Preceded by a long immersion phase, each of Mohamed Bourouissa’s projects builds a new enunciation situation. With a critical take on mass media images, his artworks reintroduce complexity in contemporary society’s representations. The subjects of his photographs, sculptures and videos are often people “left behind”, at the crossroads of integration and exclusion. Kamel Mennour and Mohamed Bourouissa have been working together since 2010.
Palais de Tokyo, Paris, 2024
Biennale of Sydney, 2020
LaM, Villeneuve-d’Ascq, France, 2023
Mennour, Paris, 2020
Palais de Tokyo, Paris, 2024
Biennale of Sydney, 2020
LaM, Villeneuve-d’Ascq, France, 2023
Mennour, Paris, 2020
Palais de Tokyo, Paris, 2024
Biennale of Sydney, 2020
LaM, Villeneuve-d’Ascq, France, 2023
Mennour, Paris, 2020
portfolio
2024
“Quartier de Femmes”, Festival d’automne, Théâtre du Rond Point, Paris
“Kermesse”, Contemporaine de Nîmes, Nîmes, France
“SIGNAL”, solo show, Palais de Tokyo, Paris
2023
“Attracteur étrange”, LaM, Villeneuve-d’Ascq, France
“Quartier de Femme”, T2G, Théâtre de Gennevilliers, France
“Solo show in The Mediterranean: A Round Sea”, ARCO Madrid 2023
MoMA, New York
Stedelijk Museum, Amsterdam
The Israel Museum, Jerusalem, Israel
Istanbul Museum of Modern Art Türkçe, Istanbul
Musée de la Poste, Paris
Centre Pompidou, Paris
2020
Nomination Marcel Duchamp Prize, France
2018
Prize Deutsche Börse Photography Foundation, Germany
2012
Pictet Prize Nomination, London
2010
Blachère Foundation Prize, Apt, France
2008
Studio Collector Prize, for the film “Temps Mort”, Fondation Antoine de Galbert, Paris
2007
1st Prize - Rencontres Internationales de la Photographie, Le Off, Arles, France