Gallery, New York; and White Columns, New York. His work has been included in group exhibitions such at the San Francisco Museum of Modern Art; the Biennale of Painting, Museum Dhondt- Dhaenens, Deurle, Belgium; Arndt Singapore; di Rosa, Napa; U.C. Berkeley Art Museum and Pacific Film Archive; Headlands Center for the Arts, Sausalito, California; San Jose Institute of Contemporary Art; CCA Wattis Institute for Contemporary Arts, San Francisco; and 303 Gallery, New York. Everett has received the SECA Art Award at the San Francisco Museum of Modern Art (2017), the Richard Diebenkorn Teaching Fellowship at the San Francisco Art Institute (2013) and the San Francisco Artadia Award (2013). His monograph, Without an Audience, published by Altman Siegel and kamel mennour, Paris/London with contributions by Jenny Gheith, Jonathan Griffin, Hope Mohr and Liam Everett, is on display at the gallery.","2019-01-23T17:40:00+00:00","2019-02-23T17:40:00+00:00",[],{"id":2214,"slug":2215,"title":2216,"customTitle":1619,"defaultTitle":2217,"overrideHeading":420,"url":2218,"tagline":420,"thumbImage":2219,"locations":2232,"category":2241,"description":2243,"startDate":2244,"endDate":2245,"type":236,"showForm":732,"form":2246,"__typename":1945},"114173","terre-protegee","Gina Pane - Terre Protégée","Terre Protégée","https://www.mennour.com/exhibition/terre-protegee",[2220],{"id":2221,"url":2222,"jpg16":2223,"jpg800":2224,"jpg1600":2225,"jpg2400":2226,"jpg3200":2227,"alt":420,"title":2228,"width":2229,"height":2230,"caption":420,"mobile":2231,"__typename":679},"38059","https://dev-admin.mennour.com/uploads/img/terre-protegee.jpg","fFI=P,t5_4xvNGoz~Xj^t6j[ozay4noeIUoyt7ofD*WVxuofoft7t6WCIUadWBj]","https://dev-admin.mennour.com/uploads/img/_jpg800/terre-protegee.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/terre-protegee.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/terre-protegee.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/terre-protegee.jpg","Terre protegee",1803,1350,[],[2233],{"title":1967,"slug":1968,"url":347,"type":1920,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":1969,"thumbImage":2234,"city":2237,"mapLocation":2239},[2235],{"id":1972,"url":1973,"jpg16":1974,"jpg800":1975,"jpg1600":1976,"jpg2400":1977,"jpg3200":1978,"alt":420,"title":1979,"width":1023,"height":1980,"caption":420,"mobile":2236,"__typename":679},[],[2238],{"title":350,"slug":351},{"parts":2240},{"number":354,"address":355,"city":350,"postcode":356,"county":357,"country":358,"state":359},[2242],{"title":1893,"slug":528,"type":1885},"On the level of communication, Gina Pane’s work constitutes a remarkable success for language, a culmination of the environment, a masterpiece of applied ecology. […] On the eve of our great muta-tion, we must prepare ourselves for the revolutionary options of passage: the efficiency of our re-sponses depend on the clarity of our analyses. Questioning our most established values requires lucid investigators. And here we have one. Gina Pane undoubtedly has more than a word to say on all this, and I’m sure she will say them, when the time is right.\nPierre Restany, Paris, May 1970\n\nKamel Mennour is please to present for the third time an exhibition of the work of Gina Pane, a cen-tral figure of the artistic scene in France in the 1970s and 1980s.\n\nThroughout her career, Gina Pane practiced with equal ease drawing, painting, lithography, sculpture, installation, ‘action’, and photography, using the latter in her ‘Constats d’actions’. She used a wide range of materials (sand, earth, wood, aluminum, copper, tin, felt, etc.), which she chose for their intrinsic qualities and their symbolic weight, together with a range of objects she collected or made herself, without forgetting of course the use she made of her own body, which she established as her princi-ple creative material and the instrument of the new language of body art. \n\nThe exhibition at the galerie kamel mennour (47 rue Saint-André-des-Arts) focuses on the first period of her production, particularly the end of the 1960s. This often under-recognised period precedes the highly symbolically charged, ritualised actions centred around wounding that she made in public be-tween 1971 and 1979, and her final sculptural productions, inspired by the lives of the martyrs, the Scores of 1980-1989. \nThe drawings, paintings, installations, sculptures, photographs, poems, and archival documents exhib-ited here (some of them for the first time) testify to the richness of the work of this visionary artist, an artist full of life. A body of work that continues in its different aspects to pose questions that are still relevant today.\nTerre protégée [Protected Land] (a title that comes from a triptych of Pane’s) wishes to show Gina Pane’s politically engaged practice in relation to mother earth: an enchanted, nourishing, inhabited, protected, loved, remembered but also threatened, exploited, devastated, dirtied, polluted, drowned earth… A critical exploration at the crossroads of the poetic and the political, at once metaphysical and earthly, philosophical and social, somewhere between earth, water, and sky. A simple, direct dia-logue with reality, for ‘art is not longer a diversion from reality’, as Catherine Millet wrote in 1969.\n\nVery early on, Gina Pane had an acute awareness of the fragility of our natural environment, of the irremediable transformation of the world and its landscapes caused by industrial development, urban sprawl, militarisation, and intensive agriculture. The preservation of the land and of the earth, which symbolise promises of life and hope, becomes one of the recurrent leitmotifs of her productions at the end of the 1960s. In her determination, Pane wanted to make her audience aware of ecological questions: air pollution, lack of green space, rising water levels and contamination, resource deple-tion, natural catastrophes, etc. The photograph Situation idéale : terre – artiste – ciel [Ideal situation : earth – artist –sky] (1969) could in this sense be read as the programme underlying her whole body of work: ‘Between two horizontals: earth/sky, I placed my body vertically in order to provoke an ideal situation.’ Her feet planted firmly on the ground, staring straight before her, Pane rises between the earthly world and the cosmos. According to her, the artist must always be an intermediary, a passeur, a catalyst towards concrete realisation. The artist must moreover be able to participate conceptually: ‘demand the raising of an area of land, the need for a water course, […] the need for a rising and fall-ing ground, etc., for […] there must be no rupture between the natural environment, the individual, and her creation.’\n\nBefore 1968, influenced by the vocabulary of suprematism, Gina Pane produced in her studio an im-portant series of drawings and paintings proposing simple and complex geometrical forms: round, triangular, polygonal forms caught up in the attempt to blend with the interior of the surface of the paper or the canvas. Layered and combined, they are painted in primary colours—the cool colours appearing to recede and the warm colours to advance in respect to the ground—with the aim of in-troducing a movement and a feeling of space (Room 1). But 2D was very soon not enough for Pane, who was tempted to extend her practice into sculpture with a strong minimalist bent. This is how Structure affirmés [Affirmed structures] came into being, so many large metallic prisms, often blue, reaching towards the sky. ‘Peinture – Sculpture primaires [Primary painting – sculpture] but penetra-ble/impenetrable, where the body would be considered in the very conception of the work by creat-ing spaces’, sculptures made by people for people, subtly playing with the idea of architecture and which are involved in life. ‘The aim of my investigations is to construct by concerning myself with eve-rything the environment gives,’ Pane wrote.\n\nAmongst this series of investigations based on the problems of ecology, it is worth considering her first major work, Acqua alta/Pali/Venezia (1968-1970): a sculptural and environmental installation, formally linked to Structures primaires and reconstructed here for the exhibition (Room 2). Pane of-fers up here a very personal vision of an anguished Venice. ‘I chose to express this city, for, through the complexity of its problems, it symbolises the aspirations, the refusals of our civilisation[…] it is at once the symbol of anecdote as well as drama. Ecologists, urban planners, etc. have succeeded—by underlining the causes of “the death of Venice”—in raising consciousness of the precariousness of our current environment. Venice stricken strikes by turn, right into politics.’ In a pool of dirty water, a group of minimal posts—figuring the old Venetia piloti—rise towards the gallery ceiling. Made in Du-ralinox—‘a modern material that summons the coming contemporary technology’, writes Pierre Restany—the posts nonetheless tilt under weight of the threat that haunts the city of the Doges, a threat created by technological expansion and the too-rapid industrialisation of its ports. The struc-ture is accompanied by a commentary that invades the space: Acqua alta (a Venetian expression for high tide) takes up the entire floor, while the word pali spreads across the walls and the word Venezia is repeated on the ceiling like a litany, as if the city was struggling to keep its head above water before inevitably going under…\n\nTo go back to the beginning: July, 1968. Gina Pane is walking through the Orco valley around Turin when she sees a pile of stones placed on the shadowy side of the mountain. ‘Seeing a pile of stones, between 0.15 and 0.2 metres exposed to the north, covered in moss and set into the damp earth, made me realise that they never perceived a single sunray, never a ray of warmth. I decided to move them by taking them one after the other and putting them in an open, southern-facing place’ (Pierre déplacées). It was with this ‘first in vivo act’, this spontaneous drive to ‘right a wrong’, that Pane be-came conscious of the limit of her ‘pictorial and sculptural works. In nature,’ Danny Bloch writes, ‘she found problems of space that [seemed] to her more important to resolve than those posed by the surface of the canvas or the environment of a sculpture’.\nOn returning to Paris, she decided that the enclosed space of her studio would no longer be the only place of her work: nature would now be the catalyst her investigations. Using her body as an element of transmission (receiver/emitter), she undertook a series of in vivo actions, at times tender, at times protective, dangerous, or derisory (Room 3). Gestures that were often ‘very simple […], the beauty of which comes from their extreme fragility’, as Anne Tronche said, and whose end is to set up new pos-sibilities of communication between threatened nature and the people who inhabit it.\nAt the end of 1968, Gina Pane exhibited her triptych, Terre protégée. On a bed of arable earth in the Italian countryside, she set up 120 wooden structures tied together by hemp belts and orientated according to the points of the compass. Under each wooden structure (which make one think of life-belts), she placed a small packet of seeds in order to protect the richness of the earth—a theme that can also be seen in the installation Le Riz no. 1 (1970-1971), which is made up of a fragment of a rice paddy (rice, a universal food, acting for Pane as a link between the opposed ideologies of the capital-ist and socialist countries).\nThe following two parts would appear in 1970. For Terre protégée II, Pane lay down on the ground, her back to the earth, her arms crossed, to block aggressions, take possession of the space and estab-lish a link with the natural environment, while letting herself be absorbed by it. And for Terre proté-gée III, she made a circle of stones to protect the eponymous inscription sculpted in the ground. \nIn July 1969, in Écos (Eure), ‘on a stretch of arable land, [she buried] a ray of sun in the earth with the help of mirrors’ (Enfoncement d’un rayon de soleil).