OLIVIA DELPORTE

“Les marchandes d’art à Paris dans l’entre-deux-guerres : au cœur d’un réseau de femmes” [Women art dealers in Paris during the interwar period: at the heart of a women’s network], conducted at the University of Tours under the supervision of Julie Verlaine, Professor of Contemporary History. The jury was impressed by the novelty of her research into these art-world players, which will enrich our knowledge of the Paris modern art market between 1920 and 1939, while at the same time addressing contemporary issues such as gender studies. 

MAGALI OHOUENS

“Penser l’art et la culture dans le contexte des Indépendances : approche comparative des politiques culturelles du Sénégal et du Ghana des années 1950 aux années 1970” [Thinking art and culture in the context of Independence: comparative approach of Senegal’s and Ghana’s cultural policies from the 1950s to the 1970s], conducted at the Université Paris 1 Panthéon-Sorbonne under the supervision of Maureen Murphy, . The jury was impressed by the transnational approach of her project, which will contribute to a better understanding of the art scenes of Senegal and Ghana, within the framework of global and post-colonial studies in art history.