Catharine Czudej
Reckless, 2016
Spray paint and gouache on canvas, plexiglas / 164,2 x 123,5 x 4,1 cm
Untitled, 2017
Acrylic on canvas, stretched over wood panel : 198,1 x 154,9 cm
Untitled, 2017
Acrylic on canvas, stretched over wood panel / 198,1 x 154,9 cm
Untitled, 2017
Acrylic on canvas, stretched over wood panel / 198,1 x 154,9 cm
Anna Uddenberg
Transit Mode - Abenteuer, 2014-2016
Fiberglass, Aqua-Resin, Crocs™, towel, wooden terrace tiles, MDF, gel texture / 45 x 165 x 195 cm
Pakui Hardware
Still in the Dark, 2017
Neon, sticker film / 200 x 100 cm
View of the exhibition « The Commodification of Love », commissaire / curator : Cloé Perrone, kamel mennour (47 rue Saint‑André des arts), Paris, 2017
© Catharine Czudej
© Pakui Hardware
© Avery Singer
© Anna Uddenberg
Photo. archives kamel mennour
Courtesy the artists; Office Baroque, Brussels; Gavin Brown’s enterprise New York/Rome; EXILE, Berlin; Kraupa-Tuskany
Zeidler, Berlin
Camille Henrot
Untitled (Study for Monday), 2017
Pastel on paper
99,1 x 69,9 cm
Camille Henrot
Untitled (Study for Monday), 2017
Pastel on paper
99,1 x 69,9 cm
Catharine Czudej
I’m not your brother, 2017
Concrete, bamboo, wood, plastic, steel
Variable dimensions
Lili Reynaud-Dewar
I am intact and I don’t care, 2015
Triptych. Fabric on canvas
Each: 180 x 95 x 3 cm
View of the exhibition “The Commodification of Love”, curator: Cloé Perrone, kamel mennour (47 rue Saint‑André des arts), Paris, 2017
© Catharine Czudej
© ADAGP Camille Henrot
© Lili Reynaud-Dewar
Photo. archives kamel mennour
Courtesy the artists; kamel mennour, Paris/London; Office Baroque, Brussels
Avery Singer
Untitled, 2017
Acrylic on canvas, stretched over wood panel / 198,1 x 154,9 cm
Untitled, 2017
Acrylic on canvas, stretched over wood panel / 198,1 x 154,9 cm
Untitled, 2017
Acrylic on canvas, stretched over wood panel / 198,1 x 154,9 cm
View of the exhibition « The Commodification of Love », commissaire / curator : Cloé Perrone, kamel mennour (47 rue Saint‑André des arts), Paris, 2017
© Avery Singer
Photo. archives kamel mennour
Courtesy the artist; Gavin Brown’s enterprise New York/Rome; Kraupa-Tuskany Zeidler, Berlin
Cecile B. Evans
A man in progress, 2017
3D printed resin, hand painted
Mask: 10 cm x 9 cm
Hand: 5 x 6 cm
Catharine Czudej
I’m not your brother, 2017
Concrete, bamboo, wood, plastic, steel
Variable dimensions
Antoine Catala
Insecure Attachment, 2015
Board game (plastic, steel, silicone rubber, rubber, nylon)
121,9 x 50,8 x 50,8 cm
Bedroom, 2017
TV screen, scrunchie, USB key. Video (color, silent)
Loop: 30 s
124 x 72 x 4 cm
New Feelings, 2017
TV screen, scrunchie, USB key. Video (color, silent)
Loop: 30 s
124 x 72 x 4 cm
View of the exhibition “The Commodification of Love”, curator: Cloé Perrone, kamel mennour (47 rue Saint‑André des arts), Paris, 2017
© Antoine Catala
© Catharine Czudej
© Cecile B. Evans
© ADAGP Camille Henrot
Photo. archives kamel mennour
Courtesy the artists; 47 Canal, New-York; Office Baroque, Brussels; Galerie Emanuel Layr, Rome/Vienna; Galerie Christine Mayer, Munich
Alexa Karolinski & Ingo Niermann
The Army of Love, 2016
Vidéo - HD
Duration : 40 min
Courtesy the artists