\nIn December 1969, near Turin, she threw four drawings into the current of the Chisone, hoping that the water would carry them to the sea (J’ai jeté 4 dessins dans le torrent Chisone (Turin) destination mer. Acte raisonnable, ennuyeux, autocritique [I threw 4 drawings into the current of the Chisone (Tu-rin), destination: the sea. Reasonable, boring, autocritical act].\nIn October 1970 in Ury (Seine-et-Marne), she accomplished the vertiginous act of scaling the wall of a sand pit, an extraordinary effort that pushed her to experience her limits. She would say: ‘The walls of sand were terribly high […], I knew there was a danger of a landslide, it was a perceptible danger, I could physically feel it.’ The silence that fills the pit is experienced as a necessary condition for a more intense relationship with nature—in this case menacing (Deuxième projet pour le silence [Second pro-ject for silence]).\nIn November 1970, again in Ury, she extended a rural byway with wooden planks in order to try to establish new possibilities of communication (Continuation d’un chemin de bois pour aller d’un lieu à un autre dans le but d’une quelconque communication [Continuation of a wooden path in order to go from one place to another with the aim of making any kind of communication]). Finally, if the 1969 work Stripe Rake (Room 1), which pays homage to Kasimir Malevich’s black square, can no longer be handled, it was initially placed in order for the viewers to use it. They were invited to inscribe traces with this rake made by the artist, to link together the desert sand—dead matter where nothing grows—and earth—living matter, a symbol of future crops. \n\nHowever poetic these actions and works can appear, it must not be forgotten that most of them emerged from a desire to manifest a despair, a justified anger at the future of the planet, a desire to communicate with the spectator (communicate in the sense of warn, but also communicate with, meet), to provoke a surge in consciousness. Gina Pane would write in 1974, in Lettre à un(e) incon-nu(e): ‘It is to YOU I am speaking because you are the “unity” of my work: THE OTHER.’\n\nEmma-Charlotte Gobry-Laurencin","2018-12-12T15:20:00+00:00","2019-01-12T15:20:00+00:00",[],{"id":2248,"slug":2249,"title":2250,"customTitle":1744,"defaultTitle":2251,"overrideHeading":420,"url":2252,"tagline":420,"thumbImage":2253,"locations":2266,"category":2275,"description":2277,"startDate":2278,"endDate":2279,"type":236,"showForm":732,"form":2280,"__typename":1945},"114182","laughter-in-hell","Zineb Sedira - Laughter in Hell","Laughter in Hell","https://www.mennour.com/exhibition/laughter-in-hell",[2254],{"id":2255,"url":2256,"jpg16":2257,"jpg800":2258,"jpg1600":2259,"jpg2400":2260,"jpg3200":2261,"alt":420,"title":2262,"width":2263,"height":2264,"caption":420,"mobile":2265,"__typename":679},"38062","https://dev-admin.mennour.com/uploads/img/laughter-in-hell.jpg","fIJHjqTeI9xvM|sl~qf5RPt7WFt6O@wvs9kCtRt7E2t7j[RPbIRkH?o}bcV?WBRj","https://dev-admin.mennour.com/uploads/img/_jpg800/laughter-in-hell.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/laughter-in-hell.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/laughter-in-hell.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/laughter-in-hell.jpg","Laughter in hell",1814,1367,[],[2267],{"title":1918,"slug":1919,"url":369,"type":1920,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":1921,"thumbImage":2268,"city":2271,"mapLocation":2273},[2269],{"id":1924,"url":1925,"jpg16":1926,"jpg800":1927,"jpg1600":1928,"jpg2400":1929,"jpg3200":1930,"alt":420,"title":1931,"width":1932,"height":1933,"caption":420,"mobile":2270,"__typename":679},[],[2272],{"title":350,"slug":351},{"parts":2274},{"number":374,"address":367,"city":350,"postcode":356,"county":357,"country":375,"state":359},[2276],{"title":1893,"slug":528,"type":1885},"‘Humour is the politeness of despair’. The well known aphorism authored by filmmaker Chris Marker could stand as the ironic epitaph of the ‘Black Decades’ in Algeria, a period that French-Algerian artist Zineb Sedira addresses – though not without humour – in her recent body of work.\nThe traumatic period that started in the late 1980s with countrywide street protests was followed a few years later by a military intervention that forestalled the electoral victory of the Islamist Salvation Front (FIS) and removed the sitting president. Throughout the 1990s, Algeria was then mired in a violent internal war between armed Islamist groups and the Algerian army that resulted in the death of about 200,000 civilians.\nWhilst these events are little known internationally and unwillingly discussed within Algeria, Zineb Sedira audaciously recounts this dramatic chapter of contemporary Algerian history through the lens of humour, used as a constitutive element of both resilience and resistance. Viewers will learn about and understand the (unfamiliar) ‘Black Decade’ through the display of humour and hopefully, this will provoke laughter.\nAt that time, humorous caricatures and political cartoons were thriving and being used to comment in the press on the daily cruelty and the terror. Meanwhile, à huis clos and despite the psychological war imposed on them, Algerians, notorious for their dark humour, found solace in turning the unspeakable into jokes and in orally disseminating appalling news by telling witty stories. These political jokes that today are still ‘performed’ and make people howl with laughter were collected by Zineb Sedira and transcribed in the artist book A Personal Collection of Jokes (2018).\nIntentionally presented as a miniature museum immortalising the dark, gallows humour of the ‘Black Decade’, the installation Laughter in Hell (2014-2018) comprises the archive Zineb Sedira has researched and built over several years. Here we discover rare publications dedicated to caricatures by renowned and tireless cartoonists such as Slim, Ali Dilem, Gyps, Hic or Maz displayed in cabinets. There, viewers are confronted by to large poster reproductions of political cartoons initially published in newspapers such as El Watan, El Khabar or Liberté, as well as original and newly commissioned panel pages by Gyps and Dahmani. Two recent video interviews with historian Dr Elisabeth Perego and journalist and writer Mustapha Benfodil complete this personal anthology of black humour.\n‘What has a pen in the hand, two dinars in the pocket, and three bullets in the head?’ An Algerian jokester asked. The installation The Forgotten [Condemned] Journalists of Algeria’s Black Decade (2018) appears to give a correct answer to the riddle: framed lists of nearly 100 journalists and caricaturists that were assassinated, went missing or were threatened between 1993 and 1997 in Algeria are exhibited on the wall. Nearby, a typewriter seems to extend the homage to other victims of terrorism, the employees of the weekly newspaper Charlie Hebdo. Zineb Sedira offers this memorial to those who, according to journalist and survivor of the ‘Black Decade’ Mustapha Benfodil, ‘[taunted] along the way those who wanted to thrust us in limbo, squash our appetite for life and deprive us of one of the fundamental human rights: good humor’.\n\nACT II Scene 1\nEchoes from an impromptu meeting in heaven.\nCABU: Can we still laugh at everything?\nPIERRE DESPROGES: [...] yes, we can laugh at everything, we must laugh at everything. War, misery and death. Eventually, was death ever embarrassed to laugh at us?\nThey burst into laughter.\n\nYasmina Reggad, October 2018","2018-11-30T17:10:00+00:00","2019-01-12T17:10:00+00:00",[],{"id":2282,"slug":2283,"title":2284,"customTitle":1408,"defaultTitle":2285,"overrideHeading":420,"url":2286,"tagline":420,"thumbImage":2287,"locations":2300,"category":2317,"description":420,"startDate":2319,"endDate":2320,"type":236,"showForm":732,"form":2321,"__typename":1945},"134308","glances","Alicja Kwade - Glances","Glances","https://www.mennour.com/exhibition/glances",[2288],{"id":2289,"url":2290,"jpg16":2291,"jpg800":2292,"jpg1600":2293,"jpg2400":2294,"jpg3200":2295,"alt":420,"title":2296,"width":2297,"height":2298,"caption":420,"mobile":2299,"__typename":679},"41609","https://dev-admin.mennour.com/uploads/img/alicja-kwade-blueproject-foundation.jpg","f8Gbn:-=D$D%00WA_4t7WVM{%LRk-OV??b%M?bxu%1ofxuWBWCt7?b%MRjM{Rjj[","https://dev-admin.mennour.com/uploads/img/_jpg800/alicja-kwade-blueproject-foundation.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/alicja-kwade-blueproject-foundation.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/alicja-kwade-blueproject-foundation.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/alicja-kwade-blueproject-foundation.jpg","Alicja kwade blueproject foundation",2020,1664,[],[2301],{"title":2302,"slug":2303,"url":2304,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2305,"city":2306,"mapLocation":2310},"Blueproject Foundation, Barcelona","blueproject-foundation-barcelona","https://www.mennour.com/location/blueproject-foundation-barcelona",[],[2307],{"title":2308,"slug":2309},"Barcelona","barcelona",{"parts":2311},{"number":2312,"address":2313,"city":2308,"postcode":2314,"county":2308,"country":2315,"state":2316},"57","Carrer de la Princesa, Ciutat Vella","08003","Espagne","Catalunya",[2318],{"title":1890,"slug":1889,"type":1885},"2018-11-22T23:00:00+00:00","2019-04-20T22:00:00+00:00",[],{"id":2323,"slug":2324,"title":2325,"customTitle":1303,"defaultTitle":2326,"overrideHeading":420,"url":2327,"tagline":420,"thumbImage":2328,"locations":2340,"category":2357,"description":420,"startDate":2359,"endDate":2360,"type":236,"showForm":732,"form":2361,"__typename":1945},"134310","ann-veronica-janssens-at-de-pont","Ann Veronica Janssens - Ann Veronica Janssens at De Pont","Ann Veronica Janssens at De Pont","https://www.mennour.com/exhibition/ann-veronica-janssens-at-de-pont",[2329],{"id":2330,"url":2331,"jpg16":2332,"jpg800":2333,"jpg1600":2334,"jpg2400":2335,"jpg3200":2336,"alt":420,"title":2337,"width":1422,"height":2338,"caption":420,"mobile":2339,"__typename":679},"41614","https://dev-admin.mennour.com/uploads/img/ann-veronica-janssens-depont.jpg","WXI}t:aeIVofbaWX~qR*RjofWBae9ZW;oJofRjWAIUoKR*kCR%WB","https://dev-admin.mennour.com/uploads/img/_jpg800/ann-veronica-janssens-depont.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/ann-veronica-janssens-depont.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/ann-veronica-janssens-depont.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/ann-veronica-janssens-depont.jpg","Ann veronica janssens depont",2362,[],[2341],{"title":2342,"slug":2343,"url":2344,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2345,"city":2346,"mapLocation":2350},"Musée De Pont, Tilburg","musée-de-pont-tilburg-2","https://www.mennour.com/location/musée-de-pont-tilburg-2",[],[2347],{"title":2348,"slug":2349},"Tilburg","tilburg",{"parts":2351},{"number":2352,"address":2353,"city":2348,"postcode":2354,"county":2348,"country":2355,"state":2356},"1","Wilhelminapark, Oud-Noord","5041 EA","Pays-Bas","Noord-Brabant",[2358],{"title":1890,"slug":1889,"type":1885},"2018-11-09T23:00:00+00:00","2019-03-30T23:00:00+00:00",[],{"id":2363,"slug":2364,"title":2365,"customTitle":778,"defaultTitle":2366,"overrideHeading":420,"url":2367,"tagline":420,"thumbImage":2368,"locations":2380,"category":2398,"description":420,"startDate":2400,"endDate":2401,"type":236,"showForm":732,"form":2402,"__typename":1945},"134312","reconnecting-with-the-world-about-the-poetic-in-elements-and-materials","Hicham Berrada - Reconnecting with the World: About the Poetic in Elements and Materials","Reconnecting with the World: About the Poetic in Elements and Materials","https://www.mennour.com/exhibition/reconnecting-with-the-world-about-the-poetic-in-elements-and-materials",[2369],{"id":2370,"url":2371,"jpg16":2372,"jpg800":2373,"jpg1600":2374,"jpg2400":2375,"jpg3200":2376,"alt":420,"title":2377,"width":772,"height":2378,"caption":420,"mobile":2379,"__typename":679},"41626","https://dev-admin.mennour.com/uploads/img/hicham-berrada-frankfurter-kunstverein.jpg","f8FPEHD#00?G00?wpL~VD%00^+WE000MoN?aSdnh00?bxuIU%fV@_3s+NGRjMxo#","https://dev-admin.mennour.com/uploads/img/_jpg800/hicham-berrada-frankfurter-kunstverein.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/hicham-berrada-frankfurter-kunstverein.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/hicham-berrada-frankfurter-kunstverein.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/hicham-berrada-frankfurter-kunstverein.jpg","Hicham berrada frankfurter kunstverein",2869,[],[2381],{"title":2382,"slug":2383,"url":2384,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2385,"city":2386,"mapLocation":2390},"Frankfurter Kunstverein","frankfurter-kunstverein","https://www.mennour.com/location/frankfurter-kunstverein",[],[2387],{"title":2388,"slug":2389},"Frankfurt","frankfurt",{"parts":2391},{"number":2392,"address":2393,"city":2394,"postcode":2395,"county":2396,"country":2097,"state":2397},"44","Markt, Innenstadt I","Frankfurt am Main","60311","Darmstadt","Hessen",[2399],{"title":1890,"slug":1889,"type":1885},"2018-10-30T23:00:00+00:00","2019-01-12T23:00:00+00:00",[],{"id":2404,"slug":2405,"title":2406,"customTitle":1157,"defaultTitle":2407,"overrideHeading":420,"url":2408,"tagline":420,"thumbImage":2409,"locations":2422,"category":2437,"description":420,"startDate":2439,"endDate":2440,"type":236,"showForm":732,"form":2441,"__typename":1945},"134315","shkrepëtima-2","Petrit Halilaj - Shkrepëtima","Shkrepëtima","https://www.mennour.com/exhibition/shkrepëtima-2",[2410],{"id":2411,"url":2412,"jpg16":2413,"jpg800":2414,"jpg1600":2415,"jpg2400":2416,"jpg3200":2417,"alt":420,"title":2418,"width":2419,"height":2420,"caption":420,"mobile":2421,"__typename":679},"41631","https://dev-admin.mennour.com/uploads/img/petrit-halilaj-merz-foundation.jpg","oXK_8+RO-;xuRjog~q%Mj?t7aya}4-%LWAofj[WBIUj?ofogWBj[xuj]Rjj[a{ofofRjofWAj[j[","https://dev-admin.mennour.com/uploads/img/_jpg800/petrit-halilaj-merz-foundation.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/petrit-halilaj-merz-foundation.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/petrit-halilaj-merz-foundation.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/petrit-halilaj-merz-foundation.jpg","Petrit halilaj merz foundation",1476,1369,[],[2423],{"title":2424,"slug":2425,"url":2426,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2427,"city":2428,"mapLocation":2432},"Merz Foundation","merz-foundation","https://www.mennour.com/location/merz-foundation",[],[2429],{"title":2430,"slug":2431},"Merz","merz",{"parts":2433},{"number":2434,"address":2435,"city":2053,"postcode":2436,"county":2058,"country":375,"state":2059},"9","Rue Claude Chappe","57070",[2438],{"title":1890,"slug":1889,"type":1885},"2018-10-28T23:00:00+00:00","2019-02-02T23:00:00+00:00",[],{"id":2443,"slug":2444,"title":2445,"customTitle":1703,"defaultTitle":2446,"overrideHeading":420,"url":2447,"tagline":420,"thumbImage":2448,"locations":2460,"category":2476,"description":420,"startDate":2478,"endDate":2401,"type":236,"showForm":732,"form":2479,"__typename":1945},"134318","a-plan-of-the-soul-zurich-art-prize-2018","Robin Rhode - a plan of the soul Zurich Art Prize 2018","a plan of the soul Zurich Art Prize 2018","https://www.mennour.com/exhibition/a-plan-of-the-soul-zurich-art-prize-2018",[2449],{"id":2450,"url":2451,"jpg16":2452,"jpg800":2453,"jpg1600":2454,"jpg2400":2455,"jpg3200":2456,"alt":420,"title":2457,"width":725,"height":2458,"caption":420,"mobile":2459,"__typename":679},"41636","https://dev-admin.mennour.com/uploads/img/robin-rhode-zurich-art-prize.jpg","niM5RKxGs:n%ni}njZj[f6j[nhjZWVkCbb-7ofaybHayI?a}a{WVayxFjYa}kCj[","https://dev-admin.mennour.com/uploads/img/_jpg800/robin-rhode-zurich-art-prize.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/robin-rhode-zurich-art-prize.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/robin-rhode-zurich-art-prize.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/robin-rhode-zurich-art-prize.jpg","Robin rhode zurich art prize",4032,[],[2461],{"title":2462,"slug":2463,"url":2464,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2465,"city":2466,"mapLocation":2470},"Museum Haus Konstruktiv, Zurich","museum-haus-konstruktiv-zurich","https://www.mennour.com/location/museum-haus-konstruktiv-zurich",[],[2467],{"title":2468,"slug":2469},"Zürich","zürich",{"parts":2471},{"number":2472,"address":2473,"city":2468,"postcode":2474,"county":2468,"country":2475,"state":2468},"25","Selnaustrasse","8001","Suisse",[2477],{"title":1890,"slug":1889,"type":1885},"2018-10-24T22:00:00+00:00",[],{"id":2481,"slug":2482,"title":2483,"customTitle":1744,"defaultTitle":2484,"overrideHeading":420,"url":2485,"tagline":420,"thumbImage":2486,"locations":2497,"category":2513,"description":420,"startDate":2515,"endDate":2516,"type":236,"showForm":732,"form":2517,"__typename":1945},"134321","of-words-and-stones","Zineb Sedira - of words and stones","of words and stones","https://www.mennour.com/exhibition/of-words-and-stones",[2487],{"id":2488,"url":2489,"jpg16":2490,"jpg800":2491,"jpg1600":2492,"jpg2400":2493,"jpg3200":2494,"alt":420,"title":2495,"width":2458,"height":725,"caption":420,"mobile":2496,"__typename":679},"41641","https://dev-admin.mennour.com/uploads/img/zineb-sedira-beirut-art-center.jpg","fMF6C6_4-;M_9FM{?coft7fkRjWB00V?Rkoz%1f64ntQWBt6xuofn2NIaes:f,og","https://dev-admin.mennour.com/uploads/img/_jpg800/zineb-sedira-beirut-art-center.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/zineb-sedira-beirut-art-center.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/zineb-sedira-beirut-art-center.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/zineb-sedira-beirut-art-center.jpg","Zineb sedira beirut art center",[],[2498],{"title":2499,"slug":2500,"url":2501,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2502,"city":2503,"mapLocation":2507},"Beirut Art Center","beirut-art-center","https://www.mennour.com/location/beirut-art-center",[],[2504],{"title":2505,"slug":2506},"Beirut","beirut",{"parts":2508},{"number":1867,"address":1867,"city":2509,"postcode":1867,"county":2510,"country":2511,"state":2512},"Beyrouth","Souks de Beyrouth","Liban","Gouvernorat de Beyrouth",[2514],{"title":1890,"slug":1889,"type":1885},"2018-10-23T22:00:00+00:00","2018-12-22T23:00:00+00:00",[],{"id":2519,"slug":2520,"title":2521,"customTitle":1115,"defaultTitle":2522,"overrideHeading":420,"url":2523,"tagline":420,"thumbImage":2524,"locations":2537,"category":2558,"description":2560,"startDate":2561,"endDate":2562,"type":236,"showForm":732,"form":2563,"__typename":1945},"114205","the-inventory-of-my-desire","Douglas Gordon - the inventory of my desire","the inventory of my desire","https://www.mennour.com/exhibition/the-inventory-of-my-desire",[2525],{"id":2526,"url":2527,"jpg16":2528,"jpg800":2529,"jpg1600":2530,"jpg2400":2531,"jpg3200":2532,"alt":420,"title":2533,"width":2534,"height":2535,"caption":420,"mobile":2536,"__typename":679},"38066","https://dev-admin.mennour.com/uploads/img/the-inventory-of-my-desire.jpg","fMH_=EIUx]M{oft7~qazoKazofWBIVt7ofj[axaxD%M{tRRioffkW=ayV@a}kCax","https://dev-admin.mennour.com/uploads/img/_jpg800/the-inventory-of-my-desire.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/the-inventory-of-my-desire.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/the-inventory-of-my-desire.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/the-inventory-of-my-desire.jpg","The inventory of my desire",1665,1255,[],[2538],{"title":2539,"slug":2540,"url":377,"type":1920,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":2541,"thumbImage":2542,"city":2554,"mapLocation":2556},"Mennour, 28 avenue Matignon","mennour-28-avenue-matignon","{\n \"html_attributions\" : [],\n \"result\" : \n {\n \"current_opening_hours\" : \n {\n \"open_now\" : true,\n \"periods\" : \n [\n {\n \"close\" : \n {\n \"date\" : \"2025-02-18\",\n \"day\" : 2,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-02-18\",\n \"day\" : 2,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-02-12\",\n \"day\" : 3,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-02-12\",\n \"day\" : 3,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-02-13\",\n \"day\" : 4,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-02-13\",\n \"day\" : 4,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-02-14\",\n \"day\" : 5,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-02-14\",\n \"day\" : 5,\n \"time\" : \"1100\"\n }\n },\n {\n \"close\" : \n {\n \"date\" : \"2025-02-15\",\n \"day\" : 6,\n \"time\" : \"1900\"\n },\n \"open\" : \n {\n \"date\" : \"2025-02-15\",\n \"day\" : 6,\n \"time\" : \"1100\"\n }\n }\n ],\n \"weekday_text\" : \n [\n \"Monday: Closed\",\n \"Tuesday: 11:00 AM – 7:00 PM\",\n \"Wednesday: 11:00 AM – 7:00 PM\",\n \"Thursday: 11:00 AM – 7:00 PM\",\n \"Friday: 11:00 AM – 7:00 PM\",\n \"Saturday: 11:00 AM – 7:00 PM\",\n \"Sunday: Closed\"\n ]\n }\n },\n \"status\" : \"OK\"\n}",[2543],{"id":2544,"url":2545,"jpg16":2546,"jpg800":2547,"jpg1600":2548,"jpg2400":2549,"jpg3200":2550,"alt":420,"title":2551,"width":2552,"height":2552,"caption":420,"mobile":2553,"__typename":679},"140431","https://dev-admin.mennour.com/uploads/img/Fa%C3%A7ade-Matignon-carr%C3%A9.jpg","oTMQ;Yt7%Mof?bt7~qofWBWB%MoM_4ofIUWBoej[R*j[s:ayxuoLD$aet7WBt7ayxuofRjfRRjay","https://dev-admin.mennour.com/uploads/img/_jpg800/Façade-Matignon-carré.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/Façade-Matignon-carré.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/Façade-Matignon-carré.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/Façade-Matignon-carré.jpg","Façade Matignon carré",5264,[],[2555],{"title":350,"slug":351},{"parts":2557},{"number":382,"address":383,"city":350,"postcode":384,"county":357,"country":358,"state":359},[2559],{"title":1893,"slug":528,"type":1885},"The idea of art is to be as free as possible. . . . I retain the right to do whatever I want.\n—Douglas Gordon\nBorn in 1966 in Glasgow (Scotland), Douglas Gordon lives and works in Berlin, Glasgow and Paris. His practice encompasses video and film, installation, sculpture, photography, and text. Through his work, Gordon investigates human conditions like memory and the passing of time, as well as universal dualities such as life and death, good\nand evil, right and wrong.\n\nThe formula, Hocus Pocus, choosen by the artist in his neon work is used by magicians and illusionists to divert the attention of spectators during their manipulations. More frequently used in the Anglo-Saxon languages, the\nexpression Hocus pocus took in slang, since the XVIIth century, the sense of deceit, swindle, scam. Simplified, it is at the origin of the word hoax. It is also a wink to the surrealists among which the French writer Raymond Roussel whose novel Locus Solus, by the imagination that unfolds there, is likened to a science fiction book.\n\nGordon’s oeuvre has been exhibited globally, in major solo exhibitions including the Neue Nationalgalerie Berlin (1999), the Tate Liverpool (2000), the MOCA in Los Angeles (2001 and 2012), the Hayward Gallery in London (2002), the National Gallery of Scotland (2006), the Museum of Modern Art in New York (2006), the TATE Britain in London (2010), the Tel Aviv Museum of Art (2013), as well as in the Musée d'Art moderne de la Ville de Paris (2014). His film works have been invited to the Festival de Cannes, Toronto International Film Festival (TIFF), Venice Film Festival, Edinburgh International Film Festival, BFI London Film Festival, Festival del Film Locarno, New York Film Festival, among many others. Gordon received the 1996 Turner Prize. In 2017, he presented I had nowhere to\ngo at Documenta 14 in Athens and Kassel.\n\nMarcel Duchamp (France, 1887- 1968) has radically transformed the art of the 20th century. In the nineteenthirties,\nwith the invention of the ready-made– a piece that the artist finds \"already-made\", and selects for his\naesthetic neutrality – he paves the way for the most extreme avant-garde approaches. This extraordinary portrait of Duchamp in tonsure was taken in Paris shortly after his return from Argentina in 1919. His dada gesture, prompted in part by an infestation of lice in Buenos Aires, undoubtedly had anti-clerical nuances, since shaving a part of the head is a rite of passage for young men aspiring to Roman Catholic priesthood.\n\nAs surrealist companions, André Breton and Marcel Duchamp have collaborated several times. In 1937 for exemple,\non the occasion of the opening of a gallery by Breton at 31 rue de Seine (Paris 6), Duchamp designed the entry as\na friendly contribution. André Breton described the Gradiva gallery as a space with \"a glass door made by Marcel\nDuchamp, whose opening is shaped like a rather tall man and a visibly smaller and very thin woman standing side\nby side.\" On this model will be sketched The Announcement for the exhibition, in 1968.A fetishist and transvestite artist born in 1900, Pierre Molinier created astounding self-portraits – until the\nyear 1976 when he committed suicide by shooting himself in the mouth. Painted or photographed, extremely\nsophisticated in both staging and technique, his works of art span the entire spectrum of self-eroticism.\nPhotography especially is what allowed Pierre Molinier to assuage his hermaphrodite fantasies and create himself\nboth a new body and a new identity. By means of self-staging, travesty, cut-outs, collage, superposition and\nspecial effects, Molinier portrayed himself as a hybrid and unisex creature, man-woman in one body and one\nsoul, in black and white self-portraits that are as intimist as they are immodest. We often find the artist naked, his\npenis erect or hidden between his thighs, wearing a mask, basque, falsies, garter belt, stockings and high heels…\nAnd so Pierre Molinier’s photomontages and pictorial works of art abound in inextricably intermingling bodies\nand limbs that are made up and accessorized.\nPierre Molinier’s work is now even more topical than ever, to the extent that it touches on different veins of\ntravesty, self-staging, fetishism and questions of identity and genre.\nA key figure in body art in France, Gina Pane (France, 1939-1990) established her reputation in the 1970s with\nstrongly symbolic \"actions\". From the emotion provoked by the injury to which she subjected her body while the\n‘anaesthetised’ viewer looked on, to the enthusiastic critics who followed her radical acts, Gina Pane constructed\na myth. The question of the sacred, one of the essential underlying threads, far from belonging to the final period\nalone, has fed every formal variation of a career punctuated by inventive proposals: geometric paintings and\nStructures affirmées [Confirmed structures] (completed 1967), in situ installations and outdoor actions (1968-\n70), public actions (1971-79), and Partitions (1980-89).\nInspired by the Italian word \"partizione\", the Partitions are symbolic artworks produced from very diverse\nmaterials. Her artworks, which titles are being of particular importance, took her into the realms of sculpture\nand installation, evocating a now gone body. The Partitions allows Gina Pane to transfer on the material (glass,\ncopper, wood, etc.) her body’s experiences through fire,milk, or razor blade. This work strongly evokes the\naction Transfert [Transfer] (1973), where a glass of mint cordial and a glass of milk placed on a tablet occupied\nthe centre of attention. The glass of mint was placed beyond the artist’s reach. Frustrated by not being able to\nconsume both, Gina Pane ended up breaking the glasses and lapping up the mixed liquids from the floor, injuring\nherself with the shards of glass.\nA metaphor for an interior conflict whose ‘ins and outs’ we are ignorant of, this action is re-enacted in Dehors\n- Partition pour une feuille de menthe. The broken, transparent glasses reflect the milky whiteness of the wall.\nThe green stemmed glasses, intact, project onto this same wall the delicate contours of a mint leaf. With great\nsobriety, this work brings to light the driving forces and heroic choices that govern our existence, from the most\nbanal to the most intimate. A glass of milk or a glass of mint cordial? Maternal love or desire for another?\nAdopted Parisian since 1921, MAN RAY (Pennsylvania, 1890-France, 1976) was one of the main actors of the avantgarde\nmovements’s which agitated the intellectual and artistic parisian life. His Anarchist formation unleashes\nhim from established values, de-emphasises traditional expression methods and encourages him to follow only\nhis own individual necessity in all his innovations. Faithful to Dada's aspirations for freedom and pleasure, his\noriginal personality unabled him to be part of various movements such as surrealism, without ever giving up his\nsense of freedom.\nThis photograph originally attributed to Man Ray alone, represents dust on a glass plate in Duchamp's studio in\nNew York. A glass that will become the great work of the artist, La Mariée mise à nu par ses célibataires, même,\nalso known as Le Grand Verre (1915-1923). When this piece first appeared, in October 1922, it bore the caption:\n\"Vue prise en aéroplane\". It was in 1964, the photograph is officially entitled Élevage de poussières and jointly\nsigned by Man Ray and Marcel Duchamp. From then on, it begins to haunt contemporary culture. Marking the\ndawn of the modern period, it is often invoked in debates on the photography’s status as an indication or a trace,\nin texts on the artistic use of \"poor\" materials, even in debates on the landscape’s representation.\nEdward Ruscha arrived in Los Angeles in 1956 to study commercial art at the Chouinard Art Institute (now\nCalArts). Attracted to the reproducibility, collaborative processes, and happy accidents specific to printmaking,\nhe began to create lithographic editions, infusing the Pop and Conceptual sensibilities of the time with vernacular\nwit and existential melancholy. His exquisitely refined prints engage a breadth of formal themes, from text and\ntypography to still life and quotidian architecture, played out in a spirit of rigorous yet restless experimentation.\nIn 1961, Ruscha made a series of black and white shots more premeditated in their bill, entitled Products, where\nconsumer goods float on indefinite funds. The images describe with a clinical precision simple commodities in\nthe middle of the frame, whose clarity and readability produce an unexpected graphic impact. He also practices\ncollage at this time and incorporates photographs, which become simple objects among others.\nIf painting remains Ruscha's main mode of expression - whose drawings give rise to various experiments in\nmaterials (in 1969 he uses gunpowder, but also ivy, tobacco or vegetable juice, in 1970 he presents Chocolate\nRoom at the Venice Biennale by covering the walls of the American Pavilion with chocolate-coated sheets of\npaper) - photography is nevertheless a fundamental process for him. An operation to put things in the order of\nalmost nothing, a nothing to which he gives a range, a thickness and an enigmatic character that allow him to go\nbeyond the purely formal question of the medium and continue to fascinate the youngest artists.\nMorgane Tschiember (born in Brest in 1976) is a French sculptor, laureate of Foundation Ricard prize in 2001.\nEmpirical and practical, her work is rooted in a very physical dimension, putting in the center a kind of permanent\nbody-to-body contact with the material, leaving voluntarily visible traces of \"doing\", gesture, showing both the\nproduction process and the trace of her own body. Her relationship with the world is close to metaphysics, it is a\ndynamic system, where the movement is constantly at work, where there is an obssessive way of transformation,\nof verge, a passage from one condition to another: here, the raw material of the work passes from the state of\nsand to a molten liquid blown then to the soft and organic forms of glass.","2018-10-15T15:35:00+00:00","2018-11-24T16:35:00+00:00",[],{"id":2565,"slug":2566,"title":2567,"customTitle":1597,"defaultTitle":2568,"overrideHeading":420,"url":2569,"tagline":420,"thumbImage":2570,"locations":2583,"category":2592,"description":2594,"startDate":2595,"endDate":2596,"type":236,"showForm":732,"form":2597,"__typename":1945},"114217","friday-3rd-of-february-1525","Christodoulos Panayiotou - Friday, 3rd of February 1525","Friday, 3rd of February 1525","https://www.mennour.com/exhibition/friday-3rd-of-february-1525",[2571],{"id":2572,"url":2573,"jpg16":2574,"jpg800":2575,"jpg1600":2576,"jpg2400":2577,"jpg3200":2578,"alt":420,"title":2579,"width":2580,"height":2581,"caption":420,"mobile":2582,"__typename":679},"38069","https://dev-admin.mennour.com/uploads/img/friday-3rd-of-february-1525.jpg","WSNdH?s,%Ot8aIt7~nt7Rna#V?axt8j[bJayoJj[adjtWAaxozj[","https://dev-admin.mennour.com/uploads/img/_jpg800/friday-3rd-of-february-1525.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/friday-3rd-of-february-1525.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/friday-3rd-of-february-1525.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/friday-3rd-of-february-1525.jpg","Friday 3rd of february 1525",1344,896,[],[2584],{"title":1918,"slug":1919,"url":369,"type":1920,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":1921,"thumbImage":2585,"city":2588,"mapLocation":2590},[2586],{"id":1924,"url":1925,"jpg16":1926,"jpg800":1927,"jpg1600":1928,"jpg2400":1929,"jpg3200":1930,"alt":420,"title":1931,"width":1932,"height":1933,"caption":420,"mobile":2587,"__typename":679},[],[2589],{"title":350,"slug":351},{"parts":2591},{"number":374,"address":367,"city":350,"postcode":356,"county":357,"country":375,"state":359},[2593],{"title":1893,"slug":528,"type":1885},"Christodoulos Panayiotou doubly withholds the material of his works both from forms that would valorise its specific qualities and attitudes that would make it exploitable, subject to the expression of an idea. This material is not a vehicle for expressing the authenticity of a form, image, or idea, but rather conveys images, forms, and ideas connected to the economic, artisanal, artistic, archaeological, and theological practices and fields of knowledge that make use of them. The works included in “Friday, 3rd of February 1525” together evoke concealed representations, forming a dynamic repertory of gestures of solidification, covering over, and diluting, all of which affirm the absence inherent to the emergence of the image.\n\nThe ingots placed at the entrance to the exhibition have been made with melted down euro coins taken from “Light Up Caravaggio”, a machine installed in the Vatican basilica Santa Maria Del Popolo and designed to illuminate The Conversion of Saint Paul, a scene of bedazzlement. With this apparatus, which adds to the saintly conversion that of money into electricity, the eternal light is placed in competition with its worldly counterpart, blinding the artwork for a timed interval. At the same time an image of gold ingots and a fraudulent object, with its seductive, muddy colour, the work materialises this dubious supplement of light of which currency has made itself the agent. \n\nBastardo, made from a slab of marble disqualified by its extractors with a mark signalling its lesser quality and hence its destination in a parallel market, upturns the stigma and may be sat on during the exhibition. From this vantage point can be seen Untitled, an egg tempera and gold leaf painting, which takes the small number of elements of its composition from the three rays painted by Antoniazzo Romano to depict the halos of San Vincenzo, Santa Caterina di Alessandria, e Antonio da Padova. This split, untitled, uninhabited surface is the outcome of an agreement between the artist and the iconographer, to cancel a stage in the production of the work. Specifically, the iconographer, whose\neconomy consists in commissions and reproductions of portraits of saints, agreed to stop the work before the point of figuration. Although the circles seem to make manifest the absence of the body in the presence of the aura, their equal diameters and their scansion’s regular distribution evoke a disembodied, serial space. This site of a beginning and then abandonment of figuration makes present in a single argument the iconoclastic ban on representation and an objectivist strain in minimalist painting, both postulating that the material of a work\nepitomises and expresses it. Panayiotou ties his relationship with sight to another conception of the icon, one that “links the visible and the invisible without making concessions to realism but without disparaging materiality.”\n\n1525, Freitag post Purificationem, a manifesto piece in an exhibition that simulates the desertion of the image, refers to an episode of the Protestant Reformation when, in 1525, a group of Strasburg artists petitioned the city\nauthorities to give them work, at a moment when the condemnation of the visual had given the order for an aural transmission of the word of God: “the respect for images has fallen from the kingdom of God.” The letter has been reproduced here as a large-scale canvas by a scenic painting studio, inviting itself into the regime of the image even as its content relates its disappearance.\n\nAnother set of banished representations, the forms and figures once visible on the dollar bills in the series Untitled, absent themselves from the ‘realist’ regime of economic visibility following a process of mechanical and chemical alteration that, in two different stages, removed colour from their pulp-paper surfaces. The iconography of the dollar itself represented a zone of synthesis for a faith distributed between the ephemeral faces of worldly power and the textual permanence of spiritual power. In 1971, when Nixon floated the US dollar, declaring an end to its convertibility into gold, the banknote was no longer subject to a physical entity, a dematerialising of the money form that coincided with the artistic debates about the capacity for conceptual art to circulate independently of a contingent, solid base. In counterpoint with this process, the series Forgery Paintings attempts with glitter and pigment on paper to simulate the holograph encryption used to authenticate euro banknotes—counterfeits forms, turning them into ghosts, and concludes a gesture of derealising solidification begun in 2016 with the Pulp Paintings (a series of works made from demonetised euro notes). With the same shredded currency, Common Denominator generates paper pulp but its achromatic tone is the result of a mix\nof different values and the synthesis of their colours. Here, Christodoulos Panayiotou removes the visibility of money in the midst of an exhibition that brings three artistic traditions tied to figuration—those of theology, theatre, and industry—to operate within the desertion of the image.\n\nOpération Serenade, a red carpet recuperated by the artist after its use for award ceremonies in the United States of America, now rolled up and abandoned in the space, reenacts, against the movements of adhesion, the hiding of colour in a volume that contains an extension. This chromoclastic operation, which has its own history in the Reformation,3 sums up the troubled journey of the image within the current horizon of an economy coloured by devotion.\nJean Capeille\n—\nPersonal exhibitions of CHRISTODOULOS PANAYIOTOU (born in 1978 in Limassol–Cyprus) took place at the Casa Luis Barragán, Mexico City; the Moderna Museet, Stockholm; the Kunsthalle Zürich; the CCA Kitakyushu, Fukuoka; the Museum of Contemporary Art of Saint-Louis; the Casino Luxembourg; Center for Contemporary\nArt Brétigny; the Museum of Contemporary Art Leipzig; and the Cubitt, London.\nChristodoulos Panayiotou represented Cyprus at the Venice Biennale in 2015.\nHe has participated in major international events such as the Documenta 13 in Kassel, the 14th Biennale de Lyon, the 8th Berlin Biennale, the 7th Liverpool Biennial, Performa 15, the 6th Taipei Biennial and the 8th Biennial of Melle, France. His work has also been shown in a large number of group exhibitions and museums including the Center Pompidou, Paris ; the Musée d’Art moderne de la Ville de Paris; the Museion, Bolzano; the Migros Museum, Zürich; the CCA Institute of Contemporary Art Wattis, San Francisco; the Joan Miro Foundation, Barcelona; the Witte de With, Rotterdam; the Bonniers Konsthall, Stockholm; the Philadelphia Museum of Art, Philadelphia; the Ashkal Alwan Center for Contemporary Arts, Beirut; the Artist Space, New York; and the MoCA Miami.","2018-10-15T11:35:00+00:00","2018-11-24T12:35:00+00:00",[],{"id":2599,"slug":2600,"title":2601,"customTitle":1490,"defaultTitle":2602,"overrideHeading":420,"url":2603,"tagline":420,"thumbImage":2604,"locations":2617,"category":2632,"description":420,"startDate":2634,"endDate":2635,"type":236,"showForm":732,"form":2636,"__typename":1945},"134323","sea-spray","Matthew Lutz-Kinoy - Sea Spray","Sea Spray","https://www.mennour.com/exhibition/sea-spray",[2605],{"id":2606,"url":2607,"jpg16":2608,"jpg800":2609,"jpg1600":2610,"jpg2400":2611,"jpg3200":2612,"alt":420,"title":2613,"width":2614,"height":2615,"caption":420,"mobile":2616,"__typename":679},"41646","https://dev-admin.mennour.com/uploads/img/matthew-lutz-kinoy-vleeshal-sbkm.jpg","fCL;dEM_j^Iut8$y~UV=RjNLflad~WRiIUoIR*NI.8S6Iongs:R-xvX9R-jXi^Rk","https://dev-admin.mennour.com/uploads/img/_jpg800/matthew-lutz-kinoy-vleeshal-sbkm.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/matthew-lutz-kinoy-vleeshal-sbkm.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/matthew-lutz-kinoy-vleeshal-sbkm.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/matthew-lutz-kinoy-vleeshal-sbkm.jpg","Matthew lutz kinoy vleeshal sbkm",2500,1667,[],[2618],{"title":2619,"slug":2620,"url":2621,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2622,"city":2623,"mapLocation":2627},"SBKM De Vleeshal, Middelburg","sbkm-de-vleeshal-middelburg","https://www.mennour.com/location/sbkm-de-vleeshal-middelburg",[],[2624],{"title":2625,"slug":2626},"Middelburg","middelburg",{"parts":2628},{"number":2352,"address":2629,"city":2625,"postcode":2630,"county":2625,"country":2355,"state":2631},"Markt","4331 LL","Zeeland",[2633],{"title":1890,"slug":1889,"type":1885},"2018-10-13T22:00:00+00:00","2018-12-15T23:00:00+00:00",[],{"id":2638,"slug":2639,"title":2640,"customTitle":1303,"defaultTitle":2641,"overrideHeading":420,"url":2642,"tagline":420,"thumbImage":2643,"locations":2655,"category":2672,"description":420,"startDate":2674,"endDate":2401,"type":236,"showForm":732,"form":2675,"__typename":1945},"134325","ann-veronica-janssens-kiasma","Ann Veronica Janssens - Kiasma","Kiasma","https://www.mennour.com/exhibition/ann-veronica-janssens-kiasma",[2644],{"id":2645,"url":2646,"jpg16":2647,"jpg800":2648,"jpg1600":2649,"jpg2400":2650,"jpg3200":2651,"alt":420,"title":2652,"width":705,"height":2653,"caption":420,"mobile":2654,"__typename":679},"41651","https://dev-admin.mennour.com/uploads/img/ann-veronica-janssens-kiasma.jpg","fSHoI7_3-;-;t6IU~qofoLofj[a#WBt7M{WBoft7ofxuRjWBt7ofofaeRjWBogt7","https://dev-admin.mennour.com/uploads/img/_jpg800/ann-veronica-janssens-kiasma.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/ann-veronica-janssens-kiasma.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/ann-veronica-janssens-kiasma.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/ann-veronica-janssens-kiasma.jpg","Ann veronica janssens kiasma",1088,[],[2656],{"title":2657,"slug":2658,"url":2659,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2660,"city":2661,"mapLocation":2665},"Kiasma Museum of Contemporary Art, Helsinki","kiasma-museum-of-contemporary-art-helsinki","https://www.mennour.com/location/kiasma-museum-of-contemporary-art-helsinki",[],[2662],{"title":2663,"slug":2664},"Helsinki","helsinki",{"parts":2666},{"number":2667,"address":2668,"city":2663,"postcode":2669,"county":2663,"country":2670,"state":2671},"2","Mannerheiminaukio","00100","Finlande","Uusimaa",[2673],{"title":1890,"slug":1889,"type":1885},"2018-10-11T22:00:00+00:00",[],{"id":2677,"slug":2678,"title":2679,"customTitle":1366,"defaultTitle":2680,"overrideHeading":420,"url":2681,"tagline":420,"thumbImage":2682,"locations":2695,"category":2711,"description":420,"startDate":2713,"endDate":2714,"type":236,"showForm":732,"form":2715,"__typename":1945},"134327","over-flow","Tadashi Kawamata - Over Flow","Over Flow","https://www.mennour.com/exhibition/over-flow",[2683],{"id":2684,"url":2685,"jpg16":2686,"jpg800":2687,"jpg1600":2688,"jpg2400":2689,"jpg3200":2690,"alt":420,"title":2691,"width":2692,"height":2693,"caption":420,"mobile":2694,"__typename":679},"41656","https://dev-admin.mennour.com/uploads/img/tadashi-kawamata-over-flow.jpeg","n9HLSOMwD%odoL00$j?bbIWB?bMxofofxu^+s,D*R*IV4T%LtRoyV[~WIoM{Rjj]","https://dev-admin.mennour.com/uploads/img/_jpg800/41656/tadashi-kawamata-over-flow.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/41656/tadashi-kawamata-over-flow.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/41656/tadashi-kawamata-over-flow.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/41656/tadashi-kawamata-over-flow.jpg","Tadashi kawamata over flow",1512,2016,[],[2696],{"title":2697,"slug":2698,"url":2699,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2700,"city":2701,"mapLocation":2705},"MAAT, Lisboa","maat-lisboa","https://www.mennour.com/location/maat-lisboa",[],[2702],{"title":2703,"slug":2704},"Lisbon","lisbonne",{"parts":2706},{"number":1867,"address":2707,"city":2708,"postcode":2709,"county":2708,"country":2710,"state":2708},"Avenida Brasília","Lisboa","1300-598","Portugal",[2712],{"title":1890,"slug":1889,"type":1885},"2018-10-04T22:00:00+00:00","2019-03-31T22:00:00+00:00",[],{"id":2717,"slug":2718,"title":2719,"customTitle":1073,"defaultTitle":2720,"overrideHeading":420,"url":2721,"tagline":420,"thumbImage":2722,"locations":2734,"category":2749,"description":420,"startDate":2751,"endDate":2752,"type":236,"showForm":732,"form":2753,"__typename":1945},"117075","alberto-garcia-alix-museo-del-prado","Alberto Garcia Alix - Twelve Photographers","Twelve Photographers","https://www.mennour.com/exhibition/alberto-garcia-alix-museo-del-prado",[2723],{"id":2724,"url":2725,"jpg16":2726,"jpg800":2727,"jpg1600":2728,"jpg2400":2729,"jpg3200":2730,"alt":420,"title":2731,"width":705,"height":2732,"caption":420,"mobile":2733,"__typename":679},"40661","https://dev-admin.mennour.com/uploads/img/alberto-garcia-alix-museo-del-prado.jpg","NCDS:t9F00~qRjof00Rjt7xuxuM{IU_3t7IU%MD%","https://dev-admin.mennour.com/uploads/img/_jpg800/alberto-garcia-alix-museo-del-prado.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/alberto-garcia-alix-museo-del-prado.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/alberto-garcia-alix-museo-del-prado.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/alberto-garcia-alix-museo-del-prado.jpg","Alberto garcia alix museo del prado",756,[],[2735],{"title":2736,"slug":2737,"url":2738,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2739,"city":2740,"mapLocation":2744},"Museo del Prado, Madrid","museo-del-prado","https://www.mennour.com/location/museo-del-prado",[],[2741],{"title":2742,"slug":2743},"Madrid","madrid",{"parts":2745},{"number":1867,"address":2746,"city":2742,"postcode":2747,"county":2742,"country":2315,"state":2748},"Retiro","28014","Communauté de Madrid",[2750],{"title":1890,"slug":1889,"type":1885},"2018-09-20T22:00:00+00:00","2019-01-13T14:55:00+00:00",[],{"id":2755,"slug":2756,"title":2757,"customTitle":1408,"defaultTitle":2758,"overrideHeading":420,"url":2759,"tagline":420,"thumbImage":2760,"locations":2772,"category":2788,"description":420,"startDate":2790,"endDate":2791,"type":236,"showForm":732,"form":2792,"__typename":1945},"134330","out-of-ousia","Alicja Kwade - Out of Ousia","Out of Ousia","https://www.mennour.com/exhibition/out-of-ousia",[2761],{"id":2762,"url":2763,"jpg16":2764,"jpg800":2765,"jpg1600":2766,"jpg2400":2767,"jpg3200":2768,"alt":420,"title":2769,"width":705,"height":2770,"caption":420,"mobile":2771,"__typename":679},"41666","https://dev-admin.mennour.com/uploads/img/alicja-kwade-kunsthalle-charlottenburg.jpg","fYLXPi-;t7xut7Rj_NWCofWBWBt7I9RjWBRjWBxut7t7WAWBofWBxut7M{WBWBax","https://dev-admin.mennour.com/uploads/img/_jpg800/alicja-kwade-kunsthalle-charlottenburg.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/alicja-kwade-kunsthalle-charlottenburg.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/alicja-kwade-kunsthalle-charlottenburg.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/alicja-kwade-kunsthalle-charlottenburg.jpg","Alicja kwade kunsthalle charlottenburg",1067,[],[2773],{"title":2774,"slug":2775,"url":2776,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2777,"city":2778,"mapLocation":2782},"Kunsthalle Charlottenburg, Copenhagen","kunsthalle-charlottenburg-copenhagen","https://www.mennour.com/location/kunsthalle-charlottenburg-copenhagen",[],[2779],{"title":2780,"slug":2781},"Copenhagen","copenhague",{"parts":2783},{"number":2667,"address":2784,"city":2785,"postcode":2786,"county":1867,"country":2787,"state":1867},"Nyhavn, Indre By","København","1051","Danemark",[2789],{"title":1890,"slug":1889,"type":1885},"2018-09-19T22:00:00+00:00","2019-02-16T23:00:00+00:00",[],{"id":2794,"slug":2795,"title":2796,"customTitle":1157,"defaultTitle":2797,"overrideHeading":420,"url":2798,"tagline":2797,"thumbImage":2799,"locations":2811,"category":2829,"description":420,"startDate":2831,"endDate":2832,"type":236,"showForm":732,"form":2833,"__typename":1945},"134332","hammer-projects-petrit-halilaj","Petrit Halilaj - Hammer Projects: Petrit Halilaj","Hammer Projects: Petrit Halilaj","https://www.mennour.com/exhibition/hammer-projects-petrit-halilaj",[2800],{"id":2801,"url":2802,"jpg16":2803,"jpg800":2804,"jpg1600":2805,"jpg2400":2806,"jpg3200":2807,"alt":420,"title":2808,"width":2809,"height":772,"caption":420,"mobile":2810,"__typename":679},"41671","https://dev-admin.mennour.com/uploads/img/petrit-halilaj-hammer-museum.jpg","nHG8_,NFI.X8xa~qRjRjj[s:D%n%nls:t7a}WYxtt7t7oMs:ozt7jZj[ayozxtf6","https://dev-admin.mennour.com/uploads/img/_jpg800/petrit-halilaj-hammer-museum.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/petrit-halilaj-hammer-museum.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/petrit-halilaj-hammer-museum.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/petrit-halilaj-hammer-museum.jpg","Petrit halilaj hammer museum",2818,[],[2812],{"title":2813,"slug":2814,"url":2815,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2816,"city":2817,"mapLocation":2821},"Hammer Museum, Los Angeles","hammer-museum-los-angeles","https://www.mennour.com/location/hammer-museum-los-angeles",[],[2818],{"title":2819,"slug":2820},"Los Angeles","los-angeles",{"parts":2822},{"number":2823,"address":2824,"city":2819,"postcode":2825,"county":2826,"country":2827,"state":2828},"10899","Wilshire Boulevard, Westwood","90024","Los Angeles County","États-Unis","California",[2830],{"title":1890,"slug":1889,"type":1885},"2018-09-14T22:00:00+00:00","2019-01-19T23:00:00+00:00",[],{"id":2835,"slug":2836,"title":2837,"customTitle":1490,"defaultTitle":2838,"overrideHeading":420,"url":2839,"tagline":420,"thumbImage":2840,"locations":2851,"category":2860,"description":2862,"startDate":2863,"endDate":2864,"type":236,"showForm":732,"form":2865,"__typename":1945},"114231","bowles","Matthew Lutz-Kinoy - Bowles","Bowles","https://www.mennour.com/exhibition/bowles",[2841],{"id":2842,"url":2843,"jpg16":2844,"jpg800":2845,"jpg1600":2846,"jpg2400":2847,"jpg3200":2848,"alt":420,"title":2838,"width":2849,"height":1913,"caption":420,"mobile":2850,"__typename":679},"38072","https://dev-admin.mennour.com/uploads/img/bowles.jpg","nEIOCFRk.S-;M{vMIUSOt7WC00M|IAMwo#t6R*xaxuj]_NogMxxuM{%gWXaxoft6","https://dev-admin.mennour.com/uploads/img/_jpg800/bowles.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/bowles.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/bowles.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/bowles.jpg",1371,[],[2852],{"title":1967,"slug":1968,"url":347,"type":1920,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":1969,"thumbImage":2853,"city":2856,"mapLocation":2858},[2854],{"id":1972,"url":1973,"jpg16":1974,"jpg800":1975,"jpg1600":1976,"jpg2400":1977,"jpg3200":1978,"alt":420,"title":1979,"width":1023,"height":1980,"caption":420,"mobile":2855,"__typename":679},[],[2857],{"title":350,"slug":351},{"parts":2859},{"number":354,"address":355,"city":350,"postcode":356,"county":357,"country":358,"state":359},[2861],{"title":1893,"slug":528,"type":1885},"At the outset of Matthew Lutz-Kinoy's first exhibition at the gallery kamel mennour, there is the living memory of a journey between the East and the West: the imaginary of Tangier fixed in the ethereal reveries of American writers and artists who escaped their lives to colonize the city's places, objects and bodies.\n\n'Still today, the image of Tangier remains more or less unchanged. People have not ceased to come here, dreaming of diving into the 1940s atmosphere of excess and prodigality. They sometimes even pretend that the dream has turned into reality', wrote Paul Bowles at the end of his life. With a cruel irony, he most accurately described the cultured elite’s fascination with Orientalism.\n\nThe exhibition in part reflects and outlines the lives of Jane and Paul Bowles. A diabolical and nomadic couple, a homosexual couple that wandered Tangier's inter-zones, as a pair as well as separately, drawn by the traffic of lovers and drugs, pallid predators roaming the labyrinthine alleys of the white city. Only lovers left alive... They are indeed depicted in the exhibition's paintings: Paul in an obscene Balthus-like posture and Jane as a tortured elf, drawn in a naturalist fashion that resurfaces her tragic and grotesque destiny.\n\nThe exhibition finds its origins in the exotic visions of a border-city – a paradise, a mirage, a place of decadence, loss and possession. The show additionally intercepts the light's muted and turbulent energy, the color's vibration, and the power of animal representation. Matthew Lutz-Kinoy's beasts join Géricault's great mythical figures, his flying horses, and Delacroix's big cats. Shapes whose representations of morphology, movement and violence are reinforced by the nervous intensity of pure colors.\n\nThese oriental sensations allow Matthew Lutz-Kinoy to introduce a multitude of details, figures and ornaments; their coloration, platitude and brilliance alternatively pacify or excite the painting's parts. Like poetic and poisonous flowers, born from an urge to paint that seems infinite. There are no real-life models corresponding to these exuberant flowers, neither carnations nor peonies. They are impressions of an invented vegetation, of the idea of a garden or a chromatic surface, the notion of red as a unique horizon.\n\nFrom the image of the Bowles couple to the ones painted on the surface of the bowls (the large ceramic basins filled with water and displayed on the gallery's floor), Matthew Lutz-Kinoy introduces homonymy or homophony effects – ambiguities between subjects and things, places and times, an indistinct passage between referents and signifiers – into the exhibition's language.\n\nIn Matthew Lutz-Kinoy's work, ceramics holds a very special place. The basins – inspired by Hispano-Moorish earthenware and characterized by their tin-based enamel, by green hues and manganese, by the blue and white decors – compose a mobile garden, a reflecting landscape that interacts with the paintings' floating structures as well as with the gallery's architecture.\n\nThroughout this totalizing display, solely made of new works, one rediscovers the internal logic already found in the artist's previous shows: the aim to confine outdoor spaces, different eras of time and epochs, forms and tastes, within an enclosed space. The intention to form a space bearing all the eras of time, a space outside of time which would nonetheless function as the space of our modernity.\n\nStéphanie Moisdon\n\n\nMatthew Lutz-Kinoy (b. New York, 1984) lives and works in Los Angeles and Paris.\nRecent solo exhibitions include: Le Consortium, Dijon (2018); Mendes Wood DM, Sao Paulo (2017); MoMA PS1, New York (2016); Freedman Fitzpatrick, Los Angeles (2016); Pro Choice, Paris (2014); Elaine – Museum für Gegenwart Kunst, Basel (2013); and Kunsthalle Baden-Baden (2013). Recent group shows include: Depart Foundation, Los Angeles (2017); Oracle Berlin (2017); and Almine Rech (2017).\nHis work is in the collections of the FRAC Aquitaine, the ADN Collection, Bolzano, and the Syz Collection, Geneva.","2018-09-06T11:15:00+00:00","2018-10-06T11:15:00+00:00",[],{"id":2867,"slug":2868,"title":2869,"customTitle":1829,"defaultTitle":2870,"overrideHeading":420,"url":2871,"tagline":420,"thumbImage":2872,"locations":2883,"category":2900,"description":420,"startDate":2902,"endDate":2634,"type":236,"showForm":732,"form":2903,"__typename":1945},"134334","hon","Shen Yuan - Hon","Hon","https://www.mennour.com/exhibition/hon",[2873],{"id":2874,"url":2875,"jpg16":2876,"jpg800":2877,"jpg1600":2878,"jpg2400":2879,"jpg3200":2880,"alt":420,"title":2881,"width":833,"height":834,"caption":420,"mobile":2882,"__typename":679},"41676","https://dev-admin.mennour.com/uploads/img/shen-yuan-power-station-of-art.jpg","W4FF$}QR00-jtm?w00?H-;Rl-:IV00K9?uEN00s,^$~pD+D%kDM{","https://dev-admin.mennour.com/uploads/img/_jpg800/shen-yuan-power-station-of-art.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/shen-yuan-power-station-of-art.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/shen-yuan-power-station-of-art.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/shen-yuan-power-station-of-art.jpg","Shen yuan power station of art",[],[2884],{"title":2885,"slug":2886,"url":2887,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2888,"city":2889,"mapLocation":2893},"Power Station of Art, Shanghai","power-station-of-art-shang-hai-2","https://www.mennour.com/location/power-station-of-art-shang-hai-2",[],[2890],{"title":2891,"slug":2892},"Basel","shanghai",{"parts":2894},{"number":2895,"address":2896,"city":1867,"postcode":2897,"county":1867,"country":2898,"state":2899},"Shang Hai Dang Dai Yi Shu Bo Wu Guan","甲秀里, Huang Pu Qu","200011","Chine","Shang Hai Shi",[2901],{"title":1890,"slug":1889,"type":1885},"2018-07-27T22:00:00+00:00",[],{"id":2905,"slug":2906,"title":2907,"customTitle":2907,"defaultTitle":2907,"overrideHeading":420,"url":2908,"tagline":420,"thumbImage":2909,"locations":2919,"category":2937,"description":420,"startDate":2939,"endDate":2940,"type":236,"showForm":732,"form":2941,"__typename":1945},"114242","mask","Mask","https://www.mennour.com/exhibition/mask",[2910],{"id":2911,"url":2912,"jpg16":2913,"jpg800":2914,"jpg1600":2915,"jpg2400":2916,"jpg3200":2917,"alt":420,"title":2907,"width":982,"height":981,"caption":420,"mobile":2918,"__typename":679},"38085","https://dev-admin.mennour.com/uploads/img/mask.jpg","fIM%l]y:4Tb[o1Mx^Q%~-pXTjGxa_NMx9FIUxat7-;aeadkVMybY-;tRaeNFayof","https://dev-admin.mennour.com/uploads/img/_jpg800/mask.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/mask.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/mask.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/mask.jpg",[],[2920],{"title":2921,"slug":2922,"url":2923,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2924,"city":2925,"mapLocation":2929},"Mennour, 51 Brook Street, London","mennour-51-brooke-street-london","https://www.mennour.com/location/mennour-51-brooke-street-london",[],[2926],{"title":2927,"slug":2928},"London","london",{"parts":2930},{"number":2931,"address":2932,"city":2927,"postcode":2933,"county":2934,"country":2935,"state":2936},"51","Brook Street","W1K 4HP","Greater London","Royaume-Uni","England",[2938],{"title":1893,"slug":528,"type":1885},"2018-06-27T22:00:00+00:00","2018-07-28T15:45:00+00:00",[],{"id":2943,"slug":2944,"title":2945,"customTitle":1346,"defaultTitle":2946,"overrideHeading":420,"url":2947,"tagline":420,"thumbImage":2948,"locations":2959,"category":2968,"description":2970,"startDate":2971,"endDate":2972,"type":236,"showForm":732,"form":2973,"__typename":1945},"114252","another-m-other","Anish Kapoor - Another (M)other","Another (M)other","https://www.mennour.com/exhibition/another-m-other",[2949],{"id":2950,"url":2951,"jpg16":2952,"jpg800":2953,"jpg1600":2954,"jpg2400":2955,"jpg3200":2956,"alt":420,"title":2957,"width":834,"height":833,"caption":420,"mobile":2958,"__typename":679},"38088","https://dev-admin.mennour.com/uploads/img/another-m-other.jpg","mPLNlXo#?^00-;M{?bxux]RjM{%MRjf6j[tRM{fkt7j[xuaeofof","https://dev-admin.mennour.com/uploads/img/_jpg800/another-m-other.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/another-m-other.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/another-m-other.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/another-m-other.jpg","Another m other",[],[2960],{"title":1967,"slug":1968,"url":347,"type":1920,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":1969,"thumbImage":2961,"city":2964,"mapLocation":2966},[2962],{"id":1972,"url":1973,"jpg16":1974,"jpg800":1975,"jpg1600":1976,"jpg2400":1977,"jpg3200":1978,"alt":420,"title":1979,"width":1023,"height":1980,"caption":420,"mobile":2963,"__typename":679},[],[2965],{"title":350,"slug":351},{"parts":2967},{"number":354,"address":355,"city":350,"postcode":356,"county":357,"country":358,"state":359},[2969],{"title":1893,"slug":528,"type":1885},"Kamel Mennour is delighted to present a new exhibition of recent\nworks by the renowned British artist, Anish Kapoor. The exhibition will\ntake place across both the gallery’s Paris spaces.\nIn this, Kapoor’s most visceral exhibition to-date, the artist’s sleek\ngeometric forms and geological materials now disclose an intense\nsexual and physiological charge. Fresh iterations of the artist’s\nengagement with process-led series, which often feature new\ndepartures in material and form, are charged with a provocative\neroticism and the desire, as the artist puts it, “to see the body, shrivelled\nup in all its naked vomiting nastiness, somehow emerge out of the\nimposed order of life.”1 The works include mirror pieces, in which pairs\nof the artist’s immaculate concave surfaces are brought together for\nthe first time in corners of the gallery, while others curl up into the form\nof lipped openings. Lying astride two different rooms, a large floorstanding\nsculpture, made of exposed welded metal and fibreglass,\nlooks in turn like a munition, decaying felled tree trunk and phallus.\nA silicone work is set against a wall —in the artist’s words, “an ooze of\nthe semi-described.” There are also two paintings in the surprisingly\nconventional medium of oil on canvas —a part of the artist’s practice\nfor many years, but one which he has rarely put on public display.\nAll works reflect Kapoor’s distinctive thematisation of the unfixed\nnature of objects, as he puts it, “hovering angelically between the\nphysical and the no-thing”2 – a challenge to the conventional notion of\ntheir permanence. Kapoor’s is a world of emergence, metamorphosis,\nalchemy and entropy. In recent years his sculptures and paintings have\nbecome ever more corporeal and animate, a trajectory continued\nin this exhibition. It is as if his sleek geometric forms have begun to\nevolve, by some mysterious Darwinian process into messy organs and\nanatomies; and as if his precisely-incised impenetrable voids have\nsuddenly begun to disgorge what they had previously hidden, a surging\nmass of the internal body, of entrails and fleshiness. The deep, pungent\ncrimson hue, inevitably evocative of blood, which has dominated\nKapoor’s palette in the last decade, is omnipresent in the exhibition.\nAnish Kapoor is one of the emblematic artists of our age, leading the\nre-purposing of the language of Minimalism, which has defined a large area of art practice since the 1980s. Kapoor’s critical innovation has been, put simply, to place minimalism at the service of meaning. Judd, Morris, Le Witt and the first generation of the sixties intended to create art that evaded all meaning, making the work a formal, often typological exercise in shape, material and context. Like them, Kapoor does not produce the work with meanings in mind, but, unlike them, he recognises they are unavoidable and desirable. As he says “Artists don’t make objects. We are in pursuit of mythology.”1\nKapoor’s primal forms draw into themselves psychoanalytic, sexual, and reproductive dimensions as well as destructive, even apocalyptic forces, and reflect on the experimental nature of the production of art. His development over the past forty years constitutes a project to test and expand the capacity of art to contain\nmeanings. There is even a contemporary political resonance: as he presents us with the ‘nomadism’ he perceives to be inherent in objects, he is reflecting on his own status as the immigrant child of refugees.\nKapoor’s work has always absorbed and alluded to diverse art historical references. So it is surely no coincidence that the selection here conjures up moments from Paris’ own cultural history. The silicone paintings which the artist calls “interior objects”, offer Soutine-like seething expanses of flesh. Kapoor’s resin lips form a vaginal ellipse, or, if viewed sideways, a mouth-with-tongue and eye —a mapping of body-parts, which recalls the Surrealist Georges Bataille. The unstructured informe of Kapoor’s work evokes the post-war School of Paris, while Kapoor’s compression of psychological, political and aesthetic meanings into each work may remind us of the syncretism of Gustave Moreau and the Symbolists, who integrated Classical, Christian and Asian mythology in their imagery.\nThe Sorbonne historian of science Gaston Bachelard also comes to mind. In his epistemological text “The Poetics of Space,” Bachelard enumerated, through literary references, the thick layers of sensation and meaning, which accrue to different kinds of spaces. Looking at Kapoor’s two concave mirrors, discretely situated at right angles in the corner of the gallery, one observes how they pull the entire space of the gallery into the smallness of a corner, evoking Bachelard’s sensation of “intimate immensity,” fusing the “corner in a house, every angle in a room, every inch of secluded space in which we like to hide, or withdraw into ourselves, … a symbol of solitude for the imagination”2 with the vastness of a forest, a maze, the night or, indeed, a mirror which “accumulates its infinity within its own boundaries.”3\n\nBen Lewis","2018-06-04T16:50:00+00:00","2018-07-21T16:50:00+00:00",[],{"id":2975,"slug":1282,"title":2976,"customTitle":1283,"defaultTitle":1283,"overrideHeading":420,"url":2977,"tagline":420,"thumbImage":2978,"locations":2991,"category":2998,"description":3000,"startDate":3001,"endDate":3002,"type":236,"showForm":732,"form":3003,"__typename":1945},"114262","Cameron Jamie - Cameron Jamie","https://www.mennour.com/exhibition/cameron-jamie",[2979],{"id":2980,"url":2981,"jpg16":2982,"jpg800":2983,"jpg1600":2984,"jpg2400":2985,"jpg3200":2986,"alt":420,"title":2987,"width":2988,"height":2989,"caption":420,"mobile":2990,"__typename":679},"272847","https://dev-admin.mennour.com/uploads/img/1-2018-Cameron-Jamie-Londres-Photos.-Archives-kamel-mennour_2025-02-07-104457_ccou.jpeg","WVLqCDxa?bxbM|of_4WBRjafRPj[IAofkCWVx[ofxubb%MkCtRa{","https://dev-admin.mennour.com/uploads/img/_jpg800/272847/1-2018-Cameron-Jamie-Londres-Photos.-Archives-kamel-mennour_2025-02-07-104457_ccou.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/272847/1-2018-Cameron-Jamie-Londres-Photos.-Archives-kamel-mennour_2025-02-07-104457_ccou.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/272847/1-2018-Cameron-Jamie-Londres-Photos.-Archives-kamel-mennour_2025-02-07-104457_ccou.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/272847/1-2018-Cameron-Jamie-Londres-Photos.-Archives-kamel-mennour_2025-02-07-104457_ccou.jpg","1 2018 Cameron Jamie Londres Photos Archives kamel mennour",8852,5492,[],[2992],{"title":2921,"slug":2922,"url":2923,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":2993,"city":2994,"mapLocation":2996},[],[2995],{"title":2927,"slug":2928},{"parts":2997},{"number":2931,"address":2932,"city":2927,"postcode":2933,"county":2934,"country":2935,"state":2936},[2999],{"title":1893,"slug":528,"type":1885},"Kamel Mennour is pleased to present American artist Cameron Jamie’s first solo exhibition at the gallery. In his latest exhibition, Jamie is exhibiting his new series of ceramic works which he has expanded and merged into his own personal language as an extension of his graphic and sculptural disciplines.\nWith his video works, photographs, performances, sculptures and drawings, Jamie has been a major figure on the international arts scene for the last thirty years. His practice, enriched by appropriations and collaborations, has often been compared to anthropology, and continues to stretch the notion of identity, highlighting the resurgences of myth and fantasy in everyday life and popular culture.\nHis investigations into ritualistic practice in marginal or underground cultures deconstruct the overarching processes of normalization. His most recent work, however, forces us to rethink his role as the amateur documenter of backyard and urban culture that he has been assigned.\nThough his work has often been explained by his own biographical context (the loss of meaning and the desperation that came out of a normative life in the sterile suburbs of Southern California), he freed himself from this through a wider reflection on the conditions of life in a total society of the spectacle. Like an antidote to mass culture, he has been developing an intimate cosmology that transcends the death of the subject, and sublimates expressions that come from so-called minor forms of expression. Jamie has been working actively in ceramic again for the past decade,\nthe material he originally trained in during his early school years which allows him to work through successive additions and effacements. Jamie draws on large smooth plates of wet clay, by reacting to draw lines and create forms using both his hands, fingers, and a large needle to mark shapes as he etches incisions, scratches, or stipples, which he then quickly scrapes or smooths out, in order to start again. He uses and mixes a vast range of bright, often acidic and highly contrasting glaze\ncolours which are layered upon one another through successive firings, each firing putting them at risk and finally saturating them in vibrant colours.\nOn these ceramic plates, the imagery of Jamie’s automatic drawings of the interior and exterior of his figurative art (heads, guts, organs), real matrices of his whole body of work, have been replaced by more slender, ethereal signs. From these mind maps, it is often the image of a flower that emerges, the scrollwork, fluid lines suggesting a head mounted on a graceful body. For Jamie, this is Georges Bataille’s flower, an dealised and therefore misleading form, the medium for a symbolic projection of the idea of beauty, born, however, of compost. An image of impermanence and fragility, it can also be seen as a vacillating body. Like his earlier imagery, from the wrestler’s mask to the deconstructed interior and exterior of the face, his figurative alter egos are always figures in suspense, mediums for generic representations that make it possible to fix a temporary, uninhibited state.\nThe skillfully choreographed exhibition space is filled in the centre with large ceramic sculptures. Somewhere between totemic forms and mounds, these organic forms materialise in their own way an idea of the shapeless.\nAt times their surfaces are smooth, or carry the imprint of the full-body grip of the artist in the throes of this vaguely anthropomorphic presence, topped with profiles in the shape of a bird’s beak. A projection of an interior self, the animal is here another variation in his effort at disfigurement.\nOne of the new large sculptural pieces has been vertically sliced in two in order to reveal their insides, like one splits a gemstone rock in two. With a surgical gesture, the artist reveals a second anthropomorphic form and figure inside the architectural interior cavern. Reminiscent of the concretion of material in the ritual ablutions\nof African bolis, the overabundance of glazed material layered through successive firings, creates a feeling of mysterious emotion and beautiful intensity as one examines and explores the frozen form of the cavernous figure.\nA true sculptor, Cameron Jamie massages earth like he kneads history in a continuous cycle of construction and deconstruction. Creation in the widest sense of the term is an exact product of these contradictory psychic forces.\nConstantly somewhere between letting go and control, figuration and abstraction, Jamie formulates a precarious balance between the sublimation of an interiority and the serial processes of conceptual art. By inscribing his works in a temporality made up of successive instants that also signal his ties to cinema, and in the malleability\nof Earth, he opens the way for a wider conception of drawing as a medium rooted in time and space.\n\nAxelle Blanc","2018-05-02T22:00:00+00:00","2018-05-26T14:20:00+00:00",[],{"id":3005,"slug":3006,"title":3007,"customTitle":3008,"defaultTitle":3009,"overrideHeading":420,"url":3010,"tagline":420,"thumbImage":3011,"locations":3024,"category":3041,"description":420,"startDate":3043,"endDate":3044,"type":236,"showForm":732,"form":3045,"__typename":1945},"134336","falling-lovely-and-beautiful","Latifa Echakhch - Falling, lovely and beautiful","Latifa Echakhch","Falling, lovely and beautiful","https://www.mennour.com/exhibition/falling-lovely-and-beautiful",[3012],{"id":3013,"url":3014,"jpg16":3015,"jpg800":3016,"jpg1600":3017,"jpg2400":3018,"jpg3200":3019,"alt":420,"title":3020,"width":3021,"height":3022,"caption":420,"mobile":3023,"__typename":679},"41691","https://dev-admin.mennour.com/uploads/img/latifa-echakhch-kiosk-gand.jpg","WOHCDv%MRkozjsog~pjYWBogofof9Fj]ofWBWBogD$Rjofa}ayay","https://dev-admin.mennour.com/uploads/img/_jpg800/latifa-echakhch-kiosk-gand.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/latifa-echakhch-kiosk-gand.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/latifa-echakhch-kiosk-gand.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/latifa-echakhch-kiosk-gand.jpg","Latifa echakhch kiosk gand",2126,1417,[],[3025],{"title":3026,"slug":3027,"url":3028,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":3029,"city":3030,"mapLocation":3034},"Kiosk Ghent","kiosk-ghent","https://www.mennour.com/location/kiosk-ghent",[],[3031],{"title":3032,"slug":3033},"Gent","gent",{"parts":3035},{"number":1867,"address":3036,"city":3032,"postcode":3037,"county":3038,"country":3039,"state":3040},"Louis Hanssensdreef, Gent","9000","Oost-Vlaanderen","Belgique","Vlaams Gewest",[3042],{"title":1890,"slug":1889,"type":1885},"2018-04-21T22:00:00+00:00","2018-06-14T22:00:00+00:00",[],{"id":3047,"slug":3048,"title":3049,"customTitle":3008,"defaultTitle":3050,"overrideHeading":420,"url":3051,"tagline":420,"thumbImage":3052,"locations":3065,"category":3080,"description":420,"startDate":3082,"endDate":3083,"type":236,"showForm":732,"form":3084,"__typename":1945},"134339","le-jardin-mécanique","Latifa Echakhch - 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The only thing apparent was the lure of Didi and Gogo, their presence and sharp currents gripping the space. And when Vladimir asked “It wasn’t you came yesterday?” the child always hesitated, despite the impatient commands of a cranky director. It’s only now, thirty years later, that he doesn’t flinch as practice has swallowed whole the terror of what can’t possibly be known.\nIt’s a thing that can be seen in the dusty corner on the mantle piece high up when she stands on her chair looking over with mild curiosity. It appears in a series of utterances, movements or the draft that arrives from beneath the window. We pack it in salt and disturb it with rubbing alcohol, scrape it and gnaw at its layered gestures. In a series of absurd folds its light source is revealed and what is apparent again is that it has an animate nature, qualities of heat, reflectivity and porous mass. Various positions show it, here bending down prostrate with your back to the audience, there shaking the head violently, arms raised high in victory form. Or you can lay face down moving slow while you scan the ground, your very own system of support.\nYou can shout, hum, vibrate and spit as the form is yoked out of concealment. With the door cracked open, you laugh mad or loopy at the heavy machinery idling on the corner, strange heaps that moan in the background, a tepid rural stage -mixed with birdsong and ocean and coyotes from the valley. Digital recordings echo in the long room and images are rising here, hovering above the killing floor. They lurk and blur and begin to reject their substrate. Later in the day the sun cuts the air, making the forms transparent, racing in the visible spectrum. It’s possible now as the space is filled with tremors so that action and idea are simultaneous, each particle colliding in the way of hellhounds. On the peripheral of this room there is always movement and when your attention is focused the meaning is felt instead of interpreted. This is the beginning.\n\nSticks, rocks, rolls of steel fencing and rusted screens, wood blocks concrete shards, burlap, cotton rags, 5-gallon buckets, string, adhesives, crates, heavy rolling tables, and the boy’s chair all stained in ink, salt and alcohol. It’s only because I reach out to hold the material that I know it’s there in all four dimensions. I can press it against the surface or drag it or stuff it into a bucket of dark umber and Prussian blue then drain it and hang it up high from the roof beam and watch it drip, sag and slowly be rid of its moisture. Later it’s stiff, an arid skin, void of its original character and now showing a foreign quality, a vapory mirror or a thin screen that diffuses the fiery world behind it.\nAfter the dress rehearsal I replaced the barren tree with the boy’s chair from the studio, the little one that I would sit on to make low marks on the larger works or instead use as a stepping stool to reach mid-range on the longer horizontals. A prop that became a tool and a tool that then became an appearance, one that is now always coming forth, ignorant of both the means and the end.\n— Liam Everett\n\nkamel mennour is pleased to present the second show by Liam Everett at the gallery. Born in 1973 in Rochester, New York, Everett lives and works in Northern California. He has had solo exhibitions at Altman Siegel Gallery, San Francisco; Eleni Koroneou Gallery, Athens; Office Baroque, Brussels; On Stellar Rays, New York; Paul Kasmin Gallery, New York; and White Columns, New York. His work has been included in group exhibitions such at the San Francisco Museum of Modern Art; the Biennale of Painting, Museum Dhondt-Dhaenens, Deurle, Belgium; Arndt Singapore; di Rosa, Napa; U.C. Berkeley Art Museum and Pacific Film Archive; Headlands Center for the Arts, Sausalito, California; San Jose Institute of Contemporary Art; CCA Wattis Institute for Contemporary Arts, San Francisco; and 303 Gallery, New York. Everett has received the SECA Art Award at the San Francisco Museum of Modern Art (2017), the Richard Diebenkorn Teaching Fellowship at the San Francisco Art Institute (2013) and the San Francisco Artadia Award (2013). His new monograph, Without an Audience, published by Altman Siegel and kamel mennour, Paris/ London with contributions by Jenny Gheith, Jonathan Griffin, Hope Mohr and Liam Everett, is on display at the gallery.","2018-04-10T22:00:00+00:00","2018-05-12T16:35:00+00:00",[],{"id":3157,"slug":3158,"title":3159,"customTitle":1744,"defaultTitle":3160,"overrideHeading":420,"url":3161,"tagline":420,"thumbImage":3162,"locations":3173,"category":3187,"description":420,"startDate":3189,"endDate":3190,"type":236,"showForm":732,"form":3191,"__typename":1945},"134343","air-affairs-and-maritime-nonsense","Zineb Sedira - Air Affairs and Maritime NonSense","Air Affairs and Maritime NonSense","https://www.mennour.com/exhibition/air-affairs-and-maritime-nonsense",[3163],{"id":3164,"url":3165,"jpg16":3166,"jpg800":3167,"jpg1600":3168,"jpg2400":3169,"jpg3200":3170,"alt":420,"title":3171,"width":2458,"height":725,"caption":420,"mobile":3172,"__typename":679},"41706","https://dev-admin.mennour.com/uploads/img/zineb-sedira-sharjah-art-foundation.jpg","fdIr7}V?D%M_WBj]~pf6M{V@j[WVIURjxuofj[WBRjaexua}WBj[t7oKj[a|WBof","https://dev-admin.mennour.com/uploads/img/_jpg800/zineb-sedira-sharjah-art-foundation.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/zineb-sedira-sharjah-art-foundation.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/zineb-sedira-sharjah-art-foundation.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/zineb-sedira-sharjah-art-foundation.jpg","Zineb sedira sharjah art foundation",[],[3174],{"title":3175,"slug":3176,"url":3177,"type":1920,"getDataFromGooglePlaceAPI":732,"googlePlaceAPI":420,"thumbImage":3178,"city":3179,"mapLocation":3183},"Sharjah Art Foundation, UAE","sharjah-art-foundation","https://www.mennour.com/location/sharjah-art-foundation",[],[3180],{"title":3181,"slug":3182},"Sharjah","sharjah",{"parts":3184},{"number":1867,"address":3185,"city":3181,"postcode":1867,"county":1867,"country":3186,"state":3181},"Corniche Street, Al Mareija","Émirats arabes unis",[3188],{"title":1890,"slug":1889,"type":1885},"2018-03-15T23:00:00+00:00","2018-06-15T22:00:00+00:00",[],{"id":3193,"slug":3194,"title":3195,"customTitle":3195,"defaultTitle":3195,"overrideHeading":420,"url":3196,"tagline":420,"thumbImage":3197,"locations":3209,"category":3218,"description":420,"startDate":3220,"endDate":3221,"type":236,"showForm":732,"form":3222,"__typename":1945},"114295","les-figures","Les Figures","https://www.mennour.com/exhibition/les-figures",[3198],{"id":3199,"url":3200,"jpg16":3201,"jpg800":3202,"jpg1600":3203,"jpg2400":3204,"jpg3200":3205,"alt":420,"title":3206,"width":3207,"height":1254,"caption":420,"mobile":3208,"__typename":679},"38104","https://dev-admin.mennour.com/uploads/img/les-figures.jpg","fVJkl$-=x^xvR*xu~qaeogj[V@ayIUayV@aeofWAIUxut7ofogaxWCaxt7WBWBju","https://dev-admin.mennour.com/uploads/img/_jpg800/les-figures.jpg","https://dev-admin.mennour.com/uploads/img/_jpg1600/les-figures.jpg","https://dev-admin.mennour.com/uploads/img/_jpg2400/les-figures.jpg","https://dev-admin.mennour.com/uploads/img/_jpg3200/les-figures.jpg","Les figures",1446,[],[3210],{"title":1967,"slug":1968,"url":347,"type":1920,"getDataFromGooglePlaceAPI":685,"googlePlaceAPI":1969,"thumbImage":3211,"city":3214,"mapLocation":3216},[3212],{"id":1972,"url":1973,"jpg16":1974,"jpg800":1975,"jpg1600":1976,"jpg2400":1977,"jpg3200":1978,"alt":420,"title":1979,"width":1023,"height":1980,"caption":420,"mobile":3213,"__typename":679},[],[3215],{"title":350,"slug":351},{"parts":3217},{"number":354,"address":355,"city":350,"postcode":356,"county":357,"country":358,"state":359},[3219],{"title":1893,"slug":528,"type":1885},"2018-03-15T17:20:00+00:00","2018-04-21T16:20:00+00:00",[],{"id":3224,"slug":3225,"title":3226,"customTitle":1450,"defaultTitle":3227,"overrideHeading":420,"url":3228,"tagline":420,"thumbImage":3229,"locations":3242,"category":3254,"description":3256,"startDate":3257,"endDate":3258,"type":236,"showForm":732,"form":3259,"__typename":1945},"114302","walt-disney-productions","Bertrand Lavier - 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Bertrand Lavier isolated the narrative’s\npaintings and sculptures and enlarged them to the presumed format.\nIn so doing, he short-circuited the circuit of representation by making\ntangible (raising to the status of art) that which until then was merely\ndécor and fiction. The photographic paintings and sculptures made\nfrom this cartoon are now destined to float in an undecidable space in\nthat they retain the form of their original “territory” though they have\nactually left it behind. They are not the enlargement of drawings with\nmodern art for subject, but perfectly iconic paintings and sculptures\nthat embody a certain doxa of modernity. Bertrand Lavier’s translation\nbrings to light a repressed dimension of reproduction, which reaches\nbeyond stereotype to attain a form of universality. In this respect, Walt\nDisney Productions is more than an ironic commentary on art a told to\nchildren; it reminds us, as the artist says, that “it is the virtual world that\nenables us to approach a deeper reality. ”\n- Bernard 